Pornographic film

Source: Wikipedia, the free encyclopedia.
For broader coverage of this topic, see Pornography.

Scene from the pornographic film Montre-moi du rose! (2009)

Pornographic films (pornos), erotic films, adult films, blue films, sexually explicit films, or 18+ films, are films that represent sexually explicit subject matter in order to arouse, fascinate, or satisfy the viewer. Pornographic films represent sexual fantasies and usually include erotically stimulating material such as nudity or fetishes (softcore) and sexual intercourse (hardcore). A distinction is sometimes made between "erotic" and "pornographic" films on the basis that the latter category contains more explicit sexuality, and focuses more on arousal than storytelling; the distinction is highly subjective.

Pornographic films are produced and distributed on a variety of media, depending on the demand and technology available, including traditional film stock footage in various formats,

public decency laws; or religious pressure groups; overly sexualized content is generally not permitted to be shown in mainstream media, or on free-to-air
television.

Films with

stag parties
, home, private clubs, and night cinemas.

In the 1970s, during the Golden Age of Porn, pornographic films were semi-legitimized, to the point where actors not known for appearances in such productions would be cast members (though rarely participating in the explicit scenes);[1] by the 1980s, pornography on home video achieved wider distribution. The rise of the Internet in the late 1990s and early 2000s changed the way pornographic films were distributed, complicating censorship regimes around the world and legal prosecutions of "obscenity".

Classification

Pornographic films are typically categorized as either

fetishism.[2] It generally contains nudity or partial nudity in sexually suggestive situations. Hardcore pornography is pornography that depicts penetration or extreme fetish acts, or both. It contains graphic sexual activity and visible penetration.[3]
A pornographic work is characterized as hardcore if it has any hardcore content.

Pornographic films are generally classified into subgenres which describe the underlying theme or sexual fantasy which the film and actors attempt to create. Subgenres can also be classified into the characteristics of the performers or the type of sexual activity on which it concentrates and not necessarily on the market to which each subgenre appeals. The subgenres usually conform to certain conventions, and each may appeal to a particular audience.

History

See also: History of erotic depictions and Stag film

Early years: before 1920

Images from early Austrian erotic movies (about 1906, first image showing Am Sklavenmarkt) by photographer Johann Schwarzer and his Saturn Film company

Production of erotic films commenced almost immediately after the invention of the motion picture.[citation needed] Two of the earliest pioneers were Frenchmen Eugène Pirou and Albert Kirchner.[4] Kirchner, under the name "Léar", directed the earliest surviving erotic film for Pirou. The 7-minute 1896 film Le Coucher de la Mariée had Louise Willy [af; ca; fr; vo] performing a bathroom striptease.[5] Other French filmmakers also considered that profits could be made from this type of risqué films, showing women disrobing.[6][7]

Also in 1896.

The Birth of Venus
.

In Austria, cinemas organised men-only nights (called Herrenabende) at which adult films were shown. Johann Schwarzer formed his Saturn-Film production company which between 1906 and 1911 produced 52 erotic productions, each of which contained young local women fully nude, to be shown at those screenings. Before Schwarzer's productions, erotic films were provided by the Pathé brothers from French produced sources. In 1911, Saturn was dissolved by the censorship authorities which destroyed all the films they could find,[12] though some have since resurfaced from private collections. There were a number of American films in the 1910s which featured female nudity.[13]

At the beginning of the 20th century, Argentina may have been the first center of pornographic film production in the world.

