William Edward Frank Britten

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William Edward Frank Britten (1848  – 1916) was a British painter and illustrator. It is known that he worked in

Pre-Raphaelite
, and his artistic medium ranged from paintings to book illustrations. His paintings have mostly been praised by critics with his illustrations having been treated as either neutral or favourable by reviewers.

Biography

William Edward Frank Britten was born in 1848 in Lambeth, London

Charles Voysey (architect) design a studio for him at 17 St Dunstans Road, London W6 8RD. This building is recognised as one of Voysey's first and best Arts and Crafts buildings and is still extant.[4] Britten spent most of his time working in London and worked as an illustrator and a contributor to magazines. It is known that he was working in the Pimlico area in 1890.[5] There is a suggestion that he worked in Russia for a period on a commission for the Czar, but no firm evidence of this has been found. In c.1912 Britten was giving instruction at the Glasgow School of Art: "Professor W. E. F. Britten superintends figure and landscape composition".[6] He was married twice; in 1873 to Rebecca Ling (1853–1901) and in 1901 to Rachel Alice Kime (1870–1950); he had four children, two from each marriage. Britten died in 1916 in Kingston, Surrey, England.[7][8]

Works

Britten followed in the neoclassical tradition of Frederick Leighton and Albert Moore.[8] In terms of actual productions, he ranged from working as a decorative artist to paintings. In style, his designs varied from those that followed the tradition of Victorian classicism to those that were influenced by Pre-Raphaelite paintings. His works are located at the Victoria and Albert Museum.[5]

Britten illustrated the last published poem of Christina Rossetti before her death for the 1894 issue of Magazine of Art.[9] Also, he served as illustrator for:

Critical reception

A contemporary review by

Alfred Baldry, in referring to the ceiling panel work Britten created for the South Kensington Museum, says that they "deserve to be praised as true decorations properly conceived and rightly managed."[10] Another contemporary review by Rose Sketchy says that Britten uses a wash technique "with fluency, as is shown by his successful illustrations to Mr. Swinburne's 'Carols of the Year' in the 'Magazine of Art' in 1892-93. Since that time his version of 'Undine,' and illustrations to Tennyson's 'Early Poems,' have shown the same power of graceful composition and sympathey with his subject."[11]

Other reviews on the mentioning the Swinburne series appeared in the January, February, and May issues of The Critic, but they simply acknowledge Britten as the illustrator for that Swinburne's "December", "Carol", and "May". However, two of the reviews were more favourable. A 28 January 1893 review notes, "A sonnet by Swinburne, 'January,' is framed in an interesting drawing by W. E. F. Britten."[12] A review for 6 May 1893, a review claims, "In the series of pictures and sonnets of the months by Mr. W. E. F. Britten and Mr. Algernon Charles Swinburne, both poet and painter have done their best for April".[13]

In the 20th century, art historian Simon Houfe said that Britten "excelled as a decorative artist, placing his subjects in elaborate frames, the Shaftesbury Tribute in The Graphic of 185 is a good example."[5]

Gallery

Complete illustrations for The Early Poems of Alfred, Lord Tennyson (1901)

Notes

  1. ^ England & Wales, FreeBDM Birth Index
  2. ^ The Dome - Decorative scheme www.explore-stpauls.net
  3. ^ The Life of the Rt. Hon. Sir Charles W. Dilke VI by Stephen Gwynn.
  4. ^ Architects and Architecture of London by Kenneth Allinson.
  5. ^ a b c d e f g h i Houfe 1981 p. 244
  6. ^ The Royal Scottish Academy School of Painting in Every Woman's Encyclopaedia". c1912
  7. ^ England & Wales, Death index
  8. ^ a b Weintraub 1989 p. 107
  9. ^ Kooistra 2002 p. 44
  10. ^ Baldry 1902 pp. 44–45
  11. ^ Sketchley 1903 p. 29
  12. ^ The Critic 1893 pp. 12, 120, 354, 53
  13. ^ The Critic 1893 p. 300

References

  • Anonymous. "The Fine Arts". The Critic: Issues 340-365. New York: The Critic Company: 1893.
  • Baldry, Alfred. Modern Mural Decoration. London: G Newnes, 1902.
  • Houfe, Simon. The Dictionary of British Book Illustrators and Caricaturists, 1800–1914. Woodbridge: Antique Collectors' Club, 1981.
  • Kooistra, Lorraine. Christina Rossetti and Illustration. Athens: Ohio University Press, 2002.
  • Sketchley, Rose. English Book-Illustration of To-Day. London: K Paul, Trench, Trubner and Co., 1903.
  • Weintraub, Stanley. Bernard Shaw on the London art scene, 1885-1950 University Park: Pennsylvania State University Press, 1989.
  • Wood, Christopher; Newall, Christopher; and Richardson, Margaret. Victorian Painters. Woodbridge: Antique Collectors' Club, 1995.