Barnumbirr

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Barnumbirr (Morning Star)
Yolngu creator-spirit
Map showing the geographical location of the Yolngu language group (Highlighted in green).
Other namesBanumbirr, Morning Star
AffiliationCreation, Death
PlanetVenus
ArtefactsMorning Star Pole
GenderFemale
RegionArnhem Land, Australia
Ethnic groupYolngu
FestivalsMorning Star Ceremony

Barnumbirr, also known as Banumbirr or Morning Star, is a

Yalangbara) in North East Arnhem Land, Barnumbirr flew across the land from east to west, creating a songline which named and created the animals, plants, and geographical features.[2][3]

Songlines were an important navigational tool for

language groups and was therefore useful for travelling Yolngu and their neighbours.[5][4] There is a growing body of research suggesting that this song-line through the Northern Territory/Western Australia and others tracing paths in NSW and Queensland have formed part of Australia’s network of motorways.[6][4][5]

Barnumbirr has a strong association with death in Yolngu culture.[2] The "Morning Star Ceremony" corresponds with the rising of Barnumbirr and is a time when living Yolngu, with the help of Barnumbirr and the "Morning Star Pole", can communicate with their ancestors on Bralgu (var. Baralku), their final resting place.[3][2]

Role in creation

Barnumbirr as a Morning Star is a creator spirit in Yolngu culture.

Madayin Law to the Dhuwa people.[8] Once the sisters found land near Yirrkala in North East Arnhem Land,[3] Barnumbirr is believed to have continued flying eastward creating a song-line which includes descriptions of flora, fauna, geographical features and clan borders.[2] Barnumbirr’s songline therefore formed the basis of Madayin Law and the Yolngu understanding of the land.[2][8]

Relationship with death

Barnumbirr has strong associations with death for Yolngu people.[1][2] The rising of Barnumbirr in the sky before sunrise is a time when the Yolngu conduct the "Morning Star Ceremony".[2] As Venus becomes visible in the early hours before dawn, the Yolngu say that she draws behind her a rope that is connected to the island of Bralgu.[2] Along this rope, with the aid of a richly decorated "Morning Star Pole", Yolngu people are able to release the spirits of their dead and communicate with their ancestors.[9][1]

Research[2] suggests that this light is likely zodiacal light, caused by extraterrestrial dust reflecting light from the solar system. This ‘rope’ is important in Yolngu mythology because it prevents Barnumbirr from straying too far from Bralgu and facilitates communication between dead and living people.[1][2][9]

The Morning Star Ceremony

The Morning Star Ceremony is a mortuary

ceremony of the Dhuwa moiety.[7][2] In Dhuwa mythology, the Wangarr (Yolngu ancestors) perform the Morning Star ceremony every night of Venus’ synodic period.[10] In the real world, the Morning Star Ceremony is an important part of the funeral process for a small number of Yolngu clans.[2] The ceremony begins at dusk and continues through the night, reaching a climax when Barnumbirr rises trailing a rope of light to connect with Bralgu.[2] When Barnumbirr rises, the spirits of those who have recently died are released with the help of the Ceremony to Wangarr, the spirit-world.[10]

Planning the Morning Star Ceremony

Due to its scale and importance, the "Morning Star Ceremony" requires a significant level of planning.[1] It occurs over the course of the night prior the first rising of Venus after a synodic period of approximately 584 days.[11] Venus can then be seen as a Morning Star for approximately 263 days.[11] The Yolngu people count the days of Venus’ synodic period to track the motion of Venus and plan the Morning Star Ceremony[1][12]

The Morning Star Pole

The Morning Star Pole is a decorated ceremonial piece used in the Morning Star Ceremony.[2] It is used to communicate with ancestors on Bralgu and is designed to depict Barnumbirr, its tail of zodiacal light and neighbouring celestial bodies.[2][12] Each Morning Star Pole is unique to individual craftsmen and clans and therefore unique in appearance (Gurriwiwi, 2009).[citation needed]

Attached to the top of the pole are feathers from a variety of birds which represent the Morning Star itself (Norris, 2016; Gurriwiwi, 2009). The pole is coloured with traditional patterns in ochre paint and together are a representation of the artist and their surrounding environment.[13] Pandanus strings attach more feathers to the pole.[2] These strings represent the string of light that attaches Barnumbirr to Bralgu[12] as well as neighbouring stars and planets.[2]

Public interest in Morning Star poles

Morning Star poles have attracted attention from art galleries and collectors across the world.

