Francis Bousquet

Francis Bousquet
Bousquet in 1923
Born	Charles-Francis Bousquet (1890-09-09)9 September 1890 Marseille, France
Died	21 December 1942(1942-12-21) (aged 52) Roubaix, France
Occupations	Composer music pedagogue

Francis Bousquet (9 September 1890 – 21 December 1942) was a French composer. Educated at the

Life and career

Bousquet was born in Marseille and began his musical studies there before enrolling in the Conservatoire de Paris in 1907 where he studied under Xavier Leroux, André Gedalge and Charles-Marie Widor. He won the conservatory's First Prize in harmony in 1909 and First Prize in counterpoint in 1910. His studies were interrupted for four years by World War I when he served in an engineering regiment of the French Army.^[1][2] From 1915 to 1918, Nadia and Lili Boulanger, both graduates of the conservatory, published Gazette des Classes du Conservatoire with news of French musical life and letters from the conservatory's students who had been dispersed by the war. In a letter published in the 27 November 1916 issue Bousquet wrote from the front:

[The gazette] has brought us back together. Music, dormant for an instant in the depths of memory, begins to sing again, and the musical life evoked in a few pages, with the exquisite recollections that it brings, achieves the miracle of awakening, amid so much desolation, an ardent longing for the future.^[3]

A recipient of the Croix de Guerre, Bousquet returned to the conservatoire after the war and continued his studies in composition. He entered the competition for the Prix de Rome three times, gaining the Second Prize in 1921 and 1922 and the First Prize in 1923 for his cantata Béatrix.^[a] The First Prize came with a bursary that allowed the recipient to stay at the Villa Medici in Rome for two years and to travel for up to three more years.^[1][2][5]

On his return from Rome in 1926, Bousquet took up an appointment as the director of the Conservatoire de Roubaix, a position he held until his death. In the 1930s he was a founder of the Association des Directeurs d'Écoles et Conservatoires de Musique Nationaux and later became its honorary president. In 1934 he was awarded the

In his obituary in Comœdia, Tony Aubin wrote that Bousquet's works reflected "one of the most authentic natures of our time" and displayed an "enlightened art, sober but expressive, traversed by bright lightning or bathed in noble melancholy."^[10]

Works

Bousquet's compositions included:

Stage works

• Zorriga, opera in four acts, libretto by Paul Verdert and Jean Camp; premiered at the Théâtre des Arènes, Béziers, 21 June 1925^[11]
• L'Esclave, ballet in one act on a subject by Belloni;^[c] published by Éditions Max Eschig, 1927^[13]
• Sarati le Terrible, opera in four acts, libretto by Jean Vignaud; premiered at the
  Théâtre de l'Opéra-Comique, Paris, 9 May 1928^[14]
• Mon oncle Benjamin, comic opera in three acts, libretto by Georges Ricou; premiered at the Théâtre de l'Opéra-Comique, Paris, 10 March 1942[14]

Instrumental works

• Poeme, chamber music for string quartet and piano, dedicated to the violinist Roger Debonnet; published by Éditions Maurice Senart, 1921^[15]
• Soirs d'Afrique, orchestral suite; premiered by the Orchestre Lamoureux, Paris, 3 March 1932. The work is based on Arabic and Spanish folk music collected by Bousquet during a long voyage to North Africa.^[16][17]
• Concerto ibérique,
  Concerts Colonne orchestra, Paris, December 1937^[18]
• Argotera, concerto for solo horn and orchestra; published by Éditions Charles Gras, 1939. The piece was written for the French hornist Jean Devémy (1898-1969) who recorded it on the Action Artistique label[d] in 1943.^[20][21]
• Hannibal, symphony; premiered by the Orchestre de l'Association des Concerts Pierné, Paris, 30 November 1942^[22]

Notes