User:Moneytrees/Get Out themes and analysis section
Themes and interpretations
Get Out has been described as critical of post-racial America, the concept of "colorblindness", and Neoliberalism.[1][2][3]
Lanre Bakare in
Peele stated that the character of Hudson, who "is the farthest from racist" due to his blindness, "still plays a part in the system of racism", due to his belief that the eyesight of a black photographer will give him an "advantage".[5] Hudson distances himself from the racial context of taking Chris' body, claiming to be only interested in his eyesight and reducing him to an aesthetic.[6][7]
Scholar Thai-Catherine Matthews draws parallels between Chris and Barack Obama, noting their "suspension" between racial and social identities. Matthews says Obama comes to the conclusion that this "suspension" can foster positive relations in his memoir Dreams from My Father, while Get Out "views suspension as the ultimate hell".[8] Ryan Poll cited the film as an example of Afro-pessimism.[7]
- ISSN 1740-0309. Retrieved 28 April 2023.
- ISSN 1030-4312. Retrieved 28 April 2023.
- ISSN 1740-0309. Retrieved 28 April 2023.
- ^ Bakare, Lanre (February 28, 2017). "Get Out: the film that dares to reveal the horror of liberal racism in America". The Guardian. Retrieved April 28, 2023.
- ^ Hiatt, Brian (January 29, 2019). "The All-American Nightmares of Jordan Peele". Rolling Stone. Retrieved February 1, 2019.
- ISSN 1754-3789. Retrieved 28 April 2023.
- ^ ISSN 0742-5562. Retrieved 28 April 2023.
- ISSN 1947-4237. Retrieved 28 April 2023.