Alberto Erede

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Alberto Erede
Born8 November 1909
Genoa, Italy
Died(2001-04-12)12 April 2001
Monte Carlo, Monaco
Alma materVerdi Conservatory
OccupationConductor
Years active1935 - 1985

Alberto Erede (8 November 1909 – 12 April 2001) was an Italian

conductor, particularly associated with operatic
work.

Biography

Born in

Cosi fan tutte where among the audience were Sigmund Freud, Stefan Zweig, Franz Werfel, Weingartner and Oskar Kokoschka.[1]

He toured the United States in 1937 and 1938 with the Salzburg International Opera Guild, conducting Cosi fan tutte, L'incoronazione di Poppea and La Cambiale di Matrimonio. While in America he also made his New York concert debut with the NBC Symphony Orchestra and conducted the premiere of Menotti's The Old Maid and the Thief in 1939.[1]

He spent the war years in Italy conducting both orchestral concerts and opera.[1] Afterwards he took up post as chief conductor of the Turin Radio orchestra, and resumed his connections in England to become music director of the New London Opera Company from 1946 to 1948.[1] From 1950 to 1955 he conducted at the Metropolitan Opera House, New York City, debuting with La traviata (with Dorothy Kirsten). He returned to the Met in 1974 and 1975, his last performance there being Tosca (with Galina Vishnevskaya).

From 1956 he was at the Deutsche Oper am Rhein in Dusseldorf and was the musical director there from 1958 to 1962. At Covent Garden he conducted Il trovatore in 1953 (with Callas), Aida in 1960, and La traviata in 1962 (with Sutherland).

He conducted Wagner's

Puccini
's Tosca, with Erede conducting, was made at the Sydney Opera House during that year.

He died in Monte Carlo in 2001.

Recordings

Erede conducted the recordings of extracts from Falstaff by Mariano Stabile and a La Scala cast during the war. He conducted the earlier series of Italian opera on long-playing

Accademia di Santa Cecilia (Rome
) Orchestra and Chorus, during the 1950s. Some are listed below:

References

  1. ^ a b c d e Alberto Erede. Opera, Vol.14 No.9 September 1963, p600-601.

Further reading

  • H. Rosenthal and J. Warrack, Concise Oxford Dictionary of Opera (OUP, London 1974 printing).
  • E. Sackville-West and D. Shawe-Taylor, The Record Year 2 (Collins, London 1953).
  • E.M.G., The Art of Record Buying 1960 (London 1960).
  • E.M.G. The Monthly Newsletter.