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Dr Maria Balshaw (born 24th January 1970)

Whitworth, University of Manchester and Manchester City Galleries, which includes Manchester Art Gallery and Gallery of Costume.

Dr Balshaw is responsible for the artistic and strategic vision for each gallery holding internationally important collections of fine and decorative art totalling more than 100,000 objects. [2]

Dr Balshaw is also on the National Council of the Arts Council England [3] and Director of Culture for Manchester City Council.[4]

University

  • 1992 – 1996 DPhil in African American Visual and Literary Culture, University of Sussex
  • 1991 – 1992 MA in Critical Theory, University of Sussex
  • 1988 – 1991 BA (Hons) in English Literature and Cultural Studies, University of Liverpool [5]

Career

Early Career

Dr Balshaw was appointed Lecturer in Cultural Studies at

University College Northampton in 1993. In 1997, Balshaw joined the University of Birmingham as Research Fellow and Lecturer in Visual Culture. [6]

In 2002, Balshaw left academia to become Director of Creative Partnerships in Birmingham. [7] She worked for Peter Jenkinson OBE, National Director of Creative Partnerships and former West Midlands colleague were he had been founder director of the New Art Gallery, Walsall.[8]

As part of the newly formed Creative Partnerships, Dr Balshaw was tasked with bringing arts organisations and artists into partnerships with schools. A role which taught Dr Balshaw “a tremendous amount about how to inspire, persuade and cajole unlike partners into common goals” [9]

In 2004, Dr Balshaw was selected as one of the inaugural fellows for the

Clore Leadership programme Initiated by the Clore Duffield Foundation, the Programme is the UK's first cross-disciplinary leadership programme for the cultural and creative sector.[10] Dr Balshaw was successful in her application to join the scheme from over 400 other applicants.[11] Since completing the year long course Dr Balshaw has been appointed a member of the Strategic Advisory Board for the Clore Programme [12]

Upon completion of the Clore Leadership Programme, Dr Balshaw acted as Regional Director of the West Midlands Creative Partnerships programme and then worked for nine months as Director of External Relations and Development for ACE: West Midlands. [13]

the Whitworth

the Whitworth

In 2006, Dr Balshaw was headhunted to become the Director of

the Whitworth. Throughout her work at the Whitworth,Dr Balshaw has featured a broad range of disciplines championing art from around the world in particular West and South African art and the work of female artists. She has been quoted as saying "We do have a lot of women artists on show at the Whitworth, but only because they’re really good. That’s fair." [14]

Dr Balshaw's appointment at the Whitworth made her the second female director in the history of the gallery. Margaret Pilkington being the only other female director from 1925 - 1945. [15]

Key exhibitions

During her time as Director at the Whitworth, Dr Balshaw has been responsible for commisioning a wide range of exhibitions. Some of the most notable include:

  • Lynn Hershman Leeson - Autonomous Agents (2007) – a wide range of the artist's work - from the Roberta Breitmore series (1974–78) to videos from the 1980s and interactive installations that use the Internet and artificial intelligence software. [16]
  • Subversive spaces (2009) – looking at the relationship between surrealism and contemporary art, this exhibition included work from
    Magritte.[18] Nearly 50,000 visitors came to the Whitworth during the exhibition, a huge increase on the same period in previous years.[19] Gregor Schneider's installation, Kinderzimmer transformed the usually sunlit galleries at the Whitworth into a pitch black space with just a doorway to aim for. Visitors brushed against various walls and curtains before stumbling towards an eerily lit nursery.[20] Commissioned by the Whitworth for the exhibition Subversive Spaces, Kinderzimmer is the most significant UK installation by Schneider since his Die Familie Schneider in 2004. [21]
  • Mary Kelly - Projects 1973 - 2010 (2011) - Four decades of projects by American artist Mary Kelly were brought together in the most comprehensive exhibition of her work ever presented. [23]
  • The Land Between Us (2011) - a new look at historic and contemporary landscape art exploring its imagery, and the places and power associated with it. [24]
  • Anri Sala and Šejla Kamerić - 1395 Days without Red & Projections (2011) - as part of the Manchester International Festival, two powerful films about the siege of Sarajevo were premiered at the Whitworth alongside a number of previous Artangel film projects, including films and installations made by Francis Alÿs, Atom Egoyan and Catherine Yass. [25] Also as part of MIF Tony Oursler's Influence Machine filled the trees of Whitworth Park with glimmering ghostly faces from the past. [26]
  • Jane and Louise Wilson - Post-atrocity exhibition (2012 - 13) - An exhibition which included a world premiere where the Wilsons filmed the workers of Chernobyl in a new town. Atomgrad (Nature Abhors a Vacum) documented how the bright future promised by nuclear power turned out to be dangerous and unpredictable. [27]
  • Nancy Holt – Land Art (2013) - An exhibition showcasing Holt's fascination with time and space [28]
  • Nikhil Chopra – Coal On Cotton (2013) - Chopra lived and worked in the half completed wing of a new gallery space at the Whitworth for 65 hours during Manchester International Festival. His work explored Manchester's textile history and the people involved in both India and Britain. [29]
  • Sir Ernest Rutherford. The new sample of graphene was turned into a work of art by Parker to be used on the opening night of the new gallery. A firework display was triggered by Novoselov breathing on a graphene sensor created with a Blake painting. [30]