Art Gallery of NSW[17] and the Australian National Maritime Museum.[18]  Gali Yalkarriwuy Gurruwiwi is a Yolngu man from Elcho Island in Arnhem Land. He is a Morning Star custodian, maker and artist of Morning Star poles which have been displayed in galleries across the world.[19] Gurriwiwi expresses a desire to use his art as a way bring people together and teach them about Yolngu culture.[20][21] This desire to share indigenous culture with non-aboriginal people via Morning Star Poles is also shared by fellow Arnhem Land artist Bob Burruwal.[16]

Venus in other Australian Indigenous cultures

Venus is the third brightest object in the night sky[12] and because of this there are numerous cultural interpretations of Venus as a Morning and Evening Star across Australia’s Indigenous groups.[12] The literature is sparse on the details of many of these interpretations,[1][2][5][9][12][22] and in some cases cultural limitations prevent information from being shared.[2][22] There are, however, relatively detailed recounts of the Euahlayi and Kamilaroi,[6][22] Arrernte[12][23] and Queensland Gulf Country people’s[12][24][25] interpretations.

Kamilaroi and Euahlayi

See also: Gamilaraay

The Kamilaroi and Euahlayi peoples of Northern New South Wales interpret Venus as a morning star differently to the Yolngu but it shares similar significance.[22] The story of the Eagle-hawk (Muliyan) is recounted in Reed[24] Fuller[22] and Hamacher & Banks.[12] The eagle-hawk once lived in a large Yarran tree and hunted people for food near the Barwon River. One day, a group of men set out after him to avenge his killing of their people. The men set fire to the tree and killed Muliyan. The eagle-hawk then ascended into the sky as Muliyangah, the morning star. Euahlayi/Kamilaroi people interpret Muliyangah as the eyes of Baayami (Baiame) watching over the earth during the night.[22]

Due to Baayami’s cultural significance, Kamilaroi/Euahlayi people also place great importance on a Morning Star Ceremony but cultural sensitivities prevent much detail from being revealed in the literature.[22] Fuller’s research[22] does explain, however, that Venus rising as an evening star is a sign to light a sacred fire. This fire is re-lit every night until Venus rises as a Morning Star and the flame is extinguished. Like the Yolngu version this ceremony also includes the use of a wooden pole, but in this case it is held horizontally as a symbol of connection between dark and light peoples (the two moieties of the Kamilaroi/Euahlayi), and the unity of marriage.[22] The Euahlayi/Kamilaroi also require an understanding of the celestial movements of Venus. The literature is unclear, however, on how Euahlayi/Kamilaroi elders predict the date Venus rises.[22]

Arrernte

See also: Arrernte people

Venus as a morning and evening star are a central component of the

Tnorala. Tnorala is a 5-kilometre-wide, 250-metre-tall ring-shaped mountain range 160 km (99 mi) west of Alice Springs.[12] Arrernte people believe that in the creation period, a group of women took the form of stars and danced the Corroboree in the Milky Way.[12][23] As they danced, one of the women dropped a baby which then fell to earth and formed the indent that can be seen in the ring-shaped mountain range. The baby’s parents, the morning star (father) and evening star (mother), continue to take turns looking for their baby.Arrernte parents warn their children not to stare at the morning or evening stars because the baby’s parents may mistake a staring child for their own and take them away.[12][23]

North Queensland Gulf Country Aboriginal peoples

Similarities can be found between creator role of Barnumbirr in Yolngu culture, and the Morning Star as a creator spirit in North Queensland's Gulf Country Dreaming. Gulf country Aboriginal peoples believed that two brothers, the moon (older) and the morning star (younger) travel across the landscape in the creation period, using a boomerang to create features of the landscape such as valleys, hills and seas.[12][24][25]

Further interpretations

Songlines and mapping

Further information: Songline

For Aboriginal Australians, songlines (also called "Dreaming Tracks") are an oral map of the landscape, setting out trading routes,

sacred sites.[5] Song-lines on the land are often mirrored, or mirrors of, "paths" connecting stars and planets in the sky.[4] Star maps are also play an important role as mnemonics to aid in the memory of songlines.[5]

The path that Barnumbirr is believed to have travelled from west to east across northern Australia is recounted in a songline that tracks a navigable route through the landscape.[2] Mountains, waterholes and clan boundaries are mentioned throughout the song and it therefore became an important navigational tool for travelling Yolngu and their neighbours.[1][4][5]

