Cesare Cesariano

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The 1521 Italian edition of Vitruvius' De architectura, translated and illustrated by Cesare Cesariano.
Pronaos of the church of Santa Maria presso San Celso
, attributed to Cesare Cesariano.

Cesare di Lorenzo Cesariano (December 10, 1475 – March 30, 1543) was an Italian painter, architect and architectural theorist. He authored the first Italian-language version of Vitruvius' De architectura.

Biography

Cesariano was born in

.

De Architectura
by Cesare Cesariano (1521)

However, most of his activity was in Milan, where he returned in 1512-1513 as military engineer at

vita
:

Determined to see at least one notable thing, he proceeded to Milan to visit the Duomo, where there happened to be one Cesare Cesariano, reputed a good geometer and architect, who had written a commentary on Vitruvius. Enraged at not having received the reward which he had expected, Cesare refused to work any more, and, becoming eccentric, he died more like a beast than a man.

In 1528 Cesariano was appointed as ducal engineer by the Spanish governor of Milan. In 1535 he became director of construction in the Duomo.

Works

Cesariano is chiefly remembered as the first translator of Vitruvius' treatise De architectura into a modern language (Italian), with his added commentary. It was published, with copious woodcut illustrations, at Como, 1521. It contained 360 pages and was printed in 1300 copies. It was soon plagiarized in editions published at Venice, but all were superseded by Daniele Barbaro's edition, with illustrations by Andrea Palladio, 1556.

Vitruvius' technical language is fraught with difficulties.

Classical Antiquity. Indeed, the spirit of Milan's Late Gothic Duomo can be recognized in some of Cesariano's woodcuts [1]. Among his illustrations is an attempt at rendering Vitruvius' precepts on the ideally proportioned man, successfully rendered by Leonardo, but attempted by many 15th century theorists [2]

Cesariano's illustrations, though not as influential as Sebastiano Serlio's, had some influence in the picturesque and classicizing vocabulary of the Northern Antwerp Mannerism.

References