Tsampouna
The tsampouna (or tsambouna;
While many bagpipes throughout Europe have experienced renewed interest in the 20th century (often after long decline or extinction), in 2006 ethnomusicologist
Current revival
In the 21st century, interest in the tsampouna is growing and re-oriented. Although its tradition emerged from a now obsolete social context, current reality is giving birth to a new tradition. New musicians, a new audience, new terms of listening, a new repertoire along with the old one, and, most important, new or ever-timely messages, form the framework within which an old instrument remains alive and even gains popularity. This new tradition goes side by side with the old one that is still carried on, and is inspired by it. At the same time it breaks the latter's closer bond with local communities, transforming the tsabouna music from a set of local dialects into a lingua franca.[9]
Notable players
See also
References
- ISBN 978-0-224-02296-5. Retrieved 28 September 2012.
- ISBN 978-960-204-004-1. Retrieved 28 September 2012.
- ISBN 978-960-89751-4-9.
- ^ συμφωνία, Henry George Liddell, Robert Scott, A Greek-English Lexicon, on Perseus
- ^ Λεξικό της κοινής νεοελληνικής. Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης. 1998. p. 1371.
- ISBN 9780955154102. Retrieved 28 September 2012.
- ^ Archived at Ghostarchive and the Wayback Machine: "Τσαμπουνοφυλάκα στην Ικαρία". YouTube.
- ^ Archived at Ghostarchive and the Wayback Machine: "Πανηγύρι Λαγκάδας Ικαρία 2013 - Καριώτικος με τσαμπούνα". YouTube.
- ^ "The Bagpipe Workshop". Archived from the original on 2012-09-30. Retrieved 2013-02-16.