Ernest Ange Duez

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Portrait of Ernest-Ange Duez, John Singer Sargent, c. 1884

Ernest Ange Duez (also known as Ernest-Ange Duez and Ernest Duez, 8 March 1843 – 5 April 1896) was a French painter of genre scenes, portraits, landscapes and religious subjects.

Although he was an admirer of

Paris Salon and Impressionism, has been called juste milieu, and he has been compared to Alfred Stevens, Giuseppe De Nittis,[2] and James Tissot.[1]

Biography

En repos (1891)

Duez was born on 8 March 1843 in Paris,[3] and studied painting under Isidore Pils.[1] He first exhibited at the Salon in 1868 with Mater Dolorosa,[4] and achieved success there in 1874 with a third-class medal for his paintings Splendeur and Misère.[1] He won other medals there subsequently.[5]

Genre scenes depicting modern life included Au restaurant Le Doyen (1878) and Café sur la Terrasse (1890).[4] Portraits included Mme Duez (1877) and Alphonse de Neuville (1880).[3]

Sur la plage

Landscapes and seaside scenes were often inspired by the Normandy countryside around Villerville and Le Havre.[6] In 1879 at the Salon he exhibited the large triptych Saint Cuthbert,[1] depicting the stages of the life of Cuthbert set in landscapes based on the countryside around Villerville.[3] Considered his greatest work, it is now in the Musée d'Orsay.[1]

In 1883 Duez moved into a studio on boulevard Berthier, close to that of

Princesse de Polignac in Venice in 1891.[7] Duez's circle also included the painters Paul-Albert Besnard, Jacques-Émile Blanche and Roger-Joseph Jourdain.[1]

La Physique, 1892

Duez carried out a number of commissions for the adornment of public buildings in Paris. These included Novembre and Décembre in the

Assistance publique - Hôpitaux de Paris.[4]

Duez died on 5 April 1896 from a

References

External links

Media related to Ernest Ange Duez at Wikimedia Commons