El Sartorio (also known as El Satario) is perhaps the oldest known pornographic film, a theory held by several authors.[14][17] Filmed between 1907 and 1912 on the riverside of Quilmes or Rosario,[17] the film depicts six nude nymphs who are surprised by a satyr or faun, who captures one of them and then has sex in a variety of positions, including the 69.[14][18] El Sartorio is held currently in the Kinsey Institute's film archive, the largest collection of stag films in the world.[17][18]

Because Pirou is nearly unknown as a pornographic filmmaker, credit is often given to other films for being the first. According to Patrick Robertson's Film Facts, "the earliest pornographic motion picture which can definitely be dated is A L'Ecu d'Or ou la bonne auberge" made in France in 1908. The plot depicts a weary soldier who has a tryst with a servant girl at an inn. He also notes that "the oldest surviving pornographic films are contained in America's Kinsey Collection. One film demonstrates how early pornographic conventions were established. The German film Am Abend (1910) is a ten-minute film which begins with a woman masturbating alone in her bedroom, and progresses to scenes of her with a man in the missionary position, fellatio, and penile anal penetration."[19]

1920s–1940s suppression

Two stag films depicting women performing striptease

Pornographic movies were widespread in the

blue films, as they were called, were produced underground by amateurs for many years starting in the 1940s. Processing the film took considerable time and resources, with people using their bathtubs to wash the film when processing facilities (often tied to organized crime) were unavailable. The films were then circulated privately or by traveling salesmen, but anyone caught viewing or possessing them risked a prison sentence.[20][21]

1950s: home movies

The post-war era saw technological developments that further stimulated the growth of a mass market and amateur film-making, particularly the introduction of the

super-8 film gauges, popular for the home movie market.[22]

Entrepreneurs emerged to meet the demand. In Britain, in the 1950s, Harrison Marks produced films which were considered risqué, and which today would be described as "soft core". In 1958, as an offshoot of his magazines, Marks began making short films for the 8mm market of his models undressing and posing topless, popularly known as "glamour home movies". To Marks, the term "glamour" was a euphemism for nude modeling/photography.[23]

1960s: Europe and United States

Starting in 1961, Lasse Braun was a pioneer in quality colour productions that were, in the early days, distributed by making use of his father's diplomatic privileges. Braun was able to accumulate funds for his lavish productions from the profit gained with so-called loops, ten-minute hardcore movies which he sold to Reuben Sturman, who distributed them to 60,000 American peep show booths.[24] Braun was always on the move, and made his hardcore movies in a number of countries, including Spain, France, Sweden, Denmark and the Netherlands.[citation needed]

In December 1960, American female director

sexploitation films.[citation needed
]

In the 1960s, social and judicial attitudes towards the explicit depiction of sexuality began to change. For example, Swedish film I Am Curious (Yellow) (1967) included numerous frank nude scenes and simulated sexual intercourse. In one particularly controversial scene, Lena kisses her lover's flaccid penis. The film was exhibited in mainstream cinemas, but in 1969 it was banned in Massachusetts allegedly for being pornographic. The ban was challenged in the courts, with the Supreme Court of the United States ultimately declaring that the film was not obscene,[25][26] paving the way for other sexually explicit films. Another Swedish film Language of Love (1969) was also sexually explicit, but was framed as a quasi-documentary sex educational film, which made its legal status uncertain though controversial.

In 1969, Denmark became the first country to abolish all censorship laws, enabling pornography, including hardcore pornography. The example was followed by toleration in the Netherlands, also in 1969. There was an explosion of pornography commercially produced in those countries, including, at the very beginning,

bestiality porn. Now that being a pornographer was legal, there was no shortage of businessmen who invested in plant and equipment capable of turning out a mass-produced, cheap, but quality product. Vast amounts of this new pornography, both magazines and films, needed to be smuggled into other parts of Europe, where it was sold "under the counter" or (sometimes) shown in "members only" cinema clubs.[20]

In the United States, producers of pornographic films formed the Adult Film Association of America in 1969, after the release of Blue Movie by Andy Warhol, to fight against censorship, and to defend the industry against obscenity charges.[27]

1970s: adult theaters and movie booths in the United States

In the 1970s, there was a more tolerant judicial attitude to non-mainstream films. Mainstream theatres did not usually screen even softcore films, leading to a rise of

adult theaters in the United States and many other countries. There was also a proliferation of coin-operated "movie booths" in sex shops that displayed pornographic "loops" (so called because they projected a movie from film arranged in a continuous loop).[citation needed
]

