Banganarti

Coordinates: 18°10′0″N 30°47′06″E / 18.16667°N 30.78500°E / 18.16667; 30.78500
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Banganarti
بنقنارتي
UTC+2 (CAT
)

Banganarti (

Makuria
. Banganarti was an important Christian pilgrim center; the remains of a substantial medieval church are near the village (18.166736,30.784785).

Excavations

Polish archaeological research

Polish archaeologists have worked at the site since 1998. Banganarti was included in the

Polish Centre of Mediterranean Archaeology University of Warsaw, the Institute of Mediterranean and Oriental Cultures of the Polish Academy of Sciences, and (since 2016) the Institute of Archaeology, University of Rzeszów. It conducts archaeological excavations and conservation and reconstruction works in cooperation with the Sudanese National Corporation for Antiquities and Museums (NCAM).[1]
 

In the first seasons, the work focused on the large church in Banganarti. It consists of two successive buildings, dating respectively to the seventh and the eleventh century. Several burials were discovered inside. Both buildings were decorated with high-quality wall paintings. One of the oldest images of the Virgin Mary has been found in the Lower Church.[2]

The younger building, the Upper Church, is called Raphaelion II after its patron, Archangel Raphael. The number ‘II’ was added because Raphael had probably been the patron of the Lower Church as well. The Upper Church functioned from the mid-eleventh to the mid-eighteenth century.[3] It was a pilgrim center, as attested by almost 1,000 inscriptions left by visitors on the walls of the Raphaelion.[1] They are written in Greek, Old Nubian, or a mixture of both. They mention a few Nubian kings and other prominent persons, such as a queen mother, which gives them historical importance.

Wall paintings are among the most important discoveries made in Banganarti. Fifteen were uncovered on the walls of the Lower Church, but they were in much worse condition than the ones decorating the interior of Raphaelion II.[4] The iconographical program of the Upper Church is undoubtedly rooted in political theology and royal propaganda. Of the 57 preserved wall paintings, 13 were hieratic depictions of a king.[5] Large figurative scenes showing a Nubian king protected by an Archangel surrounded by the Apostles are typical. Biblical scenes and depictions of secular figures (rulers and high dignitaries) are also common.[1]

Medieval fortifications built of mudbrick, showing evidence of two fires in the walls’ layers,[6] as well as the remains of a settlement surrounding the sacral buildings, were also studied.[7]

References

  1. ^ a b c "Banganarti". pcma.uw.edu.pl. Retrieved 2020-07-23.
  2. ^ Żurawski, Bogdan (2007). "Madonna of Banganarti". Focus on Archaeology. p. 28. Retrieved 25 July 2012.
  3. ^ Żurawski, Bogdan (2014). Kings and Pilgrims. St Raphael Church II at Banganarti, mid-eleventh to mid-eighteenth century, Warsaw: Wydawnictwo Neriton / IKŚiO PAN.
  4. ^ Żurawski, Bogdan (2012). St Raphael Church I at Banganarti, mid-sixth to mid-eleventh Century. An introduction to the site and the epoch (=Gdańsk Archaeological Museum African Reports 10), Gdańsk: Gdańsk Archaeological Museum
  5. ^ Żurawski, Bogdan (2014). Kings and Pilgrims. St Raphael Church II at Banganarti, mid-eleventh to mid-eighteenth century, Warsaw: Wydawnictwo Neriton / IKŚiO PAN
  6. S2CID 187593768
    . Retrieved 2020-07-23.
  7. .

Bibliography

External links