Capital Transformation

Balshaw started the process of reviving the Whitworth in 2007 with the launch of a new capital build project. Funding for the ambitious project totalling £15m came from the

Heritage Lottery Fund, Arts Council England, trusts and foundations including Clore Duffield, Wolfson Foundation, Headley Trust, The Granada Foundation as well as Friends of the Whitworth and private donors. [31] [32] [33]

In 2009, with the support of the Royal Institute of British Architects, Balshaw ran an international competition, that attracted 139 submissions from architects from all over the world.[34] The competition was chaired by Tom Bloxham and included Peter Saville as a judge. [35] McInnes Usher McKnight Architects (MUMA) were appointed architects for the project and building work began in 2013. [36]

On completion, the gallery has doubled it's exhibition space and opened up the gallery to Whitworth park. As The Guardian reported: "At the front, they have softened the forbidding entrance with a sculpture forecourt and an inviting sequence of steps, ramps and benches; but the real meat of the project is saved for the back, where MUMA have extended the symmetrical composition with a pair of wings that project out into Whitworth Park, framing a new sculpture garden. “It’s about having open arms and saying: ‘This place belongs to you.’” says Balshaw. “Before, we turned our back with a blank brick wall – now you can see what’s going on inside.” [37]

Dr Balshaw commissioned landscape architect Sarah Price to design two new areas of landscaping named the Art and Orchard garden [38] with other new facilities including a study centre, learning studio and a collections centre. [39]

Reopening The Whitworth reopened on February 14th 2015 with over 18,000 people attending the new gallery in the first two days

RIBA NW building of the year in May 2015. [42]

Manchester Art Gallery

Manchester Art Gallery

In 2011, Balshaw took on the role of Director of Manchester City Galleries alongside her duties at the Whitworth. This dual directorship brought the two institutions collections of historic and modern art into alliance for the first time in their history. Upon the appointment, Richard Leese leader of Manchester City Council, said creating a joint director role for the two galleries would “not only safeguard, but significantly enhance the city’s cultural reputation”. [43]

Key achievements and exhibitions

During her time as director, Manchester Art Gallery has hosted a wide range of contemporary and historical exhibitions including:

  • Ford Madox Brown - Pre-Raphaelite Pioneer (2012) - Bringing together 140 works from the Pre-Raphelite painter, this was the first exhibition from Brown since 1964. [44]
  • Turner prize winner, Deller created a personal view of the cultural, sociological and technological impact of the Industrial Revolution using a combination of artworks, objects and historical accounts. [48]
  • Joana Vasconcelos – Time Machine (2014) - the UK’s largest exhibition of works by the Portuguese contemporary artist. This major new show featured over twenty of the Vasconcelos’ most significant sculptures including the world premiere of a new textile work. [49]
  • Ryan Gander - Make Every Show Like It's Your Last (2014) - the largest ever UK show of the internationally renowned artist and Manchester graduate. [50]

The Manchester Partnership

In 2012, Balshaw led the partnership of Manchester City Galleries, Whitworth Art Gallery and The Manchester Museum in their application for £5.3m of funding from the Arts Council England. [51] [52]

Manchester City Council

During 2014, as part of her role as Director of Culture, Balshaw worked to persuade George Osborne to commit significant funding to building a new artistic and cultural centre in Manchester. In 2014, the government announced funding of £78m for The Factory, a brand new artistic hub on the old Granada Studios site in the city’s Castlefield district. [53]

Personal life

Maria married Professor Liam Kennedy in 1997. They have two children, Jake Kennedy (1997) and Lily Kennedy (1999). They separated in 2006. Maria married Nick Merriman, Director of the Manchester Museum, in 2010. They live in Manchester with Maria's children and part-time with Nick's children Robert and Lucas Merriman.[54] They have a dog called Ruby. [55] In 2014, Balshaw’s Vivian Westwood wedding dress was included in the Something Blue exhibition at the Gallery of Costumes. [56]

