Paul's Case

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"Paul's Case"
Short story by Willa Cather
Text available at Wikisource
CountryUnited States
LanguageEnglish
Genre(s)Short story
Publication
Published inMcClure's
Publication typeMagazine
Publication date1905

"Paul's Case" is a short story by

anthologized.[2]

Overview

New York City was historically known as a destination for those seeking adventure and new opportunities, and often described as a center of fine living and society. It was considered at the time of the publication of "Paul's Case" as “the symbol of ultimate glamour and cosmopolitan sophistication”.[3] Indeed, in the story, New York City is described as lavish and extraordinary, in contrast to the descriptions of Paul's home, Pittsburgh, which he despises.[4]

Paul, a high school student from Pittsburgh, is frustrated with his dull middle-class life. This frustration, mixed with a desire for a luxurious lifestyle, causes him to purposely separate himself from everyone else, leading to feelings of isolation.[5] Paul's teachers and father refer to Paul as a "case", representing him at a distance and as an example of someone to be studied, handled, and managed; the term enables Cather to adopt "the voice of medical authority".[6] Paul seems to display some symptoms of a narcissistic personality disorder, but that is still debated.[7]

Plot

The short story "Paul's Case" is about a young boy who struggles to fit in at home and in school. This story begins with the reader finding out that Paul, the main character, has been suspended from high school. He meets with his principal and teachers, who complain about Paul's "defiant manner" in class and the "physical aversion" he exhibits toward his teachers. In the evening, Paul works as a "model" usher for Carnegie Hall in Pittsburgh. After helping seat the patrons in his section, he stays for the concert and enjoys the social scene while losing himself in the music. After the concert, Paul follows the soloist and imagines life inside her hotel room. As Paul heads home and walks through his neighborhood, the reader learns that Paul and his father have a poor relationship. Upon returning home very late that night, Paul enters through the basement window to avoid a confrontation with his father. Paul stays awake for the rest of the night in the basement, imagining what would happen if his father mistook him for a burglar and shot him. Not only does Paul wonder if his father will recognize him in time, but he also entertains the idea of his father possibly regretting not shooting him when he had the chance to do so.

Paul feels out of place with the people on Cordelia Street because they serve to remind him of his own lackluster life. Although his father considers him a role model for Paul, Paul is unimpressed by a plodding young man who works for an iron company and is married with four children. While Paul longs to be wealthy, cultivated, and powerful, he lacks the stamina and ambition to change his condition. Instead, Paul escapes his monotonous life by visiting Charley Edwards, a young actor. Later on, Paul makes it clear to one of his teachers that his job ushering is more important than his schoolwork, causing his father to prevent him from continuing to work as an usher. He is taken out of school and put to work at an entry-level office job, and Charley is compelled to promise not to see Paul again.

Paul takes a train to New York City after stealing a large sum of money from his job that he was supposed to take to the bank. He buys an expensive wardrobe, rents a room at the

Waldorf-Astoria Hotel, and explores the city. In the city, he meets a 'wild San Francisco boy, a freshman at Yale, who said he had run down for a "little flyer" over Sunday', who takes Paul on an all-night tour of the city's lively social scene. Paul's few days of impersonating a rich, privileged young man bring him more contentment than he had ever known, living the lavish lifestyle of his hopes and dreams. However, on the eighth day, after spending most of his money, Paul reads in a Pittsburgh newspaper that his theft has been made public. His father has reimbursed Paul's job and is on his way to New York City to bring Paul back home. It is then revealed that Paul had purchased a gun upon arriving, and briefly considers shooting himself to avoid returning to his old life. Eventually, he decides against using the gun; instead, the thought of returning to his old lifestyle pushes Paul to kill himself by jumping in front of a train.[8]

Literary criticism and significance

Paul's Case has been called a "gay suicide".[9] Many critics have attributed his suicide to the forces of alienation and stigmatization facing a young, possibly homosexual, man in early 20th-century America.[10] In 1975, Larry Rubin wrote The Homosexual Motif which includes the reinterpretation of the story since the stigma on sex has eased. He identifies small details which he claims support a gay reading of Paul. For example, Rubin refers to the way Paul is described as "dressing as a dandy".[11][12] The violet water (a perfume Paul owns), and his choice of company are construed as signs of feminine tendencies.[13] Jane Nardin also explores the possibility that Paul's character is gay, and that this is a metaphor for a general feeling of being an outsider or not fitting in with a specific group of people.[14] Author Roger Austen states that Paul might be understood as a homosexual character because of the "depiction of a sensitive young man stifled by the drab ugliness of his environment and places the protagonist in an American literary tradition of 'village sissies'".[15]

Wayne Koestenbaum reads the story as a possible portrait of Willa Cather's "own desire for aesthetic fulfillment and sexual nonconformity".[16] Another critic, Tom Quirk, reads it as an exploration of Cather's belief in the "irreconcilable opposition" between art and life.[17]