Songlines and Australia's highway network

There is new research

Dreaming tracks were then solidified by the construction and subsequent upgrade of modern roads.[4][5] By matching star maps from Euahlayi and Kamilaroi cultures with maps of modern Australian roads in northern NSW, Fuller[4] finds strong similarities. Harney and Wositsky[27] and Harney & Norris[5] also argue that the Barnumbirr songline sets a course similar to that of the Victoria Highway across the Northern Territory:

They call it the Victorian Highway now, but it was never the Victorian Highway at all – it was just the original Aboriginal walking track right through Arnhem Land.[27]

The historical evidence surrounding this concept is sparse but more recent work is uncovering the significance of song-lines (related to Barnumbirr and otherwise) in forming the basis for modern Australian roads.

In the arts and media

Dance

Banula Marika collaborated with founder of the Australian Dance Theatre, choreographer Elizabeth Cameron Dalman, in a dance performance entitled Morning Star (2012–3). Marika is custodian of the Morning Star story,[28] and served as cultural consultant on the work. The Mirramu Dance Company performed Morning Star in March 2013 at the James O. Fairfax Theatre, National Gallery of Australia in Canberra.[29]

Film

A forthcoming

yidaki, Djalu Gurruwiwi, is as of January 2021 in the post-production phase.[30][31]

See also

References

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  4. ^ a b c d e f g h i Fuller, Robert S. (6 April 2016). "How ancient Aboriginal star maps have shaped Australia's highway network". The Conversation. Retrieved 17 May 2020.
  5. ^ a b c d e f g h i Harney, Bill; Norris, Ray (2014). "Song-lines and Navigation in Wardaman and Other Aboriginal Cultures". Journal of Astronomical History and Heritage. 17: 141–148.
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  8. ^ a b Gondarra, D. (2011). The Law and Justice within Indigenous Communities. Presentation, Darwin, NT
  9. ^ a b c Allen, L. (1976). Time Before Morning: Art and Myth of Aboriginal Australians. Adelaide: Rigby.
  10. ^ a b ABC Education. (2009). Morning Star Poles tell an artistic story [Video].
  11. ^ a b The Venus Transit. (2004). European Southern Observatory. Retrieved 24 April 2020, from https://www.eso.org/public/outreach/eduoff/vt-2004/Education/edu1app4.html
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  13. ^ Gurruwiwi, G. (2009). Morning Star Poles tell an artistic story [TV]. Elcho Island.
  14. ^ Rothwell, Nicolas (2010). "Yalkarriwuy's morning star on the rise". The Australian.
  15. ^ Banumbirr (Morning Star Poles), 2017, Exhibition, QAGOMA, Access: https://www.qagoma.qld.gov.au/goma10hub/artists/banumbirr-morning-star-poles
  16. ^ a b Burruwal, B. (2016). Buya Male. Sydney: Museum of Contemporary Art Australia. Access: https://www.mca.com.au/artists-works/works/2016.32/
  17. ^ Djarrankuykuy, B (1948). Banumbirr, Sydney: Art Gallery of NSW. Access: https://www.artgallery.nsw.gov.au/collection/works/9283/
  18. ^ Banumbirr: Morning Star Poles from Arnhem Land, NT, Australia, retrieved 17 May 2020
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  20. ^ Gurruwiwi, G. (2009). Morning Star Poles tell an artistic story [TV]. Elcho Island.
  21. ^ Millar, Paul (2008). "An art passed from father to son captures life in poles (and $25,000)".
  22. ^ a b c d e f g h i j Fuller, R (2015). The astronomy of the Kamilaroi and Euahlayi peoples and their neighbours (MPhil thesis). Macquarie University.
  23. ^ a b c Thornton, W., 2007. Tnorala - Baby Falling. (Video) Canberra, Ronin Films. Produced by the Central Australian Aboriginal Media Association, Alice Springs.
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  28. ^ Kingma, Jennifer (10 March 2012). "A passion for dance". The Sydney Morning Herald. Retrieved 25 July 2021.
  29. ^ Potter, Michelle (21 March 2013). "Morning Star. Mirramu Dance Company". Michelle Potter... On Dance. Retrieved 25 July 2021.
  30. ^ "About Morning Star". Morning Star Documentary. Archived from the original on 25 July 2021. Retrieved 25 July 2021.
  31. ^ "What is Morning Star?". Morning Star Documentary. Retrieved 21 January 2020.

External links

Morning Star Ceremony at Australian National Maritime Museum in 2002 on

YouTube
. Published by Bandigan Arts (2014).

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