Denmark started producing comparatively big-budget theatrical feature film sex comedies such as Bordellet (1972), the Bedside-films (1970–1976) and the Zodiac-films (1973–1978), starring mainstream actors (a few of whom even performed their own sex scenes) and usually not thought of as "porno films" though all except the early Bedside-films included hardcore pornographic scenes. Several of these films still rank among the most seen films in Danish film history[28] and all remain favourites on home video.[29]

In 1969,

adult erotic film depicting explicit sex to receive wide theatrical release in the United States.[30][31][32] The film was a seminal film in the Golden Age of Porn and, according to Warhol, a major influence in the making of Last Tango in Paris, an internationally controversial erotic drama film, starring Marlon Brando, and released a few years after Blue Movie was made.[31]

The first explicitly pornographic film with a plot that received a general theatrical release in the U.S. is generally considered to be Mona the Virgin Nymph (also known as Mona), a 59-minute 1970 feature by Bill Osco, who created the relatively high-budget hardcore/softcore (depending on the release) 1974 cult film Flesh Gordon[21][33] and later, in 1976, the X-rated musical-comedy film Alice in Wonderland.

The 1971 film Boys in the Sand represented a number of pornographic firsts. As the first generally available gay pornographic film, the film was the first to include on-screen credits for its cast and crew (albeit largely under pseudonyms), to parody the title of a mainstream film (in this case, The Boys in the Band), and, after the 1969 film Blue Movie,[30] one of the first to be reviewed by The New York Times.[34] Other notable American hardcore feature films of the 1970s include Deep Throat (1972), Behind the Green Door (1972), The Devil in Miss Jones (1973), Radley Metzger's The Opening of Misty Beethoven (1976) and Debbie Does Dallas (1978). These were shot on film and screened in mainstream movie theaters. In Britain, Deep Throat was not approved in its uncut form until 2000 and not shown publicly until June 2005.[21][35][36]

In the U.S.

indecency (which may or may not be legal).[citation needed
]

With the arrival of the home

video cassette recorder in the late 1970s and early 1980s, the pornographic movie industry experienced massive growth and spawned adult stars like Traci Lords, Seka, Christy Canyon, Ginger Lynn, Nina Hartley,[37] and directors such as Gregory Dark. By 1982, most pornographic films were being shot on the cheaper and more convenient medium of videotape. Many film directors resisted this shift at first because videotape produced a different image quality. Those who did change soon were collecting most of the industry's profits, since consumers overwhelmingly preferred the new format. The technology change happened quickly and completely when directors realized that continuing to shoot on film was no longer a profitable option. This change moved the films out of the theaters and into people's homes. This marked the end of the age of big-budget productions, and the beginning of the mainstreaming of pornography. It soon went back to its earthy roots and expanded to cover nearly every fetish possible, since the production of pornography was now inexpensive. Instead of hundreds of pornographic films being made each year, thousands were being made, including compilations of just the sex scenes from various videos.[20][21] One could now not only watch pornography in the comfort and privacy of one's own home, but also find more choices available to satisfy specific fantasies and fetishes.[citation needed
]

Similarly, the camcorder spurred changes in pornography in the 1980s, when people could make their own amateur sex movies, whether for private use, or for wider distribution.[citation needed]

The

California v. Freeman effectively legalized hardcore pornography in the U.S.. The prosecution of Harold Freeman was initially planned as the first in a series of legal cases to effectively outlaw the production of such movies.[citation needed
]

1990s: DVD and the Internet age

Production crew of Pierre Woodman shooting pornographic film "The Fugitive", with actors Jeanette Marton and Philippe Soine performing on a location in Australia in 1997