In response to Michael Salda's "What Really Happens in Cather's 'Paul's Case'?", where Salda says Paul did not kill himself, Martha Czernicki suggests, in "Fantasy and Reality in Willa Cather's 'Paul's Case'", that Paul's trip to New York is a fantasy or dream, but his suicide is not.[18]

James Obertino of the

post-traumatic stress disorder.[19]

Hayley Wilhelm of the

autism due to certain signs and symptoms he displays throughout the story.[20]

Rob Saari, in "'Paul's Case': A Narcissistic Personality Disorder",

DSM-IV
essential features match the personality traits that Paul had throughout the story. Saari also suggests that because of this disorder, Paul needs to associate with people of a higher class, and that Paul "shows traits of vanity". He also talks about how difficult it is for the reader to feel bad for Paul because of how he acts in the story. When actually looking back and seeing how much Paul was struggling it's much easier to sympathize with him. Paul is clearly both unaware and unable to control the way he acts and feels. Examples Rob Sarri uses to support his claim include: Paul not caring about school and being more focused on his job, Paul stealing money from his employer to go away and live out his dream, and Paul killing himself in the end rather than confronting his reality.

David A. Carpenter, describes how Willa Cather was just starting to enjoy city life, which could be the reason "Paul's Case" and "A Wagner Matinee" were so heavily focused on cities like New York and Boston. He states "They also come when Cather is still extolling the big-city cultural life before she learned to love the bleaker environment and warmer people of the American Midwest that she later wrote about in short works and novels that made her famous". In addition, Cather made alterations to the title, paragraph simplification, punctuation and dictation based around her state of life and surroundings 15 years after publication. Similar alterations were made to her other works, such as "A Lost Lady" and "The Professor's House".[22]

Adaptations

See also

References

  1. ^ Willa Cather's Collected Short Fiction, University of Nebraska Press; revised edition, November 1, 1970, p. 261
  2. ^ Acocella, Joan. Willa Cather and the Politics of Criticism. Lincoln, NE.: University of Nebraska Press, 2000, p. 27.
  3. ^ Rubin, Larry (1975). "The Homosexual Motif in Willa Cather's "Paul's Case"". Studies in Short Fiction. 12: 5.
  4. S2CID 162348509
    .
  5. ^ Sirridge, Marjorie. "Paul's Case". NYU School of Medicine. Retrieved December 3, 2017.
  6. ^ Koestenbaum, Wayne (1994). The Queen's Throat: Opera, Homosexuality and the Mystery of Desire. Gay Men's Press. pp. 28–29.
  7. ^ Saari, Rob. Paul's Case: A Narcissistic Personality Disorder.
  8. ISSN 0950-4125
    .
  9. ^ Eric Haralson, Henry James and Queer Modernity, Cambridge University Press, 2003, p. 137
  10. ^ Moore, William Thomas (2014). "The Execution of a Homosexual in Cather's "Paul's Case"" (PDF). p. 103. Archived from the original (PDF) on November 18, 2016. Retrieved May 23, 2021.
  11. ^ Rubin, Larry (1975). "The Homosexual Motif in Willa Cather's "Paul's Case"". Studies in Short Fiction.
  12. S2CID 162671767
    .
  13. ^ Rubin, Larry (March 1, 1975). "The Homosexual Motif in Willa Cather's "Paul's Case"". Studies in Short Fiction. 12 (2): 127.
  14. S2CID 186626698
    – via Academic Search Premier.
  15. S2CID 162348509
    .
  16. ^ Koestenbaum, Wayne (1994). The Queen's Throat: Opera, Homosexuality and the Mystery of Desire. Gay Men's Press. pp. 28–29. [verification needed]
  17. ISBN 9780807818800
    .
  18. S2CID 165478205
    .
  19. S2CID 162671767
    .
  20. S2CID 164510055
    .
  21. ^ Saari, Rob (1997). "'Paul's Case': A Narcissistic Personality Disorder, 301.81". Studies in Short Fiction. 34 (3): 389–95.
  22. JSTOR 2926613
    . Retrieved April 24, 2021.
  23. ISBN 9781489961181
    . Retrieved June 22, 2016.
  24. ^ Paul's Case Movies & Media Adaptations | BookRags.com. Retrieved November 17, 2016 – via www.bookrags.com.
  25. ^ Paul's Case Movies & Media Adaptations. Retrieved November 13, 2017.
  26. ^ Catlin, Roger (April 23, 2013). "Skillful singers bring a short story to life in UrbanArias Paul's Case". Washington Post.
  27. ^ Jorden, James (January 14, 2014). "New—And Improved: In Paul's Case, a Young Opera Festival Yields Its First Masterpiece". The New York Observer.

External links

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