Colin Matthews

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Colin Matthews,

Ravel's Miroirs. Having received a doctorate from University of Sussex on the works of Mahler, from 1964–1975 Matthews worked with his brother David Matthews and musicologist Deryck Cooke on completing a performance version of Mahler's Tenth Symphony
.

Early life and education

Matthews was born in London in 1946; his older brother is the composer David Matthews. He read classics at the University of Nottingham, and then studied composition there with Arnold Whittall, and at the same time with Nicholas Maw. In the 1970s he taught at the University of Sussex, where he obtained a doctorate for his work on Mahler, an offshoot of his long collaboration with Deryck Cooke on the performing version of Mahler's Tenth Symphony. During this period he also worked at Aldeburgh with Benjamin Britten and Imogen Holst.[1] His music has been published principally by Faber Music since 1976.

Career

In 1975 his orchestral Fourth Sonata (written 1974–75)

New World Symphony Orchestra, who gave the American première in Miami under Michael Tilson Thomas in 1992; in the same year the Cleveland Orchestra
gave the American première of Machines and Dreams. Collins Classics released a CD of Matthews' LSO commissions in 1996 to celebrate his 50th birthday.

The BBC commission Broken Symmetry was first performed by its dedicatees, the

Royal Ballet for the reopening of the Royal Opera House
in December 1999.

Colin Matthews' chamber music includes five

Huddersfield Festival, and two commissions for the Birmingham Contemporary Music Group, Hidden Variables (1989) and ...through the glass (1994), the latter given its first performance under Simon Rattle, who also conducted it in 1998 at the Proms and in Salzburg. Matthews' music was featured at the Almeida Festival in 1988, at the Bath Festival in 1990, at Tanglewood where he has been visiting composer many times since 1988, at the 1998 Suntory Summer Festival in Tokyo, at the 2003 Avanti! Festival in Finland, and the 2004 Berlin Festival
.

The year 2000 saw four major premières: Two Tributes for the London Sinfonietta; Pluto, an addition to

San Francisco Symphony Orchestra
, received its première in October 2003.

Colin Matthews' 60th birthday was marked by 5 performances given at the 2006 BBC Proms. Recent works have included Berceuse for Dresden, written for the rebuilt Frauenkirche in Dresden and first performed there in November 2005 with the cellist Jan Vogler and the New York Philharmonic under Lorin Maazel; and Turning Point, commissioned by the Concertgebouw Orchestra and given by them under Markus Stenz in January 2007. His Violin Concerto was given by Leila Josefowicz and the City of Birmingham Symphony Orchestra under Oliver Knussen in September 2009.

From 2001 to 2010 Matthews was Associate Composer with the Hallé Orchestra, and is now their Composer Emeritus. During this period he wrote a number of works for them, as well as a project involving the orchestration of all 24 of

Debussy's Preludes, completed in May 2007 and recorded by Sir Mark Elder on the Hallé label. Alphabicycle Order, a major work for children's chorus, narrator and orchestra to poems by Christopher Reid, was premiered by the Hallé under Edward Gardner
as part of the 2007 Manchester International Festival, and is also recorded on the Hallé label, together with the Horn Concerto. Commissioned by the Hallé Orchestra as part of their Mahler centenary celebrations, his Crossing the Alps for Chorus and Organ, on a text by William Wordsworth (The Prelude, Book VI), was first performed by the Hallé Choir, conducted by Markus Stenz, at the Bridgewater Hall, Manchester, in January 2010. Its German premiere, also under Stenz, was in the Philharmonie in Cologne, in January 2011, with the MDR Radio Chorus.

Three works were premiered in 2011 : Night Rides for the London Sinfonietta; No Man’s Land, to a text by Christopher Reid, for the City of London Sinfonia with soloists Ian Bostridge and Roderick Williams; and Grand Barcarolle for the Leipzig Gewandhaus Orchestra and Riccardo Chailly as part of their Beethoven cycle presented in Leipzig, Vienna, Paris and London in autumn 2011. No Man’s Land won the 2012 British Composer Award for vocal music. Matthews' Fourth Quartet was given its first performance by the Elias Quartet at the Wigmore Hall in November 2012 and won the 2013 British Composer Award for chamber music. Nowhere to Hide for piano trio was premiered at the 2013 Cheltenham Festival by the Schubert Ensemble. His work Traces Remain, which takes its name and inspiration from a book of essays by Charles Nicholl, was premiered on 8 January 2014 at the Barbican Centre, London by the BBC Symphony Orchestra conducted by Sakari Oramo, and was broadcast live by BBC Radio 3.[5]

In 2014 he wrote Spiralling for

Baudelaire for the Birmingham Contemporary Music Group, As Time Returns (2018) to words by Ivan Blatný for the London Sinfonietta and Seascapes (2020) to words by Sidney Keyes for the Nash Ensemble
.

Music written during the lockdown period (2020 - 22) includes Mosaics for orchestra, first performed by the London Symphony Orchestra in May 2023; an arrangement for piano trio of Beethoven’s Fifth Symphony commissioned by

YoYo Ma and Emanuel Ax and recorded by them in 2022; and an opera in collaboration with William Boyd
, A Visit to Friends, for first performance at the 2025 Aldeburgh Festival.

Matthews and his wife Belinda, a publishing executive at

Faber and Faber
, have three children, Jessie, Dan and Lucy.

NMC Recordings

He is founder and Executive Producer of NMC Recordings, and has also produced recordings for Deutsche Grammophon, Virgin Classics, Conifer, Collins, Bridge, BMG, Continuum, Metronome and Elektra Nonesuch (Górecki's Third Symphony, for which he received a Grammy nomination).

Administrative work

He is active as administrator of the

Performing Right Society from 1992 to 1995. Since 1985 he has been a member of the Music Panel of the Radclffe Trust. He was an Executive Council Member of the Royal Philharmonic Society
from 2005 until 2019.

Honours

In 1998 Colin Matthews was awarded an honorary doctorate by the University of Nottingham, where he has been honorary professor since 2005. He is currently Prince Consort Professor of Music at the Royal College of Music, where he was made FRCM in 2007, and distinguished visiting fellow in composition at the University of Manchester. He was a governor of the Royal Northern College of Music (where he is FRNCM) from 2001 to 2008. In 2010 he was made an Honorary Member of the Royal Academy of Music. He was presented with the Royal Philharmonic Society/Performing Right Society Leslie Boosey Award in 2005, honouring an individual who has made an outstanding contribution to the furtherance of contemporary music in Britain; and the Gramophone 2017 Special Achievement Award in recognition of his work for NMC.

He was appointed

Officer of the Order of the British Empire (OBE) in the 2011 New Year Honours for services to music.[6]

References

  1. ^ a b Wright 2001.
  2. ^ Colin Matthews. "Fourth Sonata". Chester Novello. Retrieved 27 December 2007.
  3. JSTOR 1003502
    . [record review].
  4. ^ Thomas, Christopher (May 2004). "Recording of the Month: Colin Matthews (b. 1946): Sonata No. 5, Landscape; Cello Concerto No. 1; Hidden Variables; Memorial; Quatrain; Machines and Dreams". MusicWeb International. Retrieved 27 December 2007.
  5. ^ "BBC SO – Schumann, Colin Matthews, Beethoven". bbc.co.uk. 8 January 2014. Retrieved 8 January 2014.
  6. ^ "No. 59647". The London Gazette (Supplement). 31 December 2010. p. 11.

Sources

Further reading

External links