Adam Elliot

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Adam Elliot
Academy Award

Five Australian Film Institute Awards from 11 nominations Young Achiever of the Year for Victoria – 1999,

Australian of the Year Awards

Over 100 other film awards.

Adam Elliot (born 2 January 1972) is an Australian

Annecy Cristals
.

Elliot calls himself an

portmanteau genre of clay animation and biography
. Each film takes up to five years to complete. He is noted for his use of traditional 'in-camera' techniques, which means every prop set and character is a 'real' miniature handcrafted object. Elliot does not use digital additions or computer generated imagery to enhance his visual aesthetic.

His company, Adam Elliot Clayographies, produces the films and Elliot's work practices adhere to the French auteur methodology. Each film has been voiced by notable actors including, Philip Seymour Hoffman, Toni Collette, Geoffrey Rush, Eric Bana, William McInnes, Barry Humphries and John Flaus. Elliot is also a voting member of the Academy of Motion Picture Arts and Sciences and in 1999 was awarded The Young Achiever of the Year for Victoria.[3]

Biography

Elliot was born in

Academy Award for Best Animated Short for Harvie Krumpet, becoming the first LGBT+ winner in that category.[8]

Filmography

Uncle (1996)

Made in 1996, Elliot's first short film was created at the Victorian College of the Arts under the tutelage of Sarah Watt,[9] Robert Stephenson and Ann Shenfield. With a running time of six minutes Uncle won numerous international awards including an Australian Film Institute Award for Best Australian Animated Short.[10]

The film was shot with a 16mm

Film Festivals[6]
(often as part of a retrospective on Elliot).

This first short by Elliot sets the tone for all his subsequent works and is a reference point for his visual style and aesthetic. The story is loosely based on Elliot's own relationship with his eight uncles, yet despite factual references, he always places an emphasis on story; for him actual events should never dictate plot. In interviews he often cites the popular adage, that "the truth should not get in the way of a good story".

Cousin (1998)

Made in 1997, Cousin was Elliot's first professional film funded by the

minimalist approach and sparse narration to drive a very simple remembrance of a childhood relationship he had with his cousin (based on his real-life cousin), who has cerebral palsy
.

Like Uncle, Cousin has a

16mm film
.

Cousin has been shown at many film festivals and won Elliot his second AFI Award for Best Australian animation.[10] Narrated again by William McInnes, the budget for Cousin was $42,000 AUD.

Brother (1999)

Thanks to the success of his first two shorts, Brother became the natural conclusion to what is now referred to as a trilogy. Funded by the

SBS Independent
, this short explores the childhood memories of Elliot's brother. In several interviews Elliot has stated that it is his most factual and autobiographical film and that the Brother is in fact himself.

Brother marks the height of Elliot's

aesthetic. He made it in a friend's spare bedroom above falafel shop in the bohemian inner city suburb of Fitzroy, Melbourne. Elliot set strict rules for himself: the film should be made in a completely analog fashion using a limited amount of tools and equipment. In keeping with his purist ideals, he edited it on a Steenbeck
, rejecting the offer of the use of a computer.

Like the two previous chapters of the trilogy, Brother was narrated by

AFI Awards: one for Best Australian Short Animation and one for best Australian Short Screenplay.[10]
The budget for Brother was $52,000 AUD.

Harvie Krumpet (2003)

Running for 23 minutes, this next film marked Elliot's slow venture into colour and the establishment of much more complex, longer and dynamic plot structures. While still using the narrator to drive the story, his animation became more dynamic and the storylines more complex.

This film was made back at his father's storage facility and was the first time Elliot has substantial assistance from a full-time producer, Melanie Coombs, and two model making assistants, Michael Bazeley and Sophie Raymond. He also used the mentoring skills of Darren Burgess, an experienced animator from Adelaide. The film took over a year to shoot on a modified super 16mm Bolex and was the first time Adam used new digital software that assisted in the viewing of captured frames. This new software has since revolutionised stop motion animation, so animators no longer have to wait for dailies and can see their work played back in real time immediately after frames are gathered. They no longer have to animate "blind". On average Elliot shot between five and ten seconds of footage per day.