In the late 1990s, pornographic films were distributed on DVD. These offered better quality picture and sound than the previous video format (videotape) and allowed innovations such as "interactive" videos that let users choose such variables as multiple camera angles, multiple endings and computer-only DVD content.[citation needed]

The introduction and widespread availability of the Internet further changed the way pornography was distributed. Previously, videos were ordered from an adult bookstore or through mail-order; with the Internet, people could watch pornographic movies on their computers, and instead of waiting weeks for an order to arrive, a movie could be downloaded within minutes (or, later, within a few seconds).[citation needed]

Pornography can be distributed over the Internet in a number of ways, including

video hosting services and peer-to-peer file sharing. While pornography had been traded electronically since the 1980s, the invention of the World Wide Web in 1991, as well as the opening of the Internet to the general public around the same time, led to an explosion in online pornography.[citation needed
]

Golden Palm in Cannes. The film includes a shower sequence with a male erection and an orgy scene with close-up penetration footage (the camera viewpoint is from the ankles of the participants, and the close-ups leave no doubt as to what is taking place). Idioterne started a wave of international mainstream arthouse films featuring explicit sexual images, such as Catherine Breillat's Romance, which starred pornstar Rocco Siffredi.[38][39]

In 1999, the Danish TV channel Kanal København started broadcasting hardcore films at night, uncoded and freely available to any viewer in the Copenhagen area (as of 2009, this is still the case, courtesy of Innocent Pictures, a company started by Zentropa).[40]

Once people could watch adult movies in the privacy of their own homes, a new adult market developed that far exceeded the scope of its theater-centric predecessor. The Internet served as catalyst for creating a still-larger market for porn, a market that is even less traditionally theatrical.[citation needed]

By the 2000s, there were hundreds of adult film companies, releasing tens of thousands of productions, recorded directly on video, with minimal sets. The market was further expanded by webcams and webcam recordings, in which thousands of pornographic actors work in front of the camera to satisfy pornography consumers' demand.[citation needed]

2000s to present: competition and contraction

By the 2000s, the fortunes of the pornography industry had changed. With reliably profitable DVD sales being largely supplanted by streaming media delivery over the Internet, competition from bootleg, amateur and low-cost professional content on the Internet had made the industry substantially less profitable, leading to it shrinking in size.[41] At the same time this gave rise to video sharing platforms such as Pornhub, XVideos and xHamster.[citation needed]

Pornographic film industry

See also: Sex industry
Actress Cali Chase seducing actor Mikey Butders on a Naughty America film set before performing sexual intercourse in December 2007
Porn actresses Nikita Bellucci and Alice Leroy being photographed by porn actor Francesco Malcom on the set of the film "EquinoXe" in 2015

Economics

Globally, pornography is a large-scale business with revenues of nearly $100 billion,

adult theaters. However, by 2012, widespread availability of illegally copied content and other low-cost competition on the Internet had made the pornographic film industry smaller and reduced profitability.[41]

The global pornographic film industry is dominated by the United States, with the San Fernando Valley area of Los Angeles being the heart of the industry.[44]

In 1975, the total retail value of all the hardcore pornography in the United States was estimated at $5–10 million.[2] The 1979, Revision of the Federal Criminal Code stated that "in Los Angeles alone, the porno business does $100 million a year in gross retain volume." According to the 1986 Attorney General's Commission on Pornography, American adult entertainment industry has grown considerably over the past thirty years by continually changing and expanding to appeal to new markets, though the production is considered to be low-profile and clandestine.[45]

