Akihiro Miwa

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Akihiro Miwa
Miwa in 1955
Born
Shingo Maruyama

(1935-05-15) 15 May 1935 (age 88)
Nagasaki, Japan
Occupations

Akihiro Maruyama (丸山 明宏, Maruyama Akihiro) (born (1935-05-15) 15 May 1935 (age 88)), better known by his stage name Akihiro Miwa (美輪 明宏, Miwa Akihiro),[1] is a Japanese singer, actor, director, composer, author and drag queen.

Career

Miwa began his career aged 17 as a professional cabaret singer in the

chansons, such as those of Édith Piaf, Yvette Guilbert and Marie Dubas
.

Miwa became well known in 1957 after his smash-hit "Me Que Me Que", which included a string of profanities not used in media at the time. He also became renowned for his effeminate beauty, making him a hit with the media, and performed a monthly show at Shibuya Jean-Jean called "Akihiro Miwa no Sekai" ("The World of Akihiro Miwa") from the 1970s until its closure in 2000, as well as touring Japan.

Social activism

As well as his entertainment career, Miwa has also written many books, and is known for his outspoken and often highly critical comments on social issues, the government and war, having been in Nagasaki at the time of its bombing in 1945, but having escaped relatively unhurt.

Miwa was against Japan's

post-war Japan
.

Yoitomake no Uta

In 1964, Miwa first released "Yoitomake no Uta" ("The Song of the Yoitomake") after giving a show at a small mining town, due to a mistake by a producer. While he was not entirely willing to perform at first, he was touched at the sight of workers who had come to see him, having bought their tickets with the little wages miners received then. Miwa was "ashamed and embarrassed of [himself], standing before them in [his] flamboyant clothes", and also that he did not have a song "for them".

This experience inspired him to write "Yoitomake no Uta", as well as his rule to not crossdress or wear any of his usual extravagant clothing or make-up when he sang this song, wearing instead the shabby, dark clothes of a

post-World War II child and dyeing his literally yellow hair to a more natural black. While the song was a big success – a working song which tells of a mother's love for her child as she works as a "yoitomake", and a child's determination to not let his mother's effort go to waste after being teased for being the child of a "yoitomake", based on a story of a childhood friend of Miwa, it was criticised by the then-NAB
(National Association of Commercial Broadcasters in Japan) for using several "discriminating" words, with "yoitomake" being one of them. The song was eventually banned from commercial broadcasting, leading to an outcry among viewers and Miwa himself, stating that it was being judged by one word from the title, and not the content.

After numerous covers were made of the song by artists such as

Kuwata Keisuke, "Yoitomake no Uta" was broadcast nationwide in the 2012 63rd NHK Kōhaku Uta Gassen
. Miwa appeared in his old, plain showboy-like costume, singing in the dark with only faint pinspot light to avoid the audience from instantly distinguishing his face, as per his request.

Television and film

Although Miwa is better known as a cabaret singer, he has also appeared in a number of films, beginning as a laundry boy in the film

Edogawa Rampo novel; Mishima also had a cameo in the film as an embalmed corpse. The next year he made another film with Fukasaku, Black Rose Mansion.[2]

In later years he

Arceus in the film Pokémon: Arceus and the Jewel of Life.[3]

From 2005 to 2010, he co-hosted the successful weekly television program Ōra no izumi (The spring of aura) alongside spiritual counsellor Hiroyuki Ehara and Tokio member Taichi Kokubun. While the show initially aired as late-night program, its popularity bumped it up to a primetime slot in 2007.[4]

References

  1. ^ Canby, Vincent (September 18, 1991). "Review/Film; In Tokyo, A Queen Of Crime In Drag". The New York Times. Retrieved January 2, 2018.
  2. ^ Fukasaku, Kinji (January 25, 1969). "Kuro bara no (Black Rose Mansion)". Shochiku Ofuna, Shochiku. Retrieved March 16, 2021.
  3. ^ Ryall, Julian (September 6, 2006). "On Japanese Tv, The Lady Is A Man Cross-dressing 'onnagata' Are Popular For Being Outspoken". The Hollywood Reporter. Retrieved March 16, 2009.
  4. ^ Seaton, Philip A.; Yamamura, Takayoshi (February 2, 2018). Japanese Popular Culture and Contents Tourism. Routledge. p. 110.

External links

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