Williams Mix

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Williams Mix
by John Cage
Page three of the score
Composed1952
PerformedMarch 23, 1953
PublishedUnpublished
Movements1
Scoring193 page graphic score

Williams Mix (1951–1953) is a 4'16"

Stereo Review described Williams Mix as a "tape collage composed ... by chance procedures" which, similar to Cage's earlier works (but not many subsequent ones), was "offered to the world in a permanent form."[4]

The material recorded by the Barrons was organized into six categories: city, country, electronic, manually produced, wind, and "small" sounds. These sounds were then "subjected...to

cut, and you lay the tape on the score itself."[3]
Thus, like a recipe, the piece may be recreated using different tapes and the score.

The work was premiered March 23, 1953 at the University of Illinois Urbana-Champaign as part of an evening that Cage programmed of music for magnetic tape during the Festival of Contemporary Arts[7]. The piece was also played at the 25th Year Retrospective Concert of the Music of John Cage on May 15, 1958, and was recorded by Columbia Records producer George Avakian. Avakian[8] released this recording of the concert on a three-LP set with a booklet including extensive notes and illustrations of scores.

Larry Austin later created a computer program, the "Williams (re)Mix(er)", based on an analysis of "Williams Mix", which could "yield ever-new Williams Mix scores." With this software, Austin created Williams (re)Mix[ed] (1997–2000), an octophonic variation of Williams Mix using different sound sources.[9]

In 2012, University of California, San Diego electronic music professor Tom Erbe became the first person to recreate "Williams Mix" from the original score, creating performance software in Pure Data carefully following the score and Cage's notes.[10] Erbe's debut performance of "Williams Mix" was on Cage's 100th birthday, September 5, 2012, at Fresh Sound in San Diego.[11] Erbe also created a version of "Williams Mix" for clipping.'s 2014 album CLPPNG, using samples of the band's music as the sound material.

Discography

References

Further reading

  • Schrader, Barry (1982). "Composing with Cutting and Splicing Techniques: Williams Mix by John Cage", Introduction to Electro-Acoustic Music. .