As of 2013 the total current income of the country's adult entertainment is often estimated at $10–13 billion, of which $4–6 billion are legal. The figure is often credited to a study by Forrester Research and was lowered in 1998.[46] In 2007 The Observer newspaper also gave a figure of $13 billion.[47] Other sources, quoted by Forbes (Adams Media Research, Veronis Suhler Communications Industry Report, and IVD), even taking into consideration all possible means (video networks and pay-per-view movies on cable and satellite, websites, in-room hotel movies, phone sex, sex toys, and magazines) mention the $2.6–3.9 billion figure (without the cellphone component). USA Today claimed in 2003 that websites such as Danni's Hard Drive and Cybererotica.com generated $2 billion in revenue in that year, which was allegedly about 10% of the overall domestic porn market at the time.[48] The adult movies income (from sale and rent) was once estimated by AVN Publications at $4.3 billion but the figure obtaining is unclear. According to the 2001 Forbes data, the annual income distribution is the following:

Adult video $500 million to $1.8 billion
Internet $1 billion
Magazines $1 billion
Pay-per-view $128 million
Mobile $30 million[49]

The Online Journalism Review, published by the

Annenberg School of Communication at the University of Southern California, weighed in with an analysis that favored Forbes' number. The financial extent of adult films, distributed in hotels, is hard to estimate—hotels keep statistics to themselves or do not keep them at all.[50]

The world's largest adult movie studio

News Corporation's DirecTV. Comcast, the nation's largest cable company, once pulled in $50 million from adult programming. Revenues of companies such as Playboy and Hustler were small by comparison.[53]

Production

See also: Pornographic film actor
The film set for a medical fetishism scene

Pornographic films are produced and directed at a target audience, who buy and view the films. Traditionally, the audience of pornographic films have been straight males, the male actor typically acted as a proxy for the viewer. A typical pornographic film focuses on a female performer, her male partner traditionally had no distinctive features. However, there has been an increase in female viewers over time, and there have recently been efforts to increase the sexualization of male performers also. Efforts such as, men with charming facial features and well-built bodies becoming predominant in pornographic films, as well as the emergence of feminist pornography.[54][55] Overtime a gay audience also developed, and the scenarios of the films adjust accordingly.

Pornographic films attempt to present a sexual fantasy and the actors selected for a particular role are primarily selected on their ability to create that fantasy. The physical features of the actors and their ability to create the sexual mood of the film is the main factor in who is cast in certain roles. Most actors specialize in certain genres.

Within the average film targeted at a heterosexual male audience, the primary focus is on the sexually attractive appearance of female actress or actresses, meanwhile most male performers in heterosexual pornography are selected less for their looks and more so for their sexual prowess. They are presented as being able to fulfill the proxy fantasy of the male watching audience.

Main article:
List of pornography laws by region

In the United States, the

United States Supreme Court making the decision binding in California, where most pornographic films are made today.[44][57]

At present, no other state in the United States has either implemented or accepted this legal distinction between commercial pornography performers versus prostitutes as shown in the Florida case where sex film maker Clinton Raymond McCowen, aka "Ray Guhn", was indicted on charges of "soliciting and engaging in prostitution" for his creation of pornography films which included "McCowen and his associates recruited up to 100 local men and women to participate in group sex scenes, the affidavit says."[58] The distinction that California has in its legal determination in the Freeman decision is usually denied in most states' local prostitution laws, which do not specifically exclude performers from such inclusion.

In some cases, some states have ratified their local state laws for inclusion to prevent California's Freeman decision to be applied to actors who are paid a fee for sexual actions within their state borders. One example is the state of Texas whose prostitution law specifically states:

An offense is established under Subsection (a)(1) whether the actor is to receive or pay a fee. An offense is established under Subsection (a)(2) whether the actor solicits a person to hire him or offers to hire the person solicited.[59]

In the United States, federal law prohibits the sale, distribution or dissemination of obscene materials through the mail, over the broadcast airwaves, on cable or satellite TV, on the Internet, over the telephone or by any other means that cross state lines.[60] Most states also have specific laws banning the sale or distribution of obscene pornography within state borders. The only protection for obscene material recognized by the Supreme Court of the United States is personal possession in the home (Stanley v. Georgia).