Balshaw is a director of the

Rothesay Pavilion Charity. The new charity was set up in 2014 with the aim of raising funds to transform the Grade A listed Pavilion into a new cultural centre for Bute. In 2015, the charity reached it's funding target of £8m. The new development will upgrade the main auditorium and add a second performance space for young people. There will also be new gallery space, a bistro, shops and bars along with a new multi purpose rooftop space. [57]

  1. ^ "The tales of one city". Arts Industry.
  2. ^ "Clore People". The Clore Leadership Programme.
  3. ^ "Maria Balshaw appointed to the Board of Arts Council England". GOV.UK.
  4. ^ "Maria Balshaw". Manchester School Of Art.
  5. ^ "Jobs Ladder". Arts Professional.
  6. ^ "Jobs Ladder". Arts Professional.
  7. ^ "Jobs Ladder". Arts Professional.
  8. ^ "Creative Economy". British Council.
  9. ^ "Jobs Ladder". Arts Professional.
  10. ^ "About". Clore Leadership Programme.
  11. ^ "So are these the faces of the future in British arts?". The Independent.
  12. ^ "Clore People". The Clore Leadership Programme.
  13. ^ "Profiles". The University Of Manchester.
  14. ^ "Remaking the Whitworth". Rebecca Swirsky.
  15. ^ "History". The Whitworth.
  16. ^ "This Life". Frieze.
  17. ^ "A conversation between Marina Abramović and Maria Balshaw". Creative Tourist.
  18. ^ "Subversive Spaces at Manchester's Whitworth gallery". The Guardian.
  19. ^ "Animating galleries". The University of Manchester.
  20. ^ "Domestic terror". Manchester Evening News.
  21. ^ "Gregor Schneider: Die Kinderzimmer at The Whitworth Art Gallery". Culture 24.
  22. ^ "No flowers please: wallpaper exhibition exposes the dark side of the home". The Guardian.
  23. ^ "announcement". Mary Kelly.
  24. ^ "about". The Land Between Us.
  25. ^ "A return to Sarajevo". The Guardian.
  26. ^ "A return to Sarajevo". The Guardian.
  27. ^ "Jane and Louise Wilson". Corridor 8.
  28. ^ "Nancy Holt". Manchester Wire.
  29. ^ "Coal On Cotton". The Telegraph.
  30. ^ "Cornelia Parker". The Whitworth.
  31. ^ "Award set to transform Whitworth Art Gallery". Heritage Lottery Fund.
  32. ^ "MUMA unveils glass and brick extensions to Manchester's Whitworth gallery". De Zeen.
  33. ^ "£390,000 boost for Whitworth Art Gallery and Manchester Museum". The University Of Manchester.
  34. ^ "Award set to transform Whitworth Art Gallery". HLF.
  35. ^ "The new-look Whitworth Art Gallery". Culture 24.
  36. ^ "MUMA's £15m Whitworth Art Gallery tops out". BD Online.
  37. ^ "Hello World". The Guardian.
  38. ^ "MUMA unveils glass and brick extensions to Manchester's Whitworth gallery". De Zeen.
  39. ^ "Refurbished Whitworth Gallery attracts 18,000 visitors on opening weekend". Arts Council.
  40. ^ "18,000 visit Manchester's revamped Whitworth in opening weekend". The Guardian.
  41. ^ "The Whitworth hits 100,000 visitors – just six weeks after it reopens". Creative Tourist.
  42. ^ "The Whitworth Wins NW Building Of The Year". Manchester Confidential.
  43. ^ "Balshaw named joint director of Whitworth and Manchester Art Gallery". Museums Association.
  44. ^ "Pre-Raphaelite Pioneer". Manchester Galleries.
  45. ^ "Verve and excitement of West African arts comes to Manchester". The Guardian.
  46. ^ "Whitworth Art Gallery and Manchester City Galleries". Paul Hamlyn Foundation.
  47. ^ "Verve and excitement of West African arts comes to Manchester". The Guardian.
  48. ^ "All That Is Solid Melts Into Air". The Skinny.
  49. ^ "Joana Vasconcelos in Manchester". Apollo Magazine.
  50. ^ "Artist Ryan Gander: Painting is 'an illogical act'". BBC News.
  51. ^ "Networks and Support". Manchester Cultural Partnerships.
  52. ^ "Major new grant funding for cultural institutions". The University Of Manchester.
  53. ^ "Maria Balshaw: 'Galleries that have collections like ours don't usually reside in Moss Side'". The Guardian.
  54. ^ "Profile: Maria Balshaw on art, change – & the emperor's new clothes". Creative Tourist.
  55. ^ "Twitter". Twitter.
  56. ^ "Profile: Maria Balshaw on art, change – & the emperor's new clothes". Creative Tourist.
  57. ^ "Isle of Bute Art Deco pavilion set for £3m revamp". The Scotsman.
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