A Lost Lady

Source: Wikipedia, the free encyclopedia.
A Lost Lady
First edition
AuthorWilla Cather
LanguageEnglish
PublisherAlfred A. Knopf
Publication date
September 1923
Publication placeUnited States
Media typePrint (Hardback)

A Lost Lady is a 1923 novel by American writer

Transcontinental Railroad. Throughout the story, Marian—a wealthy married socialite—is pursued by a variety of suitors and her social decline mirrors the end of the American frontier.[1] The work had a significant influence on F. Scott Fitzgerald's 1925 novel, The Great Gatsby.[2]

Plot summary

Niel Herbert, a young man who grows up in Sweet Water, witnesses the slow decline of Marian Forrester, for whom he feels very deeply, and also of the West itself from the idealized age of noble pioneers to the age of capitalist exploitation.

Major characters

Literary significance and criticism

capa da edição brasileira de Ida Um Romance (Ponto Edita, 2019)
Cover of the Brazilian Portuguese edition

The novel has a robust symbolic framework.[3] Critical approaches have noted that the character of Marian Forrester symbolically embodies both the American Dream,[4][5] as well as the gradual decline of the American West.[6]

Legacy and influence

The novel had an acknowledged influence on writer F. Scott Fitzgerald who borrowed many of its themes and elements.[2] Marian Forrester, in particular, partly inspired his Daisy Buchanan character in The Great Gatsby.[2] Fitzgerald later wrote a letter to Cather apologizing for any unintentional plagiarism.[2]

Media adaptations

The first film version of the novel was created in 1924, adapted by Dorothy Farnum.[7] Directed by Harry Beaumont, the film starred Irene Rich, Matt Moore, June Marlowe, and John Roche.[7] It would also be adapted very loosely into a film of the same name in 1934 by Gene Markey, and starred Barbara Stanwyck as Marian Forrester.[8] The film did not live up to the novel's reputation and is generally regarded as mediocre.[8] Cather was so displeased with the film that she forbade any further film or stage adaptations of her work.[9]

References

Citations

  1. ^ Rosowski 1977, p. 51: "Mrs. Forrster's decline parallels the West's decline; the novel becomes an elegy for the pioneer past".
  2. ^ a b c d Quirk 1982, p. 578; Bruccoli 1978, pp. 171–72.
  3. ^ Rosowski 1977, p. 51; Harvey 1995, p. 76; Funda 1995, p. 275.
  4. ^ Harvey 1995, p. 76: "Marian Forrester, then, represents the American Dream boldly focused on self, almost fully disengaged from the morals and ethics to which it had been tied in the nineteenth century".
  5. ^ Funda 1995, p. 275.
  6. ^ Rosowski 1977, p. 51.
  7. ^ a b A Lost Lady 1924.
  8. ^ a b A Lost Lady 1934.
  9. ^ Fuller 2019.

Works cited

  • "A Lost Lady (1924)". Los Angeles, California: American Film Institute. Retrieved July 16, 2021.
  • "A Lost Lady (1934)". Los Angeles, California: American Film Institute. Retrieved July 16, 2021.
  • JSTOR 26402223
    .
  • Fuller, Jaime (December 17, 2019). "Looking at Willa Cather's West". Jezebel. New York City. Retrieved August 16, 2020.
  • Funda, Evelyn I. (Fall 1995). "Review of 'Redefining the American Dream: The Novels of Willa Cather'". Great Plains Quarterly. 15 (4). Lincoln, Nebraska:
    JSTOR 23531702
    .
  • Harvey, Sally Peltier (1995). Redefining the American Dream: The Novels of Willa Cather. Florham Park, New Jerse: .
  • Quirk, Tom (December 1982). "Fitzgerald and Cather: The Great Gatsby".
    JSTOR 2926007
    . Retrieved May 25, 2021.
  • Rosowski, Susan J. (Autumn 1977). "Willa Cather's 'A Lost Lady': The Paradoxes of Change". Novel: A Forum on Fiction. 11 (1). Durham, North Carolina: .

External links