The Supreme Court of the United States affirmed in Miller v. California that obscenity was not protected speech. Further, the court ruled that each community is responsible for setting its own standards about what is considered to be obscene material. If pornographic material is prosecuted and brought to trial, a jury can deem it obscene based on:

  1. whether "the average person, applying contemporary community standards" would find that the work, taken as a whole, appeals to the prurient interest
  2. whether the work depicts or describes, in a patently offensive way, sexual conduct specifically defined by applicable state law and
  3. whether the work, taken as a whole, lacks serious literary, artistic, political or scientific value.

In many countries pornography is legal to distribute and to produce, but there are some restrictions. Pornography is also banned in some countries, in particular in the Muslim world and China, but can be accessed through the Internet in some of these nations.

Health issues

Sex acts in pornographic films have traditionally been performed without the use of

AIDS of several actors and actresses. This led to the creation in 1998 of the Adult Industry Medical Health Care Foundation (AIM), which helped set up a monitoring system in the U.S. pornographic film industry, which required pornographic film actors to be tested for HIV every 30 days.[61] As of 2013, HIV infection of performers in the U.S. pornography industry has been rare, with only a few outbreaks being recorded over the subsequent three decades. The AIM closed its doors in May 2011 and filed for bankruptcy as a result of a court case arising from an inadvertent leak by it of confidential information on clients, including names and STD results.[62][63]

