Elsie Jane Wilson
This article needs additional citations for verification. (January 2013) |
Elsie Jane Wilson | |
---|---|
Forest Lawn Memorial Park, Glendale, California | |
Nationality | Australian-American |
Occupation(s) | Actress Director |
Spouse |
Elsie Jane Wilson (7 November 1885 – 16 January 1965) was a cinema actress, director, and writer during the early film era. She took part in the productions of the silent film era and starred in over thirty films.[1] Between the years of 1916 and 1919, Wilson was credited for producing,[2] writing two films, and directing eleven films.[3] She was best known in the genres of dramas and comedy dramas.
Biography
Elsie Jane Wilson was born in Sydney, Australia. She began her career as a professional actress at the age of two. She credited her success to participating in the English Christmas Pantomime every year, allowing her to gain training and experience for the pictures.[4]
Wlison acted in London, South Africa, and New York City.
Film career
Wilson and Rupert moved to Los Angeles in 1914 to pursue Universal Studios’ Rex Company.[3] She briefly worked with The Little Theatre before she went into the movies. Wilson starred in films that were directed, produced and co-starred by her husband, Rupert Julian. She mentioned that her and Julian appeared in everything together until they came to the US. They started working on different movies and she even adds that when she was starring in “Everywomen” she went without seeing her husband for two years. The industry turned to directing, with Wilson later functioning as Julian's co-director. Though she received little credibility for her work and often was out-shined by Julian. Wilson notes that she and her husband had different ideas while sharing the appreciation for the same pictures, making it difficult for them to discuss work.[8]
Wilson took a break from
According to the reviews of the day, Wilson was a modest filmmaker, being best appreciated for eliciting good performances from otherwise indifferent talent. Her work was seen as artistic, enjoyable and popular in the film industry. Wilson featured as many female roles in her films and tended to appeal to child and female audiences. When writer Frances Denton of Photoplay visited Universal Studios in 1918, she described the work that Wilson was creating as “sob stuff” and was noticed as one of the female directors at Universal that created films centering around children.[11] “The Game’s Up”, released in 1919, marked the end of Wilson's career.
Universal in the 1910s
Historians noted
Contribution to cinema
Early press established her as “front rank” of directors. Nevertheless, few women directors sustained careers in the 1910s. Actors on Julian's pictures later commented on how she came to set every day, often lightening the mood with jokes at Julian's expense to relieve tension.
In 1917, Wilson began advertising in The Weekly for members to take part in a café scene for her film “The Game’s Up”. During the same time period, the Board of Health shut down many Los Angeles restaurants due to an influenza epidemic leaving cabaret showgirls out of work. Wilson and Universal was addressed with a mob of showgirls trying to take part in her film.[12]
In February 1918, Frances Denton wrote a story for Photoplay that addressed the normative femininity subordinate women in the name of equality. Denton presented Wilson as being a role model for the social standing of women.[12]
Moving Pictures World, a weekly film industry periodical, often published on Wilson and her efforts in the silent film era.[13] The Moving Picture Weekly recorded Wilson as Bluebird's noted woman producer. Her work played upon gender roles. In one of the films directed by Wilson, The Dream Lady (1918), the plot highlights gender visibility and insisting that gender is a performance.[14]
Death
Wilson survived her husband, who died in 1943. Wilson died in Los Angeles, California, at age 79, and was buried in the
Selected filmography
- Bound on the Wheel (1915)
- Mountain Justice (1915)
- Temptation (1915)
- Oliver Twist (1916)
- The Mystery Ship (1917)
- The Little Pirate (1917)
- The Cricket (1917)
- The Silent Lady (1917)
- Mother O' Mine (1917)
- The Circus of Life (1917)
- The City of Tears (1918)
- The Dream Lady (1918)
- New Love For Old(1918)
References
- ^ Pursuit, Heathcote (11 September 2022). "Elsie Jane Wilson (1885-1965) actor and Hollywood director". Forgotten Australian Actors. Retrieved 16 February 2024.
- ^ a b "Ella Hall in 'New Love for Old' Produced by Elsie Jane Wilson". Motion Picture Weekly. New York: Motion Picture Weekly Publishing Co. 2 February 1918. Retrieved 10 April 2022.
via archive.org
- ^ a b "Elsie Jane Wilson – Women Film Pioneers Project". wfpp.cdrs.columbia.edu. Archived from the original on 24 December 2015. Retrieved 10 December 2015.
- ^ Photoplay: The Aristocrat of Motion Picture Magazines. Photoplay Magazine Publishing Company. 1 January 1917.
- Newspapers.com.
- ISBN 978-0-8131-2708-8. Retrieved 7 January 2022.
- ^ Wollstein, Hans J. "Elsie Jane Wilson". AllMovie. Archived from the original on 7 January 2022. Retrieved 7 January 2022.
- ISBN 9780801890840.
- ^ "Google News Archive Search". news.google.com. Retrieved 10 December 2015.
- ^ "Feature Photoplays to Be Seen in Pittsburgh This Week". The Pittsburg Press. 17 December 1916. Society and Photoplays sec., p. 6.
- ISBN 9781135720070.
- ^ ISBN 9780252090875.
- ^ "The Moving Picture World archives". onlinebooks.library.upenn.edu. Retrieved 10 December 2015.
- ISBN 9780810830530.