Agnes Mowinckel
Agnes Mowinckel | |
---|---|
Born | Agnes Mowinckel 25 August 1875 Bergen, Norway |
Died | 1 April 1963 Oslo, Norway | (aged 87)
Occupations |
|
Years active | 1899–1963 |
Spouse |
Hans Brecke Blehr
(m. 1899; div. 1909) |
Children | 3 |
Agnes Mowinckel (25 August 1875 – 1 April 1963) was a Norwegian actress and theatre director. Born in Bergen into a distinguished family, she became Norway's first professional stage director. A pioneer in bringing painters to the theatre, she used light as an artistic element, and engaged contemporary composers. She took part in theatrical experiments, worked at small stages in Oslo, and founded her own theatre.
Her first stage production was an adaptation of
As an actress she was often used in
Personal and social life
Mowinckel was born in
She was a second cousin of Prime Minister Johan Ludwig Mowinckel, and a sister-in-law of the theatre critics Gunnar Heiberg and Sigurd Bødtker.[1] From 1899 to 1909 she was married to ship broker Hans Brecke Blehr,[1] and had three children with him until they divorced.[5] She later became a close friend of her brother-in-law Sigurd Bødtker, after the latter's divorce from Blehr's sister in 1910;[6] they eventually lived together.[7][8]
In 1917 she bought a summer house at the island Hvasser. The place was called "Abergeldie", from a name plate found on the beach and mounted above the outer door. An annex called "Sivertstua" was raised and came to be Sigurd Bødtker's residence. Her house at Hvasser was regularly visited by her friends, becoming a meeting place for painters and writers.[9][10]
Career
Early years
In 1894, aged nineteen, Agnes Mowinckel travelled to
Comeback in 1909
In 1909, after ten years as a mother and housewife, Mowinckel separated from Blehr. Finding herself in a situation with no place to live, no money and no job, and with three small children, Mowinckel joined the touring theatre Nationalturneen for the 1909/1910 season, as an actress and also as responsible for the costumes.
When she returned to Kristiania and found a home at Elisenbergveien she still had contact with her social network. Her home was open for family and friends. Among the visitors were theatre critic Sigurd Bødtker, who eventually moved in with her, Olaf Bull, Nils Kjær, Helge Krog, Ronald Fangen, Sigurd Hoel, Nini Roll Anker, Oda Krohg, Hulda Garborg, Sigrid Undset, Jens Thiis and Sven Elvestad.[27] The group regularly met at the restaurant Anden Etage at Hotel Continental.[28][29] She was always carefully dressed, often with self-designed costumes and hats.[30]
At Centralteatret in 1916 she played the title character in Jan Fabricius' play Fru Ynske, and the character "Rosa Mamai" in
Stage director from 1922
In 1922 Mowinckel staged an adaptation of Wedekind's play Spring Awakening at Intimteatret.[1] The performance was well received by the public, with standing ovations. This was the first time Munch's paintings were used at a Norwegian stage.[37] In a retrospective article from 1939 Anton Rønneberg characterized this event as an important day in the history of Norwegian theatre. He pointed at her artistic eye for the stage setting, and for the harmony between stage decorations, costumes, light and choreography.[38]
Mowinckel produced a total of 28 plays for
Nationaltheatret 1925–1926
In 1925 Mowinckel was contracted by theatre director
Theatre director at Balkongen 1927–1928
After the incidents at Nationaltheatret Mowinckel started her own theatre in 1927, called
Late 1920s and 1930s