See also

References

  1. ^ Two examples are Cameron Mitchell in Dixie Ray, Hollywood Star and comedian Richard Belzer in Cafe Flesh.
  2. ^
    Guardian.co.uk. Archived
    from the original on 24 May 2020. Retrieved 29 February 2012.
  3. ^ "P20th Century Nudes in Art". The Art History Archive. Archived from the original on 15 February 2012. Retrieved 29 February 2012.
  4. Complex Media, Inc. Archived
    from the original on 18 October 2016. Retrieved 30 December 2018.
  5. ISBN 978-0-415-23440-5
    , p.518
  6. ^ Bottomore, Stephen (1996). Stephen Herbert; Luke McKernan (eds.). "Léar (Albert Kirchner)". Who's Who of Victorian Cinema. British Film Institute. Archived from the original on 10 October 2006. Retrieved 15 October 2006.
  7. ^ Bottomore, Stephen (1996). Stephen Herbert; Luke McKernan (eds.). "Eugène Pirou". Who's Who of Victorian Cinema. British Film Institute. Archived from the original on 2 May 2012. Retrieved 15 October 2006.
  8. ^ Produced by James A. White and shot by William Heise for the Edison Manufacturing Co. in 1896.
  9. ^ a b c "Sex in Cinema: Pre-1920s Greatest and Most Influential Erotic / Sexual Films and Scenes". Archived from the original on 23 April 2018. Retrieved 3 May 2016.
  10. American Mutoscope and Biograph Company
    .
  11. ^ "Full caption: Birth of the Pearl. Camera: F.S. Armitage. AM&B, 1901. Paper Print Collection (LC1318), Moving Image Section, Motion Picture, Broadcasting and Recorded Sound Division". Archived from the original on 30 August 2019. Retrieved 3 May 2016.
  12. ISBN 3-901932-04-6
    .
  13. ^ https://www.yahoo.com/entertainment/skin-history-nudity-movies-film-012811415.html. https://m.imdb.com/list/ls045401746
  14. ^
    Página/12 (in Spanish). Archived
    from the original on 21 September 2020. Retrieved 8 April 2020.
  15. ^
    Página/12 (in Spanish). Archived
    from the original on 8 March 2021. Retrieved 13 April 2020.
  16. ^ Robledo, Juanjo (7 August 2010). "La era del cine porno mudo" (in Spanish). BBC Mundo. Archived from the original on 17 April 2017. Retrieved 8 April 2020.
  17. ^ a b c Fernández, Maximiliano (10 June 2017). "¿La primera película porno de la historia es argentina?: mitos y certezas detrás de la leyenda" (in Spanish). Infobae. Archived from the original on 9 March 2021. Retrieved 8 April 2020.
  18. ^
    ISBN 978-8569298458
    . Retrieved 8 April 2020.
  19. ISBN 978-0-8230-7943-8
    .
  20. ^
    ISBN 1-4172-2885-7. Archived from the original
    on 22 August 2010. Retrieved 21 October 2006.
  21. ^ a b c d Corliss, Richard (29 March 2005). "That Old Feeling: When Porno Was Chic". Time Magazine. Time inc. Archived from the original on 24 February 2016. Retrieved 16 October 2006.
  22. ISBN 9781416056546
    , retrieved 10 June 2022
  23. ^ "glamour, n." OED. Archived from the original on 18 February 2009. Retrieved 18 August 2016.
  24. ^ Eric Schlosser, Reefer Madness: Sex, Drugs and Cheap Labor in the American Black Market (Houghton Mifflin Books, 2004), p. 143.
  25. ^ Byrne v. Karalexis, 396 U.S. 976 (1969) Archived 26 October 2011 at the Wayback Machine and 401 U.S. 216 (1971) Archived 9 October 2011 at the Wayback Machine
  26. ^ "Film International - Thinking Film Since 1973". Archived from the original on 8 April 2016. Retrieved 3 May 2016.
  27. ^ "10th Annual Erotic Awards," Adam Film World, January 1987, p. 7
  28. ^ "Scope: Flest solgte billetter". Archived from the original on 25 April 2016. Retrieved 3 May 2016.
  29. ^ "Sengekant (inkl. en uges skiferie)". Ekko.dk (in Danish). Archived from the original on 4 September 2012. Retrieved 9 February 2010.
  30. ^
    New York Times. Archived
    from the original on 31 December 2015. Retrieved 29 December 2015.
  31. ^ a b Comenas, Gary (2005). "Blue Movie (1968)". WarholStars.org. Archived from the original on 6 December 2022. Retrieved 29 December 2015.
  32. New York Times. Archived
    from the original on 31 December 2015. Retrieved 29 December 2015.
  33. ^ Mehendale, Rachel (9 February 2006). "Is porn a problem?" (PDF). The Daily Texan. pp. 17, 22. Archived (PDF) from the original on 12 September 2008. Retrieved 15 October 2006.
  34. ISBN 978-1-55583-457-9
    .
  35. ^ Hattenstone, Simon (11 June 2005). "After 33 years, Deep Throat, the film that shocked the US, gets its first British showing". The Guardian. Guardian News and Media Limited. Archived from the original on 19 December 2007. Retrieved 18 October 2006.
