Early Music (Lachrymæ Antiquæ)

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Early Music (Lachrymæ Antiquæ)
Studio album by
Kronos Quartet
Released12 September 1997 (1997-09-12)
Recorded1993–1997
Genrecontemporary classical
LabelNonesuch (#79457)
ProducerRobert Hurwitz
Kronos Quartet chronology
Tan Dun: Ghost Opera
(1997) 		Early Music (Lachrymæ Antiquæ)
(1997) 		Kronos Quartet Performs Alfred Schnittke: The Complete String Quartets
(1998)

Early Music (Lachrymæ Antiquæ) is a studio album by the Kronos Quartet, containing 21 compositions, many of which were written, arranged, or transcribed for the quartet. The subtitle is from Dowland's Lachrimae, or Seaven Teares of 1604.

Compositions

The album contrasts adaptations for string quartet of music from the Middle Ages and early Renaissance with 20th-century compositions.[1] The earliest piece is by the ninth-century Byzantine abbess, poet and composer Kassia; the most recent pieces are by the twentieth-century composers John Cage, Alfred Schnittke, and Arvo Pärt. Arranging and selecting compositions from ten centuries of music was intended, according to David Harrington, the quartet's founder, "to find a way of relating vastly different pieces to one time, to find a place in time where the elements meet."[2] Harrington described the contrast between old and new music as crucial to the quartet: "There are moments when the music could have come out of the Middle Ages; there are other moments when it sounds like it's coming out of the Vietnam War, let's say. That contrast is something we've been working with for a long time."[3] Allan Kozinn, writing in The New York Times, describes the album as a concept album in which "the distinctions between old and new are blurred, and the effect is comforting rather than disconcerting."[4]

Instrumentation

As with many Kronos Quartet albums, the basic string quartet is augmented by various other, sometimes exotic instruments. The Swedish song "Längdans efter Byfåns Mats" features a

throat singers of Huun-Huur-Tu, who also play igil (a bowed string-instrument), bysaanchi (a cello-like instrument), and doshpuluur (a lyre-like instrument).[1][5]

Critical reception

Professional ratings
Review scores
SourceRating
Allmusic
[6]

Rick Anderson on

Jerusalem Post called it one of the most intriguing Kronos albums to date.[8] Allan Kozinn featured it as a Critic's Choice in The New York Times.[4]

Track listing

No.TitleWriter(s)Length
1."Kyrie I"
Viderunt Omnes"
Pérotin, arr. Kronos Quartet11:41
15."Kyrie III"Guillaume de Machaut, arr. Kronos Quartet1:02
16."Four Part Fantasia No. 2"Henry Purcell3:01
17."O Virtus Sapientie"Hildegard of Bingen, arr. Marianne Pfau4:24
18."Uleg-Khem"Trad. Tuvan arr. Steve Mackey3:15
19."Farwell My Good 1. Forever"Christopher Tye2:12
20."Collected Songs Where Every Verse is Filled with Grief"Alfred Schnittke, arr. Kronos Quartet8:13
21."Bells"unknown / not listed1:28

Personnel

Musicians

Additional musicians

See also

  • List of 1997 albums

References

  1. ^ a b c Broughton, Simon (1998-05-15). "Classical: Four strings, a thousand voices". The Independent. Retrieved 2009-05-20.
  2. ^ a b Kandell, Leslie (1998-02-01). "Music; Maturing, but Still Rebels of the Avant-Garde". The New York Times. Retrieved 2009-05-20.
  3. ^ a b Jenkins, Mark (1998-05-08). "The Kronos Quartet's Timeless Connections". The Washington Post. p. N.21. Retrieved 2009-05-20.
  4. ^ a b c Kozinn, Allan (1997-10-09). "Critic's Choice/Classical CD's; A Fertile Field: Experimenting With Early Music". The New York Times. Retrieved 2009-05-20.
  5. San Jose Mercury News
    . 2004-02-18. p. 9E. Retrieved 2009-05-23.
  6. ^ Allmusic review
  7. Allmusic
    . Retrieved 2009-05-20.
  8. Jerusalem Post
    . p. 11. Retrieved 2009-05-20.
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