Eric de Maré

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Eric de Maré
Born10 September 1910
London
Died22 January 2002(2002-01-22) (aged 91)
Painswick, Gloucestershire
Occupation(s)Architectural photographer, Author
Years active1933–2002

Eric de Maré (1910 – 2002) was a British photographer and author, described as one of the greatest British architectural photographers.[1]

Biography

Eric Samuel de Maré was born in

Social Credit movement.[5]

He married firstly in London in 1936 Marjorie Vanessa (née Vallance) [6][7] and secondly in Henley in 1974[8] Enid, née Hill, designer and colour theorist,[9] widow of Terence Verity.

Working life

On his return to England from Sweden, de Maré joined the Architectural Press and became the acting editor of

English Heritage Archive.[11]

He asserted that photography and, more importantly the photographer, was key to a critical appreciation of architecture. In Gerald Woods' 1972 book 'Art without Boundaries'[12] de Maré wrote: "The photographer is perhaps the best architectural critic, for, by felicitous framing and selection, he can communicate direct and powerful comments both in praise and protest: he can also discover and reveal architecture where none was intended."[13]

In that vein, in 1948, he started his documentation of the canals and waterways in which he explored the "vernacular (and) the anonymous architecture" which made up much of the landscape of the country.[14] In that year he boated a dozen of the English canals during a 600-mile tour, photographing the landscapes, buildings and people he encountered. The record of this journey resulted in a special issue of Architectural Review in 1949.[15] The following year saw the publication of The Canals of England. The book provided a historical and technical description of inland waterways graced with de Maré's photography.

As a result of his work on canals, he was commissioned in 1950 to travel throughout England to photograph early industrial sites and buildings by the then editor of the Architectural Review, A. R. Richards. The resulting images were combined with J.M. Richard's text in The Functional Tradition in Early Industrial Buildings, which was published by the Architectural Press in 1958.[16] The Functional Tradition within architecture had received little attention from contemporary architects until this study which promoted an increased interest in the qualities of early industrial structures.

De Maré's work in the 1960s reflected the other end of the industrial spectrum, focussing on modern power generation plants, to which his photographs frequently conferred a sculptural quality.[17]

Legacy

In 1990 and in recognition of de Maré's 80th birthday, Michael Hopkins and Partners presented to the Architects' Association Foundation a large collection of de Maré's photographic negatives. The Architects' Association then honoured de Maré with a retrospective exhibition of his photographs in 1990.[18]

De Maré died on 22 January 2002, aged 91. The death was registered in Stroud, Gloucestershire.[19] The Guardian said that to most architects and architectural historians he was the finest architectural photographer of the mid-20th century.[20] The Daily Telegraph described him as one of the most notable photographers of his time, as well as a prolific author.[21]

A number of photographs attributed to de Maré appear in the Conway Library[22] at the Courtauld Institute of Arts, London. The collection consists mainly of architectural images and is in the process of being digitised as part of the Courtauld Connects project.[23]

Selected publications

References

  1. ^ The Times, obituary, Tuesday 5 February 2002
  2. doi:10.1093/ref:odnb/76649. (Subscription or UK public library membership
    required.)
  3. ^ Ancestry Library Edition[verification needed]
  4. ^ Contemporary Authors, 1974, Gale Research Co., pg 224
  5. ^ Obituary, The Guardian, 4 February 2002
  6. ^ Contemporary Authors, 1974, Gale Research Co., pg 224
  7. ^ Ancestry Library Edition[verification needed]
  8. ^ England and Wales, civil registration marriage index
  9. ^ See Enid Verity, Colour, with foreward by John Piper, Frewin, 1967
  10. ^ Contributor, A. J. (31 January 2002). "Eric de Mare 1910-2002". The Architects’ Journal. Retrieved 3 May 2021. {{cite web}}: |last= has generic name (help)
  11. ^ "Eric De Mare (EDM01) Archive Collection | Historic England". historicengland.org.uk. Retrieved 3 May 2021.
  12. ISBN 978-0275434106
    .
  13. ^ Contributor, A. J. (31 January 2002). "Eric de Mare 1910-2002". The Architects’ Journal. Retrieved 3 May 2021. {{cite web}}: |last= has generic name (help)
  14. ^ "ERIC DE MARÉ: Photography framing architecture". conversations.aaschool.ac.uk. Retrieved 3 May 2021.
  15. ^ Contributor, A. J. (31 January 2002). "Eric de Mare 1910-2002". The Architects’ Journal. Retrieved 3 May 2021. {{cite web}}: |last= has generic name (help)
  16. ^ "Functional Tradition | RIBA". RIBApix. Retrieved 3 May 2021.
  17. ^ "Eric de Maré | RIBA". RIBApix. Retrieved 3 May 2021.
  18. ^ Contributor, A. J. (31 January 2002). "Eric de Mare 1910-2002". The Architects’ Journal. Retrieved 3 May 2021. {{cite web}}: |last= has generic name (help)
  19. ^ Ancestry Library Edition[verification needed]
  20. ^ Obituary, The Guardian, 4 February 2002
  21. ^ Obituary, The Telegraph, 6 February 2002.
  22. ^ "Who made the Conway Library?". Digital Media. 30 June 2020. Archived from the original on 3 July 2020. Retrieved 3 May 2021.
  23. ^ "Courtauld Connects". Courtauld Connects. Retrieved 3 May 2021.

External links

Retrieved from "https://en.wikipedia.org/w/index.php?title=Eric_de_Maré&oldid=1213488807"