Antigone (Honegger)
Antigone | |
---|---|
Opera by Arthur Honegger | |
Librettist | Jean Cocteau |
Language | French |
Based on | Sophocles' Antigone |
Premiere | 28 December 1927 La Monnaie, Brussels |
Antigone is an opera (tragédie musicale) in three acts by Arthur Honegger to a French libretto by Jean Cocteau based on the tragedy Antigone by Sophocles. Honegger composed the opera between 1924 and 1927. It premiered on 28 December 1927 at the Théâtre Royal de la Monnaie with sets designed by Pablo Picasso and costumes by Coco Chanel.[1][2]
Background and performance history
Honegger had a passionate interest in theatre. Prior to Antigone, he had composed film scores and incidental music for plays as well as an oratorio,
Honegger had fallen out with Jean Cocteau in 1921 over Cocteau's reaction to his Le roi David. Both Cocteau and Milhaud had called the work "treasonous" for its failure to adhere to the progressive principles of modern theatre and music which they espoused. However they resolved their differences and Cocteau agreed to collaborate with Honegger on Antigone.[1] In Cocteau's words, his adaptation was a "contraction" of the Sophocles play. He described his method of reworking it as like taking "photographs of Greece from an airplane."[4] Antigone was first performed as a play at the Théâtre de l'Atelier in Paris in 1922 with sets by Picasso, costumes by Coco Chanel, and incidental music by Honegger.[5] Honegger began composing the complete text of the play as a three-act opera in 1924 and completed it in 1927. Cocteau did not participate in the project during its composition stage and did not attend the premiere.[5]
Honegger had first offered Antigone to the
Roles
Role | Voice type | Premiere cast, 28 December 1927[2] Conductor: Maurice Corneil de Thoran |
---|---|---|
Antigone | contralto | Simone Ballard |
Ismène | soprano | Eglantine Deulin |
Eurydice | mezzo-soprano | Melle Gerday |
Créon
|
baritone | Émile Colonne |
Hémon | baritone | P. Gilson |
Tirésias | bass | Milorad Jovanovitch |
Music
Honegger wrote in the preface of the score about his intention to "envelop the drama with a tight symphonic construction without the movement seeming heavy.[3] He was concerned about a clear rendition of the text, taking special care of the consonants, which he described as the "locomotive" of understanding.[3] He later expressed that French composers "show exclusive concern for the melodic design", neglecting diction.[3] Antigone is cited by Robert Dearling as the first classical work to make use of the musical saw, though the term flexatone is used,[10] and Geoffrey Spratt says that act 2, scene 8, "opens with a long treble melismatic line of quite astounding expression and profundity—qualities in no small way attributable to its scoring for saxophone and musical saw."[11]
The work has been described as austere, even severe, avoiding conventional lyricism.[3]
References
- ^ ISBN 0-19-517473-9
- ^ a b Casaglia, Gherardo (2005). "Antigone, 28 December 1927". L'Almanacco di Gherardo Casaglia (in Italian).
- ^ ISBN 0-521-78009-8.
- ISBN 0-8032-7029-1
- ^ ISBN 2870099010(in French)
- ^ JSTOR 4598990.(subscription required)
- ^ Théâtre Royal de la Monnaie Archives. Antigone. Retrieved 9 March 2016 (in French).
- ^ Casaglia, Gherardo (2005). "Antigone, 11 January 1928". L'Almanacco di Gherardo Casaglia (in Italian).; Casaglia, Gherardo (2005). "Antigone, 24 April 1930". L'Almanacco di Gherardo Casaglia (in Italian).
- ^ Casaglia, Gherardo (2005). "Antigone, 5 January 1958". L'Almanacco di Gherardo Casaglia (in Italian).; Casaglia, Gherardo (2005). "Antigone, 11 October 1960". L'Almanacco di Gherardo Casaglia (in Italian).
- ISBN 9780028646671.
- ISBN 9780902561342.
External links
- Antigone (Honegger): Scores at the International Music Score Library Project