Frederick Warren Allen

Frederick Warren Allen (1888–1961) was an American sculptor of the

School of the Museum of Fine Arts

, Allen had a career in the arts that spanned more than 50 years.

Early years

Allen was born May 5, 1888, in

North Attleboro, Massachusetts

, the son of Frank West Allen, a jewelry maker, and Esther Belcher Allen. Named after his grandfather, Frederick Deane Allen, he was fifth of six children and was expected to go into the family business. However, he was an enterprising young man and worked in the jewelry sweatshops in the summers, learning various techniques that he used later in modeling and casting sculpture instead of making jewelry.

Art education

Upon his graduation from

Bela Lyon Pratt

's modeling classes for three-and-a-half years, winning many prizes and scholarships for the excellence of his work.

In Paris

Allen fell in love with the lovely Agnes H. Horner and, on the day after her graduation from Attleboro High School as valedictorian, they married and departed for Paris. He studied and sculpted for the summer at the

Luxembourg Museum where he studied Rodin

and other contemporary sculptors and spent hours sketching from the rich offerings in the galleries of the city.

Teaching

When he returned to Boston in the fall of 1913, he began teaching at the School of the Museum of Fine Arts as assistant instructor, a position Bela Pratt helped him secure. He continued teaching until his retirement in 1954, becoming the gifted head of the department in 1929. He was known affectionately by his students as "F.W." and earned the respected title of Emeritus, the first awarded by the school. Among his students was Mary Moore.

Personal and family life

During the time he was sculpting and teaching, he raised and educated a family of five children while surviving the

North Haven Island in Maine and a country cabin and later a home in Rumney, New Hampshire

, where he retired after selling his studio in 1954. He had said he wouldn't mind if death came and tapped him on the shoulder there.

Summers in North Haven, Maine

Early in his career Pratt had encouraged the Allens to buy the cottage next to his own home on the rocky shores of a protected harbor on North Haven Island overlooking the Camden Hills. They purchased the property in 1914 and became part of a colony of Boston artists now known as the Bartlett's Harbor Artists' Colony. Allen, Frank Benson, Bela Pratt, and Beatrice Van Ness and their families, friends and students, all spent many productive and happy summers in this inspiring spot. The island's natural beauty combined with the little colony's isolated location inspired their creative pursuits away from the pressures of their normal working lives.

Sculpture career

Bela Pratt, his mentor and friend, also provided Allen with his first major commission, to sculpt in

MOMA in 1933 and a regular at his hometown museum, the Concord Art Association

.

Allen crafted the small and popular Beaux-Arts style bronzes, medical models for

Metropolitan Museum, the Farnsworth Art Museum in Rockland Maine, the Concord Art Association, and the Smithsonian American Art Museum in DC. His own favorite piece, the heroic size Egyptian Head, was displayed in the New York World's Fair

in 1939.

On July 4, 1942, Allen unveiled a monument of George Washington in Fall River, Massachusetts, which was reported to be "of such artistic merit and patriotic intent as to attract nation-wide interest."^[1] The monument, carved from Deer Island granite, depicts a central portrait bust of Washington upon a pedestal.^[1] Curved benches on either side of the bust extend toward carvings of a boy and girl.^[1] The monument was paid for by Catholic children of Fall River.^[1]

It was the form that he turned to during the 1920s, carvings made directly from pieces of stone, mostly granite boulders from Maine that became the works closest to his heart and those for which he wanted to be remembered. He died January 9, 1961, at his retirement home in Rumney, New Hampshire, at the age of 73. His assistant Elizabeth MacLean Smith wrote, "Here his teachings will go on, through his children and his pupils. And the granite boulders which he carved shall remain witness to a true sculptor".

Lineage and influences

Augustus St. Gaudens
> Bela Pratt >Frederick Allen,
Rodin > John Storrs (Allen's friend in Boston and Paris and a student of Rodin),
Daniel Chester French (fellow townsman in Concord)
Charles Grafly who succeeded Bela Pratt at SMFA from 1917 to 1929 as Head of the Sculpture Department and with whom he taught before he took over the department in 1929.