Arthur Edeson

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Arthur Edeson, A.S.C.
Promotional portrait
Born(1891-10-05)October 5, 1891
New York City, U.S.
DiedFebruary 14, 1970(1970-02-14) (aged 78)
Agoura Hills, California, U.S.
OccupationCinematographer
Years active1914–1948
TitleA.S.C. Founding Member
Board member ofA.S.C. President (1953–1954)

Arthur Edeson,

A.S.C. (October 24, 1891 – February 14, 1970) was an American cinematographer.[1] Born in New York City, his career ran from the formative years of the film industry in New York, through the silent era in Hollywood, and the sound era there in the 1930s and 1940s. His work included many landmarks in film history, including The Thief of Bagdad (1924), All Quiet on the Western Front (1930), Frankenstein (1931), The Maltese Falcon (1941), and Casablanca
(1942).

He was one of the founders of the American Society of Cinematographers, and was nominated for three Academy Awards in his career in cinema.

Career

Edeson began his career as a still photographer, but turned to movies in 1911 as a camera operator at the American

America's first motion picture industry were based there at the beginning of the 20th century.[2][3][4]

When the Éclair Studio was reorganized as the

Robin Hood (1922) and The Thief of Bagdad (1924), and the groundbreaking special effects film The Lost World
(1925).

When sound came in, Edeson experimented with camouflaging the microphones in exterior shots.

70mm widescreen process, known as "Fox Grandeur".[6]

In the early 1930s, perhaps his most memorable creative partnership was formed with director James Whale, for whom he photographed the first three of Whale's quartet of horror films: Frankenstein (1931), The Old Dark House (1932), and The Invisible Man (1933).

According to critic M.S. Fonseca, Edeson was one of the "master craftsmen" of the old American school. His principal work was on the side of realism, which is considered by most film historians to represent the "zenith of Hollywood photography." Edeson built on the influence of

German Expressionism, brought to the America cinema by German cinematographers during the 1920s.[7]

In 1919, Edeson was one of the founders of the American Society of Cinematographers.[8]

Arthur Edeson died on February 14, 1970, in Agoura Hills, California.[9]

Filmography

Source:[10]

Awards

Oscar Nominations

  • Academy Awards: Oscar, Best Cinematography, for In Old Arizona, 1929
  • Academy Awards: Oscar, Best Cinematography, for All Quiet on the Western Front, 1930
  • Academy Awards: Oscar, Best Black and White Cinematography, for Casablanca, 1943

In 1955 and 1957, Edeson was awarded the George Eastman Award, given by

George Eastman House
for distinguished contribution to the art of film.

References

  1. IMDb
    . Last accessed: December 17, 2007.
  2. ISBN 0-86196-653-8
    .
  3. ^ "Studios and Films". Fort Lee Film Commission. Archived from the original on 25 April 2011. Retrieved 2011-05-30.
  4. ISBN 0-7385-4501-5
  5. ^ Steeman, Albert. Internet Encyclopedia of Cinematographers, "Arthur Edeson page," Rotterdam, The Netherlands, 2007. Last accessed: December 14, 2007.
  6. ^ Erickson, Hal[permanent dead link]. Allmovie, "Edeson Biography," 2007.
  7. ^ Fonseca, M.S. Film Reference, 2007. Last accessed: December 18, 2007.
  8. ^ "Arthur Edeson - About This Person - Movies & TV - NYTimes.com". Movies & TV Dept. The New York Times. 2016. Archived from the original on 2016-03-06. Retrieved 2016-02-27.
  9. ^ "American Cinematographer: The Founding Fathers". www.theasc.com. Retrieved 2016-02-27.
  10. ^ Goble, Alan. The Complete Index to World Film, since 1885. 2008. Index home page.

External links

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