Domenico Corvi

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Self-Portrait, Uffizi

Domenico Corvi (1721–1803) was an Italian painter at the close of the 18th century, active in an early Neoclassic style in Rome and surrounding sites.

Allegory of Painting

Biography

Corvi was born in

Vedana, commissioned by the Cardinal Domenico Amedeo Orsini and including the altarpiece of St Michael Archangel for the church of Trinità dei Monti
.

In 1756, along with Vincenzo Strigelli and Anton Angelo Falaschi, he frescoed the Viterbese Oratorio del Gonfalone.[1] The patronage of the Antonelli family gained him the commission for three altarpieces (1754 and 1756) for the church of Senigallia. He also painted for the Church of Saint Marcello, and a series of historical canvases for Palazzo Barberini.

In 1770-78 Corvi frescoed ceilings for the

Capella Paolina in Santa Maria Maggiore and the Loggia of Lanfranco
in the casino. He also painted for the
Palazzo dei Conservatori
.

In 1774-1778 Corvi completed a canvas cycle for a Swiss Abbey in Solothurn, Switzerland, now apparently housed in the Cathedral of St Ursus in the town.

Corvi joined the artists’

Accademia dell'Arcadia. He painted The Miracle of Saint Joseph Calasanz Resuscitating a Child in a Church at Frascati for the order of Piarists (Scolopi); the painting was made to commemorate the canonization of the saint on July 16, 1767, and is now in the Wadsworth Atheneum. The Charity of St. Thomas of Villanova was painted in 1795 for the Church of SS. Trinità
of Viterbo.

Among his pupils were Francesco Alberi and Vincenzo Camuccini.

Corvi died in 1803 in Rome.

References