Anton Räderscheidt
Anton Räderscheidt | |
---|---|
Born | |
Died | 8 March 1970 | (aged 77)
Nationality | German |
Known for | Painting |
Movement | Expressionism, Dada, Constructivism, New Objectivity, Magic realism |
Anton Räderscheidt (11 October 1892 – 8 March 1970) was a German painter who was a leading figure of the New Objectivity.
Life and career
Räderscheidt was born in
Many of the works Räderscheidt produced in the 1920s depict a stiffly posed, isolated couple that usually bear the features of Räderscheidt and his wife, the painter
His marriage to Marta ended in 1933.[4] From 1934 to 1935 he lived in Berlin. He fled to France in 1936, and settled in Paris, where his work became more colorful, curvilinear and rhythmic. He was interned by the occupation authorities in 1940, but he escaped to Switzerland. In 1949 he returned to Cologne and resumed his work, producing many paintings of horses shortly before adopting an abstract style in 1957.
Räderscheidt was to return to the themes of his earlier work in some of his paintings of the 1960s. After suffering a stroke in 1967, he had to relearn the act of painting. He produced a penetrating series of self-portraits in gouache in the final years of his life. Anton Räderscheidt died in Cologne in 1970.
Notes
References
- Crockett, Dennis (1999). German Post-Expressionism: the Art of the Great Disorder 1918-1924. University Park, Pa.: Pennsylvania State University Press. ISBN 0-2710-1796-1
- Michalski, Sergiusz (1994). New Objectivity. Cologne: Benedikt Taschen. ISBN 3-8228-9650-0
- Schmied, Wieland (1978). Neue Sachlichkeit and German Realism of the Twenties. London: Arts Council of Great Britain. ISBN 0-7287-0184-7