West gallery music
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West gallery music, also known as Georgian psalmody, refers to the sacred music (metrical psalms, with a few hymns and anthems) sung and played in English parish churches, as well as nonconformist chapels, from 1700 to around 1850. In the late 1980s, west gallery music experienced a revival and is now sung by several west gallery "quires" (choirs).
The term "west gallery" derives from the wooden galleries which in the 18th century were constructed at the west end of typical churches, and from which gallery the choir would perform. Churches were built in a standard layouts, with the nave running from east-west away from the altar, so that the west gallery or choir, would face the altar, the same way as, but above, the church-goers. Victorians disapproved of the Georgian galleries, and most were removed during restorations in the 19th century.[1]
By the 1700s, many church goers were unsatisfied by the state of congregational singing, which resulted in the formation of amateur choirs, which were initially male.[2] In rural English churches, congregations often lacked an organ, but still needed support in order to maintain pitch in complex music.[2] From the mid 1700s, we see this initially practice by the presence of an accompanying bass instrument and later a small band that was flexible on instrumentation but most commonly consisted of flutes, clarinets, bassoons, cellos, and violins.[2] Originally, instrumentalists would double the vocal parts, but later, more complex music was added with specific instrumentation, such as small symphonies.[2]
The repertory consisted mainly of metrical psalms and anthems, and fuguing tunes were particularly common in the mid-18th century.
English country psalmody was exported to America around the mid 18th century, where it inspired the creation of many new compositions by members of the
Use of west gallery music in the Church dwindled in part due to the rise of urbanization and also due to the desire for more polite, more formal style of worship.[2] This more formal style of worship culminated in the Oxford movement, and eventually the Hymns Ancient and Modern (1861).[2] Furthermore, the old church bands were often difficult for a vicar to control, while influence over an organist was a much easier task. Such an ousting of the band by an organist is given a fictional treatment in Thomas Hardy’s early novel Under the Greenwood Tree, which reflected actual events at Hardy’s church at Stinsford.[4] Another possible reason for this, is that when the Methodists split from the Anglican church, many of these bands would have been split apart, or even leaving en masse.[5]
In 1893, the Reverend Francis William Galpin described the church band at Winterbourne Abbas, which he believed was the last surviving example in England;[6] however two years later, a survey of parishes in Cornwall found that 18 out of 219 churches still had a band.[7]
See also
- Anglican church music
- Larks of Dean, chapel musicians in 18th & 19th-century Lancashire
- Sing Lustily and with Good Courage, a recording including west gallery hymns
- Tate and Brady
West gallery composers
- Thomas Clark
- John Fawcett
- Edward Harwood
- Joseph Nicholds
- William Tans'ur
- Aaron Williams
- Joseph Williams
- Anne Steele
- John Arnold (1720–1792), composer who published The Compleat Psalmodist (1741)
- Robert Bremner, who was influential in mid-18th century Scottish psalmody
- Charles Woodmason, an Anglican clergyman and tune-book compiler
References
- ^ Simon Knott, Upwell at the Norfolk Churches site, Retrieved 5 October 2010
- ^ ISBN 978-1-56159-263-0.
- ^ For discussion, see Temperley (1983), who refutes the earlier view that the American tradition was of largely indigenous origin.
- ^ See Under the Greenwood Tree in The Oxford Companion to English Literature, ed. by Margaret Drabbble, 5th ed (Oxford: Oxford University Press, 1985).
- ^ Turner, Christopher. "The decline of the gallery tradition" (PDF).
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(help) - ^ Galpin, F. W. (July 1893). "The Village Church Band: An Interesting Survival". Musical News. 5: 31–31 & 56–58. Retrieved 6 December 2020.
- ^ Temperley 1983, p. 196
- Temperley, Nicholas (1983) The Music of the English Parish Church. Cambridge, UK: Cambridge University Press. ISBN 978-0-521-27457-9. A massive study of both the west gallery tradition and its antecedents, starting from the time of the Reformation.
External links
- West Gallery Music Association—the official website of the WGMA, an organisation closely associated with the revival of West Gallery music
- Gallery Music—articles, music scores, MIDI and mp3 files relating to west gallery music
- West gallery music field recordings by Bob and Jacqueline Patten. Use search box under World and Traditional Music