Bhavapriya
Avarohanam | Ṡ N₂ D₁ P M₂ G₂ R₁ S |
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Carnatic music |
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Concepts |
Compositions |
Instruments |
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Bhavapriya (meaning The one dear to Bhava (Shiva)) is a ragam (musical scale) in Carnatic music (South Indian classical music). It is the 44th Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music.
It is called Bhavāni[1][2][3] in Muthuswami Dikshitar school of Carnatic music.
Structure and Lakshana
It is the 2nd rāgam in the 8th chakra Vasu. The mnemonic name is Vasu-Sri. The mnemonic phrase is sa ra gi mi pa dha ni.
(shuddha rishabham, sadharana gandharam, prati madhyamam, shuddha dhaivatham, kaisiki nishadham)
As it is a melakarta rāgam, by definition it is a
Janya Rāgams
Bhavapriya has a minor
Compositions
A few compositions set to Bhavapriya are:
- Srikanta niyeda by Thyagaraja
- Maam Avasrita by Swathi Thirunal
- Sentiru velan by Koteeswara Iyer
- Vennai tirudi by Periyasaamy Thooran
- Madhava mamava by Dr. M. Balamuralikrishna
One compositions set to Bhavani is:
- Kanikarumbuto by Kalyani Varadarajan
Film Songs
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Related rāgams
This section covers the theoretical and scientific aspect of this rāgam.
Bhavapriya's notes when shifted using Graha bhedam, yields two other minor melakarta rāgams, namely, Vagadheeswari and Naganandini. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rāgam. For further details and an illustration refer Graha bhedam on Naganandini.