Bad Jubies

"Bad Jubies" is the twentieth episode of the

Lepore first became involved with the show after her CalArts MFA thesis, the short film entitled "Move Mountain", was viewed by Adventure Time showrunner and executive producer Adam Muto in early 2014. He emailed Lepore, asking if she would be interested in working on the show. Muto was drawn to Lepore's work because her style—especially that which was exhibited in "Move Mountain"—was reminiscent of the spirit of Adventure Time; in an email correspondence with Lepore, Muto reportedly told her that the producers had "been wanting to do a stop motion episode for a very long time, [but they] were waiting for the right time and the right fit".^[7] In an interview The A.V. Club, she noted: "I knew this was a huge opportunity and such a huge honor […] It was really, really exciting for me to be able to get the project."^[7] With this being said, prior to the email, Lepore had never seen an episode of Adventure Time, and she soon started to watch the show to get a feel for its aesthetic. Eventually, however, she came to genuinely enjoy the show, and she now claims it is one of her favorites.^[9]

The episode took roughly one year to make. Approximately five or six months were devoted exclusively to writing, storyboarding, and pitching the episode's plot to the show's writers and the network. Lepore was initially worried because she had limited experience with writing lines for characters, as her previous films had almost exclusively lacked dialogue. Lepore claimed to have relegated herself to her bedroom for five weeks while she wrote and storyboarded the entirety of "Bad Jubies".^[7] On August 15, 2014, Lepore submitted her storyboard for network approval, and, after gaining said approval, teamed up with Bix Pix Entertainment.^[7][10] This production company constructed all of the backdrops, props, and puppets, while Lepore directed the endeavor. The production of the episode presented many technical challenges which Lepore had limited experience dealing with. Because she had mostly taught herself how to animate, she soon had to learn specific industry methods that, for instance, prevented puppets from falling over, or shots from being interrupted by human error.^[7] Lepore directed four separate animators, who each worked on a different set; this allowed for four times as much footage to be captured in a single day.^[9] The episode's introduction, which Lepore animated almost entirely by herself, was the last piece of stop motion made for the show. According to Lepore, the fleeting characters that appear were made "quick and dirty" out of clay, since they only appeared briefly.^[7]

The music for the episode was composed by electronic and chiptune artist Disasterpeace. In a Tumblr post, he wrote:

I had the pleasure of scoring Kirsten Lepore's guest directed, Emmy award-winning episode of Adventure Time from Season 7, "Bad Jubies". This is one of my favorite shows and I wanted to honor the feeling of open-ended creativity I feel is often on display when watching it, so I set out to create a collage aesthetic. I asked a bunch of friends to contribute samples to the score, and I was showered with all kinds of wonderful sounds. Guitars, organs, vocalizations, old answering machines, and that's just scratching the surface really.^[11]

In terms of sampling, Lepore herself provided a collage of nature sounds.^[11]

Reception

"Bad Jubies" aired on January 14, 2016. It was seen by 1.22 million viewers and scored a 0.3

Oliver Sava of The A.V. Club awarded the episode an "A−", arguing that the episode was both about "how the act of creation can alienate the artist from others, but ultimately unites people with the finished product", and a meditation on negativity, depression, and the beauty of the natural world.^[13] Sava was impressed with Lepore's handle on the characters and their voices, especially given that her previous short films had made little to no use of dialogue. He was also appreciative that while Lepore did bring a unique and striking change by using a new medium, tonally, the episode is consistent with other episodes of Adventure Time.^[13] Robert Lloyd of the Los Angeles Times wrote that the episode "catches the show's combination of cosmic consciousness and domestic farce and takes it some places you never knew you wanted it to go. It's everything a special should be."^[9] He wrote highly of Lepore's medium, contrasting it with 3-D animation by saying, "In stop-motion, the space is real; the materials are real; their texture is not modeled texture but just, you know, texture. The light is light."^[9]

For his work on this episode, Jason Kolowski (the episode's production designer) won a

References