Anatoly Zverev
Anatoly Zverev | |
---|---|
Moscow, Russia | |
Nationality | Russian |
Known for | Painting |
Movement | Tachisme |
Anatoly (Anatoli) Timofeevich Zverev
He did not have a solo show in Russia until shortly before his death in 1986 and his work was exhibited in small, underground galleries. Throughout his career he was harassed and persecuted by the Soviet authorities especially as his international success grew.
Work
His style of
Early life
Zverev was born in Moscow. His grandfather was an icon painter. His father was a war invalid and died when Tolya was a little boy. His mother, a cleaner and manual labourer, brought up the family of three children on her own. Throughout Zverev's childhood the family endured extreme poverty. For example, he was sent to school wearing unmatching shoes. In order to bring more money into the family he took a job at a recreation park, painting fences and boards. It was there that he started to paint images from fairy tales.
International success and persecution at home
![](http://upload.wikimedia.org/wikipedia/en/thumb/2/24/Zverev_Kostakis.jpg/100px-Zverev_Kostakis.jpg)
An art-lover called Rumnev noticed his work and introduced him to the famous art collector George Costakis. Costakis later said that Anatoly was "one of the most talented artists in Soviet Russia... a unique phenomenon". Costakis brought his work to the attention of the West. He was fired from the recreational park because the director saw him using a mop for his paintings "against the regulations".
A Zverev self-portrait was featured in the March 28, 1960 issue of
As a result of his persecution at the hands of the authorities, he surrounded himself with a small group of friends who would be able to support him. He lived a hand-to-mouth existence, never knowing where he would spend the next night. He was indifferent to material values and always wore shabby clothing.
Personality
Zverev was not easy to get to know. His language was metaphorical, his manner was sometimes provocative and he suffered from mental instability. However, he was also a serious thinker and observer. Those in his circle used to say, "When the Lord anointed us artists for our profession, He poured a whole cup of oil on Tolya's head".
Death
Thousands attended his funeral in 1986 to pay their last respects. After his death there was a major retrospective exhibition for several months in the major art museum of Moscow. The exhibition had to be extended as people were queuing up to get inside around the clock.
Exhibitions and collectors
Since 1957, Zverev participated in over eighty group exhibitions in museums and galleries around the world. His work are in many prominent collections in Russia, Europe and United States.
References
- ^ "The Art of Russia...That Nobody Sees," LIFE (magazine), March 28, 1960. Retrieved August 26, 2020
External links
- Kolodzei Collection of Russian and Eastern European Art, Kolodzei Art Foundation [1]
- Art4.ru Contemporary Art Museum [2]
- Anatoly Zverev in ArtPanorama Gallery, Moscow, Russia. www.artpanorama.su
Other sources
- Hurricane of Time: 1960-2000, Selection from the Kolodzei Collection of Russian and Eastern European Art. SanRemo, Italy. Exhibition catalogue. ISBN 978-0-9754829-0-2
- The ISBN 978-0-8109-1556-5. 1981
- "Anatoly Zverev". Koursos Gallery [3], New York. 1986
- "Anatoly Zverev. Painting, Drawing". P.S. Moscow. 1991. ISBN 5-86238-005-1.
- "Анатолий Зверев". Н. Г. Григорьева. Издательство "Знание". 1991
- "Анатолий Зверев. Современники о художнике". Фонд имени М. Ю. Лермонтова. Moscow. ISBN 978-5-7690-0009-6. 1995
- Excerpts from the presentation by Ann Messerer at Macquarie University, Sydney, July 1995
- "Zverev". The State Tretyakov Gallery, Kino Gallery, Moscow. Printed by RASTER'S, Moscow. 1999