Dancers of Delphi
The Dancers of Delphi, also known as the Acanthus Column, are three figures in high relief on top of an acanthus column found near the sanctuary of Pythian Apollo at Delphi. They are on display in the Delphi Archaeological Museum and were the inspiration for the first of Claude Debussy's Préludes.
Description
The fragments were discovered between May and July 1894 on the terraces to the east and northeast of the Temple of Apollo.
The fastenings at the top of the capital and the concave shape of the upper surface of the column drum at the level of the dancers' heads[4] suggests that the whole ensemble supported a colossal tripod (probably made of bronze) with its feet standing on top of the column and framing the heads of each of the dancers.[5] It has recently been supported with good evidence that the omphalos, on display also in the museum, belonged to this complex, crowning the tripod.[6]
Dating
Original dating: before 373 BC
The fragments were discovered in the same location as the remains of the frontage of the archaic temple of Apollo and it was therefore assumed that they belonged to the same period - that is to say, before the earthquake of 373 BC. This high dating does not seem to fit the style of the statues which has more in common with the period 335–325 BC.
Low dating: c. 340–330 BC
In 1963, the publication of more precise details of the different locations in which the fragments were discovered showed that they did not belong with the remains of the archaic temple. However, other elements of the structure to which the fragments originally belonged were identified at the same location:
- an inscribed limestone base
- a poros (travertine) foundation
- two inscribed limestone blocks, one white and the other grey.
The base bore the inscription ΠΑΝ, sign of the merchant Pankrates of Argos, whose involvement in the business of the naopes (commissioners) of Delphi is attested in the period 346-345 BC.
Vatin's theory: 375 BC
In 1983, the epigraphist Claude Vatin[9] detected an inscription on the grey limestone block, mentioning the name of the eponymous archon Hippodamas and the Delphic archon Leochares, which would place the dedication in 375 BC, the year of general Timotheus' naval victory over Sparta at Alyzeia. The Athenians would then have consecrated the Dancers after that victory and as a result of damage over time (perhaps as a result of the 373 BC earthquake) they would have re-erected the monument some fifty years later after the column and its foundation had been repaired. Finally, Vatin detected the signature of the sculptor Praxiteles on the grey block, which requires a higher date than hitherto accepted in order to fit the generally accepted chronology of Praxiteles' career.
In the archonship of Leochares at Delphi and of Hippodamas at Athens, the Athenians and their allies, with the booty taken from the
Lacedaemonians, consecrated this tripod and young girls to Pythian Apollo.
Work of Praxiteles.[10]
Recent theories: ca 330 B.C.
The art historian Antonio Corso followed these observations,[11] but other specialists have not been able to detect an inscription at the place indicated.[12] Furthermore, the northern and eastern sides of the base, pedestal, and column have only been roughly finished, indicating that it was already impossible to view them from these angles because the firmly dated monument of Daochos and the temenos of Neoptolemos were already present at the time of the column's construction. Ridgeway considers the style of the acanthus leaves to place the column around the date of the Philippeion at Olympia and the Choragic Monument of Lysicrates at Athens, i.e. shortly before 334 BC.[13] The generally accepted view today is that which places the construction of the monument at about 330 BC.
Interpretation
Assuming that the dedicators were the Athenian people, it has been proposed that the dancers are the three daughters of
Cultural depiction
Claude Debussy entitled the first of his Préludes for the piano, published in 1910 by Durand, the Danseuses de Delphes. He had not seen the sculpted group itself, but only a reproduction. It is a light piece of the sarabande type and the three parts of the piece seem to evoke the circular column and its three maidens.
References
- ^ First mention of the discovery : BCH 18 (1894), p. 180 Archived 2018-10-03 at the Wayback Machine. First publication : Th. Homolle, « Les danseuses de Caryatis et la colonne d'acanthe », BCH 21 (1897), p. 603-614 Archived 2018-10-03 at the Wayback Machine. Croissant & Marcadé, op. cit., p. 87.
- ^ Boardman op. cit., pl. 15.
- Sarapis.
- ^ Croissant & Marcadé, op. cit., p. 86.
- ^ Pasquier, op. cit., p. 85.
- ^ "The Archaeological Museum of Delphi | Multimedia | Latsis Foundation". www.latsis-foundation.org. Archived from the original on 2015-05-26.
- ^ Ridgway, op. cit., p. 23.
- ^ Ridgway, op. cit., p. 46.
- ^ Claude Vatin, "Les Danseuses de Delphes" in Comptes rendus des séances de l'Académie des inscriptions et belles-lettres (CRAI), Paris, 1983, p. 26-40.
- ^ Translation from Marion Muller-Dufeu, no. 1497, p. 517.
- ^ Prassitele, Fonti Epigrafiche e Lettarie, Vita e Opere, Volume I : Fonti epigrafiche, Fonti Letterarie dall'Età dello Sculttore al Medio Imperio, IV sec. a.C.-circa 175 d.C., De Lucca, 1988, p. 15-17 and The Art of Praxiteles. The Development of Praxiteles' Workshop and his Cultural Tradition until the Sculptor's Acme, 364-361 BC, Rome, l'Erma di Breitschner, 2004, p. 115-125.
- ^ Pasquier, op. cit., p. 86 ; Croissant & Marcadé, p. 90.
- ^ Ridgway, op. cit., p. 25.
- ^ Euripides Ion (l. 493-500).
- ^ Croissant & Marcadé, p. 88.
Bibliography
- ISBN 978-0-50020-285-2) p. 27 et pl. 15.
- ISBN 2-86958-038-X), p. 84-90.
- Marion Muller-Dufeu, La Sculpture grecque. Sources littéraires et épigraphiques, Paris, éditions de l'École nationale supérieure des Beaux-Arts, coll. « Beaux-Arts histoire », 2002 (ISBN 2-84056-087-9) no.1497, p. 517..
- ISBN 978-2-35031-111-1), p. 85-86.
- ISBN 0-299-11824-X), p. 22-26.
- Rosina Kolōnia, The Archaeological Museum of Delphi, Athens, 2006, and electronic reproduction by Latsis Foundation Archived 2015-05-26 at the Wayback Machine
- Thibault, G., Martinez, J.L. (2008). «La reconstitution de la colonne des danseuses a Delphes». Actes du colloque "Virtual Retrospect 2007". Bordeaux: Edition Ausonius, pp. 231–238.
External links
Media related to Akanthos Column (Archaeological Museum of Delphi) at Wikimedia Commons