Edmond Aman-Jean
Edmond Aman-Jean (13 November 1858,
Life
His father was the owner and operator of an industrial
He was also one of the first to recognize
In 1892, he married Thadée Jacquet, the daughter of an Imperial Prefect, who was also a painter. They had two children, François, who became a well-known writer, and Céline , who was a painter and illustrator.
Art
Aman-Jean established his reputation primarily for his portraits, especially of female subjects; he was also noted for his murals in public and official buildings, including the Sorbonne. Like many French artists of his generation, he was influenced by the new perspectives on Japanese art current in Paris in his day; more unusually, he was interested in the Pre-Raphaelite artists in England.[3]
He was a close friend of Georges Seurat;[4] the two artists shared a Paris studio in 1879. Art historian Robert Herbert called Seurat's portrait of Aman-Jean, "one of the great portrait drawings of the nineteenth century."[5] It was the first work Seurat showed, at the Paris Salon in 1883. Aman-Jean also worked in lithography and printmaking and designed posters.
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Young Girl with Peacock, huile sur toile (1895)
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Woman with Glove, pastel (vers 1900 -1902)
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Portrait of Miss Ella Carmichaël(1906)
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Femme à l'œillet (1908), pastel (1908)
References
- ^ Denny Carter, Edmond Aman-Jean: A Study of His Life and Works, Cincinnati, University of Cincinnati, 1974.
- ^ Dossier @ the Base Léonore.
- ^ Thomas J. Tobin, Worldwide Pre-Raphaelitism, Albany, New York, State University of New York Press, 2005; p. 128.
- ^ William R. Everdell, The First Moderns: Profiles in the Origins of Twentieth-Century Thought, Chicago, University of Chicago Press, 1997; p. 65.
- ^ Robert L. Herbert, Seurat: Drawings and Paintings, New Haven, Connecticut, Yale University Press, 2001; p. 29.
External links
- Media related to Edmond Aman-Jean at Wikimedia Commons