Mowinckel played "Lady Inger" at Centralteatret for the Ibsen jubilée in 1928.[57] In May 1928 she produced Vesaas' play Frå fest til fest for Det Norske Teatret,[58] and O'Casey's Plogen og stjernone in September 1929.[59] She played the male character "Thy" in Hamsun's Livets Spill at the opening performance at Det Nye Teater in February 1929,[60] and directed and played in Ibsen's Et dukkehjem for Det Nye Teater in 1929.[61][62] In 1931 she staged Stuart's comedy Fra ni til seks at Centralteatret.[63] At Det Norske Teatret in March 1931 she staged an adaptation of Frank's Carl and Anna, in October O'Neill's Alle Guds born har vengjer, and in November 1931 Soini's Syndebukken. In February 1932 she produced Braaten's adaptation of Zuckmayer's play Der Hauptmann von Köpenick. As advertising they let German "soldiers" patrol the streets, which led to official protests from the German Embassy in Oslo. In May 1932 she produced Martinez Sierra's play Dei spanske nonnone (Spanish: Canción de Cuna), in September Langer's Kamelen gjennom nålauga (Czech: Velbloub uchem jehly, in English: The Camel through the Needle's Eye), and in October 1932 Drabløs' adaptation of Falkberget's Eli Sjursdotter. In February 1933 she produced Glebov's Under Sovjet, and in December Ørjasæter's Anne på Torp.[64] In 1933 she staged Gjesdahl's adaptation of Winsloe's play Gestern und heute at Det Nye Teater, a performance which made a strong impression on the public.[65]
Mowinckel's next commission for Nationaltheatret after the incident in 1927 was her production of
Second World War
In January 1941 Mowinckel staged Ørjasæter's play Jo Gjende at Det Norske Teatret.[70][71] She played the character "Merete Beyer" in Wiers-Jenssen's play Anne Pedersdotter at Nationaltheatret in February 1941.[72] She staged Kielland's comedy Tre Par for Nationaltheatret in April 1941. Tre par was the last performance before the Nazi authorities took over the management of Nationaltheatret.[73] In January 1942 she produced Wessel's Kiærlighed uden strømper and in February Wiers-Jenssen's Anne Pedersdotter for Trøndelag Teater.[74] In October 1942 she staged Kinck's play Agilulf den vise at the Det Norske Teatret, the last production before theatre director Hergel fled the country to escape the German occupation.[75]
Post war period
In 1945 Mowinckel helped
Legacy
Several artists created portraits of Mowinckel that are on public display. In the Theatercafeen in Oslo a portrait by
Mowinckel's temperament was often fiery, earning her nicknames such as the "Volcano", "Storm centre", "Eagle" or "Natural disaster".[30] The painter and theatre worker Ferdinand Finne called her the "mare of Norwegian theatre"[quote 1] Her biographer Lise Lyche used this phrase as the title of her book, Norsk teaters mare, published in 1990.[105]
Mowinckel received the artists' scholarship (
References
Notes
Footnotes
- ^ a b c d e f g h i j k l Losnedahl, Kari Gaarder. "Agnes Mowinckel". In Helle, Knut (ed.). Norsk biografisk leksikon (in Norwegian). Oslo: Kunnskapsforlaget. Retrieved 13 July 2010.
- ^ Hoffstad, Einar, ed. (1935). "Mowinckel, J(ohan) E(rnst)". Merkantilt biografisk leksikon (in Norwegian). Oslo: Yrkesforlaget. p. 534. Retrieved 29 September 2010.
- ^ "Johan Ernst Mowinckel". Norwegian Social Science Data Services (NSD). Archived from the original on 24 August 2017. Retrieved 29 September 2010.
- ^ Lyche 1990: pp. 124–125
- ^ Lyche 1990: pp. 49–50
- ^ Lyche, Lise. "Sigurd Bødtker". In Helle, Knut (ed.). Norsk biografisk leksikon (in Norwegian). Oslo: Kunnskapsforlaget. Retrieved 25 October 2010.
- ^ Ringdal 2000: pp. 158, 663
- ^ Lyche 1990: p. 68
- ^ Lyche 1990: pp. 120–123
- ^ Schulerud 1960: pp. 503–505
- ^ Lyche 1990: pp. 23–28
- ^ Wiers-Jenssen; Nordahl-Olsen 1926: pp. 402–403
- ^ Dahl 1959: pp. 18–21
- ^ Lyche 1990: pp. 40–41
- ^ a b Lyche 1990: p. 42
- ^ Rønneberg 1947: p. 128
- ^ Ringdal 2000: p. 40
- ^ a b Dahl 1959: p. 129
- ^ Lyche 1990: p. 52
- ^ Øisang 1962: p. 30
- ^ Øisang 1941: pp. 204–213
- ^ Aarseth 1969: pp. 252–253
- ^ a b c Lyche 1990: pp. 58–61
- ^ Dalgard, Olav (1957). "Mowinckel, Agnes". In Sudmann, Arnulv (ed.). Norsk Allkunnebok (in Norwegian). Vol. 8. Oslo: Fonna Forlag. pp. 743–744.
- ^ a b Lyche 1990: pp. 62–65
- ^ "Proletargeniet" (in Norwegian). Filmfront AS. Retrieved 12 August 2010.