  36. ^ "Porn film on 'landmark 100' list". BBC News. BBC. 5 October 2006. Archived from the original on 28 August 2017. Retrieved 28 October 2006.
  37. ^ "AVN Nina Hartley". Archived from the original on 25 February 2019. Retrieved 14 May 2020.
  38. ^ Musetto, V. A. (18 September 1999). "A real 'Romance'? : This French flick's graphic sex scenes aren't just acting, director says". New York Post. Retrieved 12 February 2022.
  39. IMDb
  40. ^ "Kanal København - Erotik og Kontakt". 28 December 2013. Archived from the original on 28 December 2013. Retrieved 18 August 2016.{{cite web}}: CS1 maint: bot: original URL status unknown (link)
  41. ^ a b Louis Theroux (5 June 2012). "How the internet killed porn". The Guardian. Archived from the original on 13 October 2017. Retrieved 12 December 2016.
  42. ^ Morris, Chris (14 January 2014). "After rough 2013, porn studios look for a better year – "Globally, porn is a $97 billion industry, according to Kassia Wosick, assistant professor of sociology at New Mexico State University. At present, between $10 billion and $12 billion of that comes from the United States."". CNBC. Archived from the original on 22 January 2014. Retrieved 25 February 2014.
  43. ^ "Porn Business Driving DVD Technology - BizReport". Archived from the original on 11 January 2005. Retrieved 26 August 2006.
  44. ^ a b "Porn In The U.S.A." CBS News. 21 November 2003. Archived from the original on 3 January 2008. Retrieved 3 May 2016.
  45. ISBN 0-07-021223-6
    .
  46. ^ Ackman, Dan (25 May 2001). "How Big Is Porn?" Archived 13 December 2007 at the Wayback Machine. Forbes.com. Retrieved 29 June 2008.
  47. ^ Helmore, Edward (16 December 2007). "Home porn gives industry the blues" Archived 22 February 2017 at the Wayback Machine. Guardian.co.uk. Retrieved 4 March 2009.
  48. ^ Swartz, Jon (9 March 2004). "Online porn often leads high-tech way" Archived 27 June 2012 at the Wayback Machine. USATODAY.com. Retrieved 29 June 2008.
  49. ^ Strauss, Gary (12 December 2005). "Cellphone technology rings in pornography in USA" Archived 31 August 2012 at the Wayback Machine. USATODAY.com. Retrieved 29 June 2008.
  50. ^ Bradley, Matt (6 September 2006). "Groups protest porn on hotel TVs" Archived 7 January 2012 at the Wayback Machine. USATODAY.com. Retrieved 29 June 2008.
  51. ^ Pulley, Brett (27 March 2005). "The Porn King". Forbes.com. Archived from the original on 24 February 2009.
  52. ^ "Prime-Time Porn Borrowing tactics from the old Hollywood studios, Vivid Entertainment has ditched the plain brown wrapper and is taking the multibillion-dollar sex-film industry mainstream. - June 1, 2003". Archived from the original on 7 April 2016. Retrieved 3 May 2016.
  53. ^ Egan, Timothy (23 October 2000). Wall Street Meets Pornography Archived 7 January 2010 at the Wayback Machine. The New York Times.
  54. ^ "'Porn made for women, by women" Archived 5 December 2020 at the Wayback Machine May, Catalina. The Guardian, 22 March 2011. Accessed 11 October 2013
  55. ^ "'Artisanal, locally grown, free range porn for women" Archived 27 October 2013 at the Wayback Machine Nagy, Toni. Huffington Post, 4 March 2013. Accessed 11 October 2013
  56. ^ "STANLEY v. GEORGIA". Findlaw. Archived from the original on 26 January 2011. Retrieved 3 May 2016.
  57. ^ But see news.com.au: Coffee shop girls face charges over sex shows Archived 6 September 2013 at the Wayback Machine February 08, 2010
  58. ^ "Webmaster Ray Guhn Arrested in Florida". xbiz.com. Archived from the original on 9 February 2013. Retrieved 26 June 2006.
  59. ^ "Texas Penal Code, Chapter 43: Public Indecency". Texas Legislature. Archived from the original on 18 September 2012. Retrieved 18 April 2007.
  60. ^ "18 USC Chapter 71 - OBSCENITY | Title 18 - Crimes and Criminal Procedure | U.S. Code | LII / Legal Information Institute". Law.cornell.edu. Archived from the original on 19 October 2017. Retrieved 6 May 2013.
  61. ISBN 978-1-880047-69-9
    .
  62. ^ Dennis Romero (3 May 2011). "Porn Clinic AIM Closes For Good: Valley-Based Industry Scrambles to Find New STD Testing System". LA Weekly. Archived from the original on 7 May 2011. Retrieved 3 May 2011.
  63. ^ Williams, Mitchell (21 November 2012). "How a Straight Adult Performer Convinced Me That Condoms Are Useless in Porn". Huffington Press. Archived from the original on 5 June 2022. Retrieved 18 February 2014.

Bibliography

  • Patrick Robertson: Film Facts, 2001, Billboard Books,
    ISBN 0-8230-7943-0
Retrieved from "https://en.wikipedia.org/w/index.php?title=Pornographic_film&oldid=1282367882"