Bertha Wegmann Painting a Portrait

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The painting depicts an unknown man sitting for a portrait

Bertha Wegmann Painting a Portrait is a 19th-century painting by

National Museum, in Stockholm, in 1930 from Ms. Toni Agnes Möller-Wegmann as a gift. The two artists also lived in the studio depicted in the painting.[1] Painted using oil
on canvas, the painting measures 100 by 110 centimetres (39 by 43 in).

It is part of a series created by the two women which depicted one another, helping to break the norm of painters as male.[2]

In 1880, Jeanna Bauck traveled to Paris, along with Bertha Wegmann, with whom she shared an art-studio. Bauck was admitted to the

Paris Salon
the same year. In a number of portraits of each other, Bauck and Wegman contributed to changing the view of women artists and broke the male-dominated norms of the artistic community.[3] After a few years in Paris, Jeanna Bauck returned to Munich and started a school for women painters.[4]

In the 1800s, a line was often drawn between the private and public life, with public life considered a male domain, while female activity was reserved for private life.[5] The female world was perceived as static and unchanging, in comparison with male-dominated modern life, which happens in public. The traditional image of a woman was considered unchangeable, like nature.[5] At this time, women who lived in the bigger cities were restricted from public life.[6]

Nordic female artists often painted themselves or others within their studios. In their portraits, the art studio symbolizes the never-ending opportunities of the art studio, but also the clear border created by the studio.[7] In contrast, they often chose not to depict the world outside.

Books

  • Gynning, Margareta (1999). Det ambivalenta perspektivet: Eva Bonnier och Hanna Hirsch-Pauli i 1880-talets konstliv (avhandling). Stockholm: Bonnier. Libris 8345213.
  • Gynning, Margareta, red (2006). Konstnärspar: kring sekelskiftet 1900. Nationalmusei utställningskatalog. Stockholm: Nationalmuseum. Libris 10100457.
  • Svanholm, Lise. Bertha Wegmann. De drogo till Paris. Nordiska konstnärinnor på 1880-talet. Utställningskatalog Liljevalchs. Stockholm 1988.

References

  1. ^ Nationalmusem. "The Danish Artist Bertha Wegmann Painting a Portrait". Nationalmuseum Collection. Archived from the original on 2021-04-03. Retrieved 2019-09-17.
  2. ^ Dinning, Margaret. Role of the artist. Eva Bonnier and Hanna Hirsch-Pauli in the Art Life of the 1880s. Dissertation Uppsala University. Stockholm 1999. pages. 53-86.
  3. ^ Gynning, Margareta. Konstnärsrollen. Eva Bonnier och Hanna Hirsch-Pauli i 1880-talets konstliv. Diss. Uppsala Universitet. Stockholm 1999. pages. 53-86.
  4. ^ Gynning, Margareta. Kapitel III. Konstnärspar kring sekelskiftet 1900. Utställningskatalog, nr.647, Nationalmuseum 2006. pages.81-83.
  5. ^ a b Gynning, Margareta. Kapitel III. Konstnärspar kring sekelskiftet 1900. Utställningskatalog, nr.647, Nationalmuseum 2006. pages.78-79.
  6. ^ Svanholm, Lise. Bertha Wegmann. De drogo till Paris. Nordiska konstnärinnor på 1880-talet. Utställningskatalog Liljevalchs. Stockholm 1988. pages.212-213.
  7. ^ Svanholm, Lise. Bertha Wegmann. De drogo till Paris. Nordiska konstnärinnor på 1880-talet. Utställningskatalog Liljevalchs. Stockholm 1988. pages.213-218.

External links