Wilhelm Heinrich Detlev Körner

Wilhelm Heinrich Detlev "Big Bill" Körner (November 1878 – August 11, 1938), also known as Wilhelm Heinrich Dethlef Koerner, William HD Koerner, WHDK, or W.H.D. Koerner,^[1] was a noted illustrator of the American West whose works became known to new audiences when his painting, nicknamed A Charge to Keep, was used as the cover image for the ghostwritten biography by the same name by George W. Bush. This painting, which hung in the Oval Office during the Bush presidency was of special interest to journalists due to the interpretation given by Bush of the painting's meaning in light of the meaning and title attached to the painting by the artist.^[1]

Life and career

Koerner was born in

Art Students League for a two-year program during 1905–07 under George Bridgman, Norman Rockwell's teacher. A student colleague later persuaded Koerner to apply to Howard Pyle's illustration school in Wilmington. Koerner's exposure to Howard Pyle was significant, but his student colleagues also had much to offer and he shared techniques and styles with the likes of N. C. Wyeth, Harvey Dunn, Frank Schoonover and Stanley Arthurs. While still a Pyle student, he rented a studio adjacent to Anton Otto Fischer

and William Foster and the interaction between these talented students proved mutually invaluable.

Howard Pyle died in 1911, and Koerner published a tribute in the

Saturday Evening Post

art editor invited Koerner to illustrate two articles with Western themes, which proved to be a major turning point in his life. The articles "The Covered Wagon" and "Traveling the Old Trails" entailed many Western frontier scenes, which up to that point he had not experienced. Koerner began researching, and the West captured his imagination. Koerner soon became one of the best-known artists of the old West, travelling to the area for further research.

From 1922 onwards, Koerner illustrated more than two hundred and fifty stories with Western themes and painted over six hundred pictures for periodicals. He illustrated a number of books that later were made into films based on his illustrations, including those by author Zane Grey (The Drift Fence [film: Drift Fence] and Sunset Pass [three films, all titled Sunset Pass]) and Eugene Manlove Rhodes' classic, Paso Por Aqui (film: Four Faces West). It is estimated he completed nearly two thousand illustrations of which about eighteen hundred were done for magazines, as well as advertisements for C. W. Post's Grape-Nuts and Postum cereals.

Charles M. Russell, Philip R. Goodwin, and Harvey Dunn. They are known for his bold brushwork with a vibrant color palette which enabled his vigorous depictions of the "Great American West", emblematic images of those untamed territories.^[2]

Comic strip

Körner also made the short-lived comic strip Hugo Hercules, which was drawn in 1902, but it was terminated after only five months. Despite its short length, it is widely considered to be the first superhero fiction comic.^[3]

References

^ ^a ^b Horton, Scott. Harper's Magazine. The Illustrated President
^ Hutchinson, William Henry. World, the Work, and the West of W.H.D. Koerner.
^ "William H. D. Koerner".

External links

[The_Illustrated_President-1] Horton, Scott. Harper's Magazine. The Illustrated President

[2] Hutchinson, William Henry. World, the Work, and the West of W.H.D. Koerner.

[3] "William H. D. Koerner".

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Authority control databases
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