- ^ Lyche 1990: pp. 66–72
- ^ Lyche 1990: pp. 12–13
- ^ Schulerud 1960: pp. 608–609
- ^ a b Lyche 1990: p. 10
- ^ Gjesdahl 1964: pp.93–95
- ^ Gjesdahl 1964: pp. 100–101
- ^ Gjesdahl 1964: pp. 110–111
- ^ Skavlan, Einar (1924). "Mowinckel, Agnes". In Blangstrup, Chr. (ed.). Salmonsens Konversationsleksikon (in Danish). Vol. 17 (2 ed.). Copenhagen: J.H. Schultz Forlagsboghandel. pp. 371–372. Retrieved 13 September 2010.
- ^ Gjesdahl 1964: pp. 125–126
- ^ Fangen, Ronald (1922). Gran, Gerhard (ed.). "Teater". Samtiden (in Norwegian). 33: 158–168.
- ^ Lyche 1990: p. 84
- ^ Rønneberg 1945: pp. 175–181
- ^ Sletbak 1963: p. 459
- ^ Borgen 1963: p. 406
- ^ Dalgard 1963: pp. 100–103
- ^ Gatland, Jan Olav. "Torvald Tu". In Helle, Knut (ed.). Norsk biografisk leksikon (in Norwegian). Oslo: Kunnskapsforlaget. Retrieved 14 July 2010.
- ^ Dalgard 1963: pp. 103–107
- ^ Kvalvik, Bent. "Tore Segelcke". In Helle, Knut (ed.). Norsk biografisk leksikon (in Norwegian). Oslo: Kunnskapsforlaget. Retrieved 27 July 2010.
- ^ Lyche 1990: p. 80
- ^ Dalgard 1963: pp. 107–108
- ^ Ringdal 2000: pp. 158–159
- ^ Rønneberg 1949: p. 131
- ^ Ringdal 2000: p. 159
- ^ Ringdal 2000: pp. 159–160
- ^ Rønneberg 1949: p. 136
- ^ Rønneberg 1949: pp. 137–138
- ^ Rønneberg 1949: pp. 144–147
- ^ Lyche 1990 pp. 101–104
- ^ Lyche 1990: pp. 105–110
- ^ Lyche 1991: pp. 158–159
- ^ Gjesdahl 1964: p. 168
- ^ Dalgard 1963: p. 126
- ^ Dalgard 1963: p. 133
- ^ Lyche 1990: p. 109
- ^ Elster 1941: pp. 53–57
- ^ Rønneberg 1945: pp. 85–87
- ^ Gjesdahl 1964: p. 190
- ^ Dalgard 1963: pp. 140–153
- ^ Skavlan 1960: pp. 39–41
- ^ Rønneberg 1949: pp. 264–265
- ^ Dalgard 1963: pp. 170–171
- ^ Dalgard 1963: pp. 173–174
- ^ Gjesdahl 1957: pp. 60–65
- ^ Dalgard 1963: p. 212
- ^ Skavlan 1960: pp. 150–153
- ^ Rønneberg 1949: pp. 379–380
- ^ Rønneberg 1949: pp. 381–388
- ^ Øisang 1962: pp. 67–68
- ^ Moren 1963: pp. 224–225
- ^ Bolling : pp. 188–189
- ^ Olsen 1995: pp. 20–29
- ^ Øisang 1962: pp. 79–81
- ^ Olsen 1995: pp. 44–50
- ^ Olsen 1995: pp. 54–60
- ^ Olsen 1995: pp. 76–78
- ^ Kvalvik, Bent. "Merete Skavlan". In Helle, Knut (ed.). Norsk biografisk leksikon (in Norwegian). Oslo: Kunnskapsforlaget. Retrieved 8 October 2010.
