Yuri Arabov
Yuri Arabov | |
---|---|
USSR | |
Died | 27 December 2023 | (aged 69)
Occupation(s) | Screenwriter, writer |
Years active | 1978–2023 |
Yuri Nikolaevich Arabov (
Biography
Yuri Arabov was born in Moscow into a mixed
As a child Yuri took part in film dubbing. After school he considered becoming an Orthodox priest,[4] but then decided to follow in his mother's footsteps and entered screenwriting courses at VGIK led by Nikolai Figurovsky which he finished in 1980. During the studies he met Alexander Sokurov who became his close friend and a regular collaborator ever afterwards. By 2017 they had produced 12 feature films together. Their first movie — The Lonely Voice of Man — was finished in 1978. Despite Andrei Tarkovsky's approval, it was called "a propaganda of Russian idealism" and banned for nine years, released only in 1987.[2]
The same happened to their next film Mournful Unconcern: finished in 1983, it was released only in 1987. It was also nominated for the Golden Bear at the 37th Berlin International Film Festival.[5] After that Sokurov and Arabov produced a lot of critically acclaimed movies, most famous of them being the so-called "tetralogy of power" which includes Moloch (1999), Taurus (2001), The Sun (2005) and Faust (2011), a film that won the Golden Lion at the 68th Venice International Film Festival.
For his work on Moloch Yuri received the
Arabov created over 30 screenplays for both feature films and TV series. Besides Sokurov, he often worked with Aleksandr Proshkin and his son Andrei Proshkin, both prominent Russian film directors. He was a member of the Union of Cinematographers of the Russian Federation. Beginning in 1992 he was also working as an educator at VGIK where he served as the head of the Screenwriting Faculty until his death.[7][8]
Arabov was the author of several novels, including Big-Beat (2003), Wonder (2009), Orlean (2011) and A Butterfly Encounter (2014), as well as a number of poetry books.
Arabov died on 27 December 2023, at the age of 69.[9]
Filmography
Films
- 1978 – The Lonely Voice of Man
- 1983 – Mournful Unconcern
- 1988 – Days of Eclipse
- 1988 – Mister Designer
- 1989 – The Devoted
- 1989 – Save and Protect
- 1990 – The Second Circle
- 1990 – The Sphinx
- 1992 – Presence
- 1992 – Stone
- 1994 – Whispering Pages
- 1997 – Mother and Son
- 1999 – Moloch
- 2001 – Taurus
- 2002 – Modern Game
- 2002 – A Cat and a Half
- 2004 – Apocrypha : Music for Peter and Paul
- 2005 – The Sun
- 2006 – Horror which is always with you
- 2008 – Yuri's Day
- 2009 – The Miracle
- 2009 – A Room and a Half
- 2011 – Faust
- 2012 – The Horde
- 2013 – Mirrors
- 2015 – Orlean
- 2015 – The Cage
- 2015 – The Guards
- 2016 – The Monk and the Demon
- 2020 – The Nose or the Conspiracy of Mavericks
Television
- 1990 – Nikolai Vavilov, 6 episodes
- 2005 – Doctor Zhivago, 11 episodes
- 2005 – The Case of "Dead Souls", 8 episodes
- 2007 – Lenin's Testament, 12 episodes
Bibliography
- 2003 – Big-Beat — Moscow: Andrew's Flag, 400 pages. ISBN 5-9553-0024-4
- 2009 – Wonder — Moscow: AST, 224 pages. ISBN 978-5-271-22128-6
- 2011 – Orlean — Moscow: AST, 224 pages. ISBN 978-5-17-072648-6
- 2014 – A Butterfly Encounter — Moscow: AST, 352 pages. ISBN 978-5-17-085777-7
References
- ISBN 978-1442268425.
- ^ a b Interview at the Silver Rain Radio, October 11, 2015 (in Russian)
- ^ Yuri Arabov: I'll die as soon as I find God, but it will be a blessing for me interview at the Orthodox Christianity and the World website, February 19, 2015 (in Russian)
- ^ Life Line. Yuri Arabov talk show by Russia-K, 2016 (in Russian)
- ^ The 1987 Program at the Berlin International Film Festival website
- ^ a b c Yuriy Arabov. Awards at IMDb
- ^ Screenwriting masters at the official VGIK website
- ^ Screenwriting courses at the official VGIK website
- ^ Скончался сценарист Юрий Арабов. EurAsia Daily. Retrieved 28 December 2023. (in Russian)
External links
- Yuri Arabov at IMDb
- Yuri Arabov at AllMovie
- Yuri Arabov page at the British Film Institute
- Main Role. Yuri Arabov talk show by Russia-K, 2014 (in Russian)
- Yuri Arabov: “Andrei Proshkin took risks of this script” at the Moscow International Film Festival (2015)