B. Ruby Rich
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B. Ruby Rich | |
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New Queer Cinema " |
B. Ruby Rich is an American
Career
Rich began her career in film exhibition as co-founder of the Woods Hole Film Society. In 1973, she became associate director of what is now the Gene Siskel Film Center at the Art Institute of Chicago.[3] After working as film critic for the Chicago Reader, she moved to New York City[3] to become the director of the film program for the New York State Council on the Arts, where she worked for a decade. While living in New York City, she began writing for the Village Voice. She then moved to San Francisco, where she began teaching, first at the University of California, Berkeley, and then at UC Santa Cruz. As Professor of Film and Digital Media there, she helped to build the Social Documentation graduate program.
In 2013, Rich accepted the position of Editor in Chief at Film Quarterly. She re-organized its editorial board and re-launched its website with several new features, including the "Quorum" column and video recordings of FQ webinars.[4]
In 2017, the Barbican hosted a season of films and talks to commemorate her career as a film critic, academic and curator.[5]
Rich is now Professor Emerita, UC Santa Cruz, and lives in San Francisco and Paris. She continues to appear in documentaries for independent filmmakers and television, as well as on selected Criterion releases.
Media appearances
In 1999, Rich appeared as a guest critic on several episodes of Roger Ebert at the Movies.
B. Ruby Rich appears in the 2009 documentary film
She appears in the film !Women Art Revolution.[6]
New Queer Cinema and other influences
Rich coined the term "New Queer Cinema" in a 1992 article for the
Rich's presence at film festivals (such as Sundance, where she was an early member of the selection committee; TIFF, where she served as an international programmer in 2002;
Publications
Chick Flicks: Theories and Memories of the Feminist Film Movement
The back cover of her
New Queer Cinema: The Director's Cut
Mostly an assemblage of Rich's published writing on queer films of the preceding decades, New Queer Cinema: The Director's Cut moves from the moment of New Queer Cinema's inception in the early 1990s festival circuit to its Hollywood co-option in the late 1990s to its more recent international impact and European and U.S. mainstreaming. The book includes studies of the films The Watermelon Woman, Go Fish, Milk, as well as the films of Lucrecia Martel and Gregg Araki.
Contributions
Rich was a regular contributor to
Awards
Rich received the 2006 Lifetime Achievement Award from the
References
- ^ UCSC.edu
- ^ a b c Hays, Matthew. "Beyond The Celluloid Closet." Gay & Lesbian Review Worldwide 20.4 (2013): 37. Academic Search Complete. Web. April 22, 2016.
- ^ a b "University Faculty Page". Film and Digital Media. USC Santa Cruz. Retrieved April 11, 2016.
- ^ "About". Film Quarterly. 2018-09-14. Retrieved 2021-07-14.
- ^ "Being Ruby Rich". Barbican.
- ^ Anon 2018
- ^ Myers, Emma (February 7, 2014). "CriticWire". Profiles in Criticism. CriticWire. Retrieved April 11, 2016.
- ^ "B. Ruby Rich". Brubyrich.com. N.p., 2016. Web. April 22, 2016.
Further reading
- Anon (2018). "Artist, Curator & Critic Interviews". !Women Art Revolution - Spotlight at Stanford. Archived from the original on March 26, 2018. Retrieved August 23, 2018.