Clive Holden

filmmaker^[2] and poet^[3] from Victoria, British Columbia, he is currently living in Toronto with his wife, writer Alissa York

Ryerson Image Centre, Holden worked with archival photographs and snap shots submitted by the public via social media, along with pulsating film leader loops in a large-scale wall composition. The public was asked to nominate their "favourite unfamous unAmericans" for inclusion. The media were composed using a musical analogy so the visuals were listened to rather than viewed. Hundreds of randomization algorithms were also included in the work's code, so that the work's creation wasn't completed until the moment it was viewed, and it could never be viewed the same way twice.^{[citation needed}

chromogenic prints. They interrelate in spite of their disparate natures as either ephemeral time-based net art works and installations, or more traditional art objects. Their juxtapositions highlight what they have in common as well as their differences.^{[citation needed}

murders a television viewer has seen by the time they reach the age of sixteen years.^{[citation needed}

utopianism. Utopia Suite has since been touring art-galleries through Canada.^[12]