Blonde Cobra

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Blonde Cobra
Directed byKen Jacobs
StarringKen Jacobs, Jack Smith
Distributed byThe Film-Makers' Cooperative
Release date
  • 1963 (1963)
Running time
33 minutes
CountryUnited States
LanguageEnglish

Blonde Cobra is a 1963 short film directed by experimental filmmaker Ken Jacobs. Footage for the unique[1] and at the time controversial film was shot by Bob Flieshner.[2] Marc Siegel states that the 33-minute film is "generally considered to be one of the masterpieces of the New York underground film scene", and that it is a "fascinating audio-visual testament to the tragicomic performance of the inimitable Jack Smith", who was a photographer and filmmaker and "queer muse" in New York avant-garde art in the 1960s and 1970s.[3]

Plot

The film captures Smith wearing dresses and makeup, playing with dolls, and smoking marijuana. Paul Arthur writes that the film contains "dizzying quasi-autobiographical rants" which spin on sadism, and that like Jacobs' Little Stabs at Happiness, it contains "languid improvisations studded with the bare bones of narrative incident or, more accurately, its collapse".

transvestites. The film features quotes such as "Why shave when I can't think of a reason for living" and "life is a sad business", quoting Greta Garbo. "Let's Call the Whole Thing Off" is then played, described as a "burlesque rendering" of Robert Siodmak's 1944 film Cobra Woman.[2] The last scene captures Smith stabbing a man in the chest. Hilary Radner and Moya Luckett consider the film to be a camp portrayal of Rose Hobart.[5]

See also

References

External links