The budget to the film was AUD380,000; it was narrated by the Academy Award-winning actor Geoffrey Rush, with character voices by Kamahl, John Flaus and Julie Forsythe. In 2004 the film won an Academy Award for Best Short Animation.[2] Harvie Krumpet has played at over 100 film festivals and won over forty major awards. In 2005 it was named as one of the top 100 animated films of all time by the board of the world's largest animation festival in Annecy, France.[citation needed]

Mary and Max (2009)

Elliot's first feature film had its world premiere at the Sundance Film Festival in January 2009 and was the first animated film and first Australian film in the festival's 25-year history to screen in the coveted opening night slot.[11] The 92-minute film was made in Elliot's hometown of Melbourne and took five years to complete at a cost of 8.3 million Australian dollars. The project required a crew of over 120 people and a team of six animators who shot continuously for 57 weeks.

For the narration, Elliot employed the services of the iconic comedian and stage performer

Renee Geyer provided cameo voices. Elliot was determined that young Mary should be voiced by a real eight-year-old girl and, after auditioning over 40 actresses, finally chose Bethany Whitmore
.

From 2 March to 6 June 2010, Mary and Max was showcased in a free exhibition at the

IMDb as one of the top 250 highest-rated films of all time.[14]

Ernie Biscuit (2015)

Elliot's most current clayography short, Ernie Biscuit, is a 20-minute black-and-white short animated stop motion film exploring the life of a deaf Parisian taxidermist.

In a similar style to his Academy Award-winning Harvie Krumpet, this film is a bittersweet biography that has both comedic and tragic elements. For the first time, Elliot has explored stronger themes of love, and the overall style is quite dynamic and fast-paced. It is lighter in tone to his other shorts and is narrated by long-time collaborator John Flaus, who has voiced Elliot's previous films Harvie Krumpet, Mary and Max and Uncle.

The film has been selected into official competition at the

Annecy International Animation Festival and had its European premiere in June 2015. Ernie Biscuit won Best Short Animation at the 5th AACTA Awards
.

Memoir of a Snail (2024)

Elliot's next upcoming feature film, Memoir of a Snail, centres on Grace Puddle, a lonely hoarder of ornamental snails who lives in Canberra.[15]

The film stars Sarah Snook, Jacki Weaver and Kodi Smit-McPhee as the main characters, while Eric Bana will reunite with him after Mary and Max.[15]

References

  1. ^ Young Victorian of the Year 1999 Archived 4 February 2009 at the Wayback Machine
  2. ^ a b 2004 Oscars Archived 26 November 2009 at the Wayback Machine
  3. ^ Young Victorian of the Year 1929 Archived 4 February 2009 at the Wayback Machine
  4. ^ Adam Elliot Biography Archived 2 June 2009 at the Wayback Machine
  5. ^ The Esplanade Craft Market Archived 4 February 2013 at archive.today
  6. ^ a b Victorian College of the Arts Archived 5 October 2009 at the Wayback Machine
  7. ^ SBS and Adam Elliot
  8. ^ Power, Shannon (12 January 2016). "Oscar winner Adam Elliott [sic] brings his new film Ernie Biscuit to Flicker Fest". Star Observer. Retrieved 14 December 2021.
  9. ^ Sarah Watt Mentor Archived 13 October 2009 at the Wayback Machine
  10. ^ a b c AFI Award Winners[permanent dead link]
  11. ^ Sundance "Mary and Max" Opens fest
  12. ^ Mary and Max: The Exhibition Media Release Archived 6 April 2010 at the Wayback Machine
  13. ^ Mary and Max: The Exhibition
  14. ^ IMDB Top 250
  15. ^ a b Goodfellow, Melanie (4 May 2023). "Anton & Charades Partner On Adam Elliot's 'Memoir Of A Snail'; Unveil First Image & Int'l First Voice Cast Featuring Jacki Weaver, Kodi Smit-McPhee & Eric Bana – Cannes Market". Deadline. Retrieved 1 June 2023.

External links