- ^ Gjesdahl 1957: pp. 94–98
- ^ Rønneberg 1949: pp. 469–471
- ^ Gjesdahl 1957: pp. 112–115
- ^ Moren 1963: pp. 244–245
- ^ a b Rønneberg 1974: pp. 42–43
- ^ Lyche 1990: pp. 126–133
- ^ Moren 1963: pp. 248–250
- ^ Rønneberg 1974: p. 56
- ^ Skavlan 1960: pp. 272–275
- ^ Gjesdahl 1957: pp. 140–144
- ^ Rønneberg 1974: pp. 61–62
- ^ Skavlan 1960: pp. 290–292
- ^ Rønneberg 1974: pp. 74–75
- ^ Skavlan 1960: pp. 312–315
- ^ Skavlan 1960: pp. 315–318
- ^ Rønneberg 1974: pp. 78–79
- ^ Øisang 1962: pp. 134
- ^ Rønneberg 1974: pp. 87–88
- ^ Gjesdahl 1957: pp. 229–232
- ^ Rottem, Øystein. "Finn Havrevold". In Helle, Knut (ed.). Norsk biografisk leksikon (in Norwegian). Oslo: Kunnskapsforlaget. Retrieved 24 July 2010.
- ^ Rønneberg 1974: p. 100
- ^ Lyche 1990: p. 11
- ^ Lyche 1990
- ^ Keilhau, Wollert; Kleppa, Peter; Tvedt, Knut, eds. (2010). "Mowinckel, Agnes". Norsk konversasjonsleksikon Kringla Heimsins. Vol. 6 (2nd ed.). Oslo: Nasjonalforlaget. p. 426.
- ^ Fasting 1973: p. 237
- ^ Lyche 1990: p. 6
Bibliography
- Aarseth, Asbjørn (1969). Den Nationale Scene 1901–1931 (in Norwegian). Oslo: Gyldendal.
- ISBN 82-02-09781-9.
- Borgen, Johan (1963). "Hilsen fra teatrets uvenner". In Sletbak, Nils (ed.). Det Norske Teatret femti år 1913–1963 (in Norwegian). pp. 399–409.
- Dahl, Sophus (1959). Teaterminner. Fra Nasjonalturneens dager (in Norwegian). Oslo: Dreyer.
- Dalgard, Olav (1963). "Framsyningane 1913–1942". In Sletbak, Nils (ed.). Det Norske Teatret femti år 1913–1963 (in Norwegian). pp. 50–221.
- Elster, Kristian (1941). Teater 1929–1939 (in Norwegian). Oslo: Aschehoug.
- ISBN 82-05-05817-2.
- Gjesdahl, Paul (1957). Premièrer og portretter (in Norwegian). Oslo: Cappelen.
- Gjesdahl, Paul (1964). Centralteatrets historie (in Norwegian). Oslo: Gyldendal.
- Lyche, Lise (1990). Norsk teaters mare. Agnes Mowinckel og norsk kunstnerliv (in Norwegian). Grøndahl. ISBN 82-504-1756-9.
- Lyche, Lise (1991). Norges teaterhistorie (in Norwegian). Asker: Tell forlag. ISBN 82-7522-006-8.
- Moren, Sven (1963). "Framsyningane 1942–1953". In Sletbak, Nils (ed.). Det Norske Teatret femti år 1913–1963 (in Norwegian). pp. 222–263.
- Øisang, Ole (1941). Teater i Trondheim (in Norwegian). Trondheim: Det Trondhjemske Theaterinteressentskab / F. Bruns bokhandels forlag.
- Øisang, Ole (1962). Trøndelag teater gjennom 25 år (in Norwegian). Trondheim: Trøndelag Teater / F. Bruns bokhandels forlag.
- ISBN 82-00-22366-3.
- ISBN 82-05-26482-1.
- Rønneberg, Anton (1945). Teater hjemme og ute. Artikler i utvalg (in Norwegian). Oslo: Aschehoug.
- Rønneberg, Anton (1949). Nationaltheatret gjennom femti år (in Norwegian). Oslo: Gyldendal.
- Rønneberg, Anton (1974). Nationaltheatret 1949–1974 (in Norwegian). Oslo: Gyldendal. ISBN 82-05-06254-4.
- Schulerud, Mentz (1960). Norsk kunstnerliv (in Norwegian). Oslo: Cappelen.
- Skavlan, Einar (1960). Norsk teater 1930–1953 (in Norwegian). Oslo: Aschehoug.
- Sletbak, Nils, ed. (1963). Det Norske Teatret. Femti år 1913–1963 (in Norwegian). Oslo: Det Norske Samlaget.
- Wiers-Jenssen, H.; Nordahl-Olsen, Joh. (1926). Den Nationale Scene. De første 25 aar (in Norwegian). Bergen: John Griegs Forlag.
Further reading
- Bødtker, Sigurd (1929). Kristianiapremierer gjennom 30 aar.