Agrippina Landing at Brundisium with the Ashes of Germanicus

Add links
Source: Wikipedia, the free encyclopedia.
Agrippina Landing at Brundisium with the Ashes of Germanicus
New Haven

Agrippina Landing at Brundisium with the Ashes of Germanicus is a 1768 painting by Anglo-American artist

Ara Pacis Augustae in which the family is depicted. The temples in the background are inspired by those from the Ruins of the Emperor Diocletian's Palace at Spalato (1764) by Robert Adam.[1]

Context

Germanicus was the intended heir of his adoptive father Tiberius, the second emperor of Rome. He had been sent to look after the eastern provinces of the empire where he came into dispute with Gnaeus Calpurnius Piso, the governor of Syria.[2] Germanicus became ill during the dispute and died on 10 October AD 19 in Antioch.[3] Poison was suspected by many, and a trial was held during which Piso committed suicide.[4]

After Germanicus' cremation in the forum of Antioch, Agrippina personally carried the ashes of her husband to Rome. The transportation of the ashes witnessed national mourning. She landed at the port of

praetorian escort was provided by the emperor in light of her rank as the wife of a governor-general. As she passed each town, the people and local magistrates came out to show their respect. Drusus the Younger (son of Tiberius), Claudius, and the consuls journeyed to join the procession as well. Once she made it to Rome, her husband's ashes were interred at the Mausoleum of Augustus.[3][4]

As a famous general, he was widely popular and regarded as the ideal Roman long after his death. Primary sources (incl. Suetonius and Tacitus) often compared him to great men like Alexander the Great and hailed his qualities, contrasting them with the "tyrannical" qualities of Tiberius.[5][6][7] Agrippina continued to show devotion to Germanicus after his death. Historian Lindsay Powell says she was regarded by the Roman people as, quoting Tacitus, "the glory of the country, the sole surviving offspring of Augustus, the solitary example of the good old times."[4]

Description

Agrippina Landing in Brundisium with the Ashes of Germanicus is a 641⁄2 x 941⁄2 oil on canvas painting.

Ara Pacis Augustae and other various funeral steles. She was to embody civic virtue and self-restraint.[9]

West meticulously arranges the buildings in the painting's background to recall those of

Diocletian's Palace to study the architecture in-person and recreate it.[10]

History

Dr. Drummond read

King George III. This occurs during a propaganda war in the royal court between members with influence over the king's mother, Princess Augusta, to which the work owes its sudden popularity. Agrippina publicly draws analogies between the grieving widow at Brundisium and the mother of King George III. Agrippina's grief at Brundisium was an obscure story in the history of art before this.[11]

The historical precision of Agrippina impressed King George III enough he commissioned West for a painting himself (The Departure of Regulus from Rome). The work would eventually find a place in the

Royal Academy's inaugural exhibition in 1769. West would continue producing paintings for the king over the coming years, numbering some sixty in all.[10]

Agrippina was a renowned model of noble grief in eighteenth-century neoclassical art. Conventions changed going into the Victorian period, however, with more expressive renderings of grief coming into vogue than that established by West.[9]

The painting was later gifted to Yale University Art Gallery by Louis M. Rabinowitz where it remains today.[1]

Footnotes

  1. ^ Tacitus 3.1 (trans. by Alfred John Church and William Jackson Brodribb, 1876): "WITHOUT pausing in her winter voyage Agrippina arrived at the island of Corcyra, facing the shores of Calabria. There she spent a few days to compose her mind, for she was wild with grief and knew not how to endure. Meanwhile on hearing of her arrival, all her intimate friends and several officers, every one indeed who had served under Germanicus, many strangers too from the neighbouring towns, some thinking it respectful to the emperor, and still more following their example, thronged eagerly to Brundisium, the nearest and safest landing place for a voyager. As soon as the fleet was seen on the horizon, not only the harbour and the adjacent shores, but the city walls too and the roofs and every place which commanded the most distant prospect were filled with crowds of mourners, who incessantly asked one another, whether, when she landed, they were to receive her in silence or with some utterance of emotion. They were not agreed on what befitted the occasion when the fleet slowly approached, its crew, not joyous as is usual, but wearing all a studied expression of grief. When Agrippina descended from the vessel with her two children, clasping the funeral urn, with eyes riveted to the earth, there was one universal groan. You could not distinguish kinsfolk from strangers, or the laments of men from those of women; only the attendants of Agrippina, worn out as they were by long sorrow, were surpassed by the mourners who now met them, fresh in their grief."

References

  1. ^ a b Smith 2013, p. 144
  2. ^ Wood 1999, p. 203
  3. ^ a b Alston 1998, p. 26
  4. ^ a b c Powell 2015, p. 194
  5. ^ Barrett 1993, p. 27
  6. ^ Miller & Woodman 2010, pp. 11–13.
  7. ^ Mehl 2011, p. 146.
  8. ^ Lubin 1994, p. 76
  9. ^ a b Lubin 1994, pp. 76–77
  10. ^ a b c Wagner 2011, pp. 88–89
  11. ^ Freisenbruch 2011, p. 96

Sources

Retrieved from "https://en.wikipedia.org/w/index.php?title=Agrippina_Landing_at_Brundisium_with_the_Ashes_of_Germanicus&oldid=1182988327"