Antiporno

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Antiporno
Django Film
Nikkatsu
Distributed byNikkatsu
Release dates
Running time
76 minutes[1]
CountryJapan
LanguageJapanese

Antiporno (アンチポルノ), also known as Anti-Porno, is a 2016 Japanese

Roman Porno ("romantic pornography")[2] series.[3] Other directors involved in the series include Hideo Nakata, Akihiko Shiota, Kazuya Shiraishi, and Isao Yukisada.[4]

Plot

Kyōko is a renowned artist and writer trapped in a solitary gilded cage of her own success where she speaks to the phantom memory of her dead sister Taeko. Her assistant Noriko arrives to help her prepare to be interviewed by a prominent lifestyle magazine. Wrestling with nausea and self-doubt, she alleviates her insecurities by subjecting her older assistant to a series of ritual humiliations in front of the others.[5]

A director yells "Cut!" and it is revealed that the two women were playing parts in a pornographic film. Noriko reveals herself to be a prima donna who is frustrated with the fledgling actress Kyōko's amateurish ineptitude and subjects her to humiliations mirroring those in the scripted scene. The layers of the two actresses' true personalities and Kyōko's background are revealed over the course of repeated performances of the scene.[5]

Cast

Release and reception

The film premiered at the L'Étrange Festival [fr] in France[2] on September 7, 2016, and was later released in Japan on January 28, 2017.

On

op-art dream that turns on us at every corner."[8]

Some critics praised the film for subverting

Roman Porno by boldly critiquing and exposing the sexual exploitation of the film and pornography industries. Nathanael Hood writing for Mubi noted that, for Nikkatsu's reboot, Sono was a seemingly perfect choice. His previous films, especially Love Exposure, Suicide Club, and Tag, show a certain sexual obsession in the director's work.[9]
Hood said,

"Imagine Nikkatsu’s surprise when Sono’s contribution to the Reboot Project would end up being aggressively unsexy. Appropriately titled Antiporno, the film is almost

Brechtian in its determination to fluster and confound its audience by stripping away successive layers of fantasy until all that’s left is the cankerous soul of sex industry exploitation. It was a stroke of bawdy genius."[9]

Other critics argued the film lacked nuance. Chuck Bowen of Slant Magazine said, "Sion Sono, allergic to subtlety, is terrified that we won't notice his detonation of Nikkatsu's

sexploitation traditions."[1]

References

  1. ^ a b Bowen, Chuck (21 November 2017). "Review: Antiporno". slantmagazine.com. Slant Magazine. Retrieved 13 February 2021.
  2. ^ a b Acevedo, Yoselin (12 January 2017). "'Anti-Porno Trailer': Sion Sono Returns with Feminist Take on Sexuality". IndieWire. Retrieved 10 November 2017.
  3. ^ Schilling, Mark (27 October 2016). "TIFFCOM: Nikkatsu's 'Roman Porno' Package Finds Reboot Success". Variety. Retrieved 10 November 2017.
  4. ^ Colosimo, Tyler (4 May 2017). "Antiporno [JIFF 2017] – Japanese Movie Review". TheMovieBeat. Retrieved 11 November 2017.
  5. ^ a b Hjelm 2021, p. 25-26.
  6. ^ "Antiporno (Anchiporuno)". Rotten Tomatoes. Retrieved 31 May 2020.
  7. ^ Marsh, James (21 March 2017). "Film review: Antiporno – Sion Sono lends unlikely feminist outlook to his roman porno homage". South China Morning Post. Retrieved 11 November 2017.
  8. ^ Bittencourt, Ela (12 December 2016). "Mar del Plata International Film Festival 2016: Honoring Masao Adachi, Anti-Porno, We Are the Flesh, & More". Slant Magazine. Retrieved 11 November 2017.
  9. ^ a b Hood, Nathanael. "The Antierotica of "Antiporno"". mubi.com. Mubi. Retrieved 13 February 2021.

Literature

External links

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