Ernie Pike

Source: Wikipedia, the free encyclopedia.
Ernie Pike
Ernie Pike, drawn by Alberto Breccia.
Publication information
PublisherEditorial Frontera
First appearanceHora Cero #1 (May 1957)
Created byHéctor Germán Oesterheld, Hugo Pratt

Ernie Pike is a

narrator of stories, without being directly involved in them. Such stories do not narrate real battles or exploits of noteworthy military people, being instead tragic stories of unknown soldiers, made up by the author. Oesterheld worked again with the character during the time of the Vietnam War, and Ricardo Barreiro used it for a brief story about the Falklands War
.

Overview

The comic is set during

.

There are no recurring characters besides Ernie Pike, and in many cases even his presence is small: he appears in just two panels in "Kumba", only one in "El amuleto", and in some stories he is completely absent.

omniscient point-of-view, aware of stories and information beyond the capabilities of a real reporter.[3]

Creation

war reporter
who inspired Oesterheld into the creation of the Ernie Pike character.

The name of the protagonist was reminiscent of that of Ernie Pyle, a well known real life war correspondent of the era. Unlike Ernie Pyle, Ernie Pike survives the war and is referenced as a veteran in other stories by Pratt. The face of Ernie Pike resembles that of Oesterheld himself. This was caused by a misunderstanding during the period of designing of the character: when Oesterheld was describing to Pratt the positive traits of the new character, he ended saying "Make him like me!". However, Pratt did not realize that Oesterheld was joking, and used his face. By the time Oesterheld realized the mistake, Pratt's work was already advanced, so he let it stay that way.[4]

Oesterheld was influenced by

anti-war authors, such as Erich Maria Remarque, Stephen Crane or Leo Tolstoy; as well as by the career of the mentioned Ernie Pyle.[5] Pratt also revealed that he stole more than four hundred of war photos from the staff of Il Gazzettino di Venezia, which were used by the artist as inspiration for the comic strip.[6] Oesterheld was also influenced by those photos, and many stories were inspired by specific photos that led the author to develop a story about them.[7]

Publishing history

The comic was first published in

Fleetway, but Oesterheld kept using new pencilers such as José Muñoz
. Frontera would eventually go into bankruptcy.

Oesterheld worked again with Ernie Pike in the 1970 decade, in the "Top Maxi Historietas" comic book published by Cielosur Editora. The approach was slightly changed in this new run: instead of World War II, the stories were about the ongoing

critical of the involvement of the US in the war, in line with the new politically radical views that Oesterheld was developing.[9] Oesterheld would work later with many strips in the Skorpio comic book, but Ernie Pike would last only for a single story. This story, penciled by Solano López, worked again with World War II, but from a new angle: it was a story set in current times, about people having a dispute about things that took place during the war.[9]

There was a brief recreation of the character by other authors during the Falklands War. Ricardo Barreiro wrote "La batalla de las Malvinas" (Spanish: The battle of the Malvinas), penciled by Alberto Macagno, Carlos Pedrazzini, Marcelo Pérez and César Medrano. This story lasted for 7 issues of the magazine Fierro, ending inconclusively. Ernie Pike was included as a guest-star, placed in Patagonia as an aged war veteran, watching the events unfolding.[10]

Several volumes of Ernie Pike by Oesterheld-Pratt - along others of Sergeant Kirk - were reprinted in 2006 for the "Nueva Biblioteca Clarín de la Historieta" collection published by Clarín newspaper. Previously, Ancares Editora had reprinted the volumes by Oesterheld-Breccia in 2002.

Bibliography

  • .
  • .
  • Martignone, Hernán; Dr. Sax (August 2005). "Alberto Breccia + Héctor G. Oesterheld". .
  • .

References

  1. ^ Sasturain, "El Domicilio..." p. 143
  2. ^ Sasturain, "El Domicilio..." p. 124
  3. ^ a b Martignone, p. 10
  4. ^ a b Accorsi, p. 14
  5. ^ García, p. 3
  6. ^ García, p. 4
  7. ^ García, p. 5
  8. ^ Sasturain, "El domicilio...", p. 30
  9. ^ a b c García, p. 24
  10. ^ Sasturain, "El domicilio..." p. 43