Charles Hayter

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Charles Hayter
Royal Academy Schools
Known forPainter
Notable work'An Introduction to perspective, adapted to the capacities of youth, in a series of pleasing and familiar dialogues' (1813)
'A New Practical Treatise on the Three Primitive Colours' (1828).
Spouse
Martha Stevenson
(m. 1788)
ChildrenGeorge, John, Anne
Patron(s)Princess Charlotte
A Controversy on Colour, by John Hayter (1800–1895), showing from left to right Charles Hayter (father of John and George), John Hayter, Edwin Landseer and George Hayter (Shipley Art Gallery, UK)

Charles Hayter (24 February 1761 – 1 December 1835)[2] was an English painter.

He was the son of Charles Hayter (1728–1795), an architect and builder from

Royal Academy Schools in London in 1786 at the late age of about 25. From then on, he worked as a painter of portrait miniatures in London, and also Essex, and in 1832 in Winchester
. He exhibited 113 portrait miniatures between 1786 and 1832, principally at the Royal Academy, and had a reputation for creating a good likeness.

Hayter married Martha Stevenson in 1788. His two sons and daughter were all successful artists; Sir George Hayter (1792–1871), John Hayter (1800–1895), and Anne Hayter who, like her father, was a miniature painter.

Charles Hayter taught

George IV
's daughter, to whom he was later appointed Professor in Perspective and Drawing. He also dedicated to her his book An Introduction to perspective, adapted to the capacities of youth, in a series of pleasing and familiar dialogues, first published in 1813 in London. He later published A New Practical Treatise on the Three Primitive Colours Assumed as a Perfect System of Rudimentary Information (London 1826), in which he described how all colours could be obtained from just three.

Page from A New Practical Treatise on the Three Primitive Colours Assumed as a Perfect System of Rudimentary Information by Charles Hayter

An album containing 443 studies for miniature portraits is in the Victoria and Albert Museum. Hayter noted inside the cover that these were sketches which he 'placed behind the Ivory, which being transparent, gave the artist the aid in making his outline on the ivory'.

Gallery

  • Baroness Byron (née Anne Isabella Milbanke) (1792–1860), wife of Lord Byron (1812)
    Baroness Byron (née Anne Isabella Milbanke) (1792–1860), wife of Lord Byron (1812)
  • Portrait of an Unknown Woman and Two Children, about 1800, watercolour on ivory (Victoria & Albert Museum Collection)
    Portrait of an Unknown Woman and Two Children, about 1800, watercolour on ivory (Victoria & Albert Museum Collection)

References

  1. ^ Stephen, Leslie (2010). Dictionary of National Biography. England: Oxford University Press. p. 303.
  2. ^ Radnorshire Fine Arts: Charles Hayter (1761–1835) Archived March 16, 2014, at the Wayback Machine
  3. ^ Stephen, Leslie (2010). Dictionary of National Biography. England: Oxford University Press. p. 303.