George Glass
George Glass | |
---|---|
Los Angeles, California, U.S. | |
Died | April 1, 1984 , U.S. | (aged 73)
Occupation(s) | Film producer, publicist |
Years active | 1936–1971 |
Spouse | Harriet Glass (née Galblum) |
George Glass (August 19, 1910 – April 1, 1984) was an American
George Glass was a veteran of movie publicity, but he was more than a publicist for Kramer. He, Kramer and Carl Foreman were partners in the independent film company, and Glass's brilliant campaigns for Champion and Home of the Brave had been a major part of the company's success. A short, stubby, ebullient man, he performed his craft on the basis of telling the truth.[2]
Career
Glass began his career in the entertainment industry as a radio news commentator and sports broadcaster, but left radio for films in 1936 to work in advertising and publicity capacities for Samuel Goldwyn, United Artists, and others.[3] With Kramer's company, in addition to being the head publicist, Glass often acted as associate producer, sometimes uncredited (as for High Noon[4]), and sometimes with screen credit (as for Cyrano de Bergerac[5][6] and The Men[7]). Other productions from this period include Death of a Salesman[8] and The Wild One, for which Glass suggested the title.[9]
In 1956, Glass and Walter Seltzer started a freelance publicity organization, described in the press as a collaboration of "two of the most experienced and able drum beaters" in Hollywood.[10] After Brando formed his own production company, Pennebaker Productions, Glass and Seltzer joined him[11] as executive producers, and together they turned out a number of films including Shake Hands with the Devil, The Naked Edge, Paris Blues and One-Eyed Jacks.[12]
Glass was elected to the executive board of the
Congressional testimony
In January 1952, Glass testified before the
Quotations
Glass is credited by several sources with originating the witticism, "An actor is a kind of guy who if you ain't talking about him [, he] ain't listening."[19][20][21] That line has also been attributed to Brando, who reportedly heard it from Glass and quoted it many times.[22][23]
References
- ISBN 0-15-154958-3
- ISBN 0-394-48728-1
- ^ Spear, Ivan. "Press-Agents Who Became Successful Producers." Boxoffice. May 29, 1948. pp. 22-23. Scan available at Internet Archive (retrieved 2-December-2022).
- ISBN 0-8108-4998-4
- ISBN 0-520-21521-4
- ^ Cyrano de Bergerac, Dir. Michael Gordon, 1950. DVD: Alpha Video, 2003.
- ISBN 978-0-520-20964-0
- ^ Blum, Daniel. Daniel Blum's Screen World 1953. New York: Biblo & Tannen, 1969 (reprint). Volume IV, p. 15.
- ^ Thomas, p. 82.
- ^ "George Glass, Walter Seltzer Form Publicity Organization." Boxoffice. Nov. 17, 1956. p. 28. Scan available at Yumpu (retrieved 2-December-2022).
- ^ Thomas, p. 131.
- ^ "George Glass, Walter Seltzer End Pennebaker Affiliation." Boxoffice. Apr. 24, 1961. p. 16. Scan available at Internet Archive (retrieved 2-December-2022).
- ^ "Walter Mirisch Renamed President of Producers." Boxoffice. May 9, 1960. p. W-1. Scan available at Yumpu (retrieved 2-December-2022).
- ISBN 0-520-20970-2
- ^ Ibid., p. 953.
- ISBN 0-7864-0882-0.
- ^ Ibid., p. 243.
- ^ Communist Activities among Professional Groups in the Los Angeles Area - Part 1: Hearings before the Committee on Un-American Activities, House of Representatives, Eighty-second Congress, Second Session, January 21, 22, 23, 24, 25, and 26, and April 9, 1952. Washington, D.C.: United States Government Printing Office, 1952. pp. 2487-2495. Scan available at archive.org (retrieved: 8-September-2010).
- ISBN 0-231-10218-6.
- ISBN 0-300-10798-6.
- ^ See alternate wording at Quoteland, Dictionary Quotes Quotltr(all retrieved: 2-December-2022).
- ^ Thomas, p. 55.
- ^ See review of pertinent sources at Quote Investigator (retrieved: 1-Nov-2014).
Further reading
- Frankel, Glenn (2017). High Noon: The Hollywood Blacklist and the Making of an American Classic. New York: Bloomsbury USA. ISBN 978-1-62040-948-0. Provides details about the subject's business relationship with Stanley Kramer, and his role in the events that led to the blacklisting of Carl Foreman.
- Newquist, Roy (1972). A Special Kind of Magic. New York: Pyramid Books. pp. 49–54. ISBN 0-515-02767-7. Interview with the subject in which he describes his career and his work with Kramer.
External links
- George Glass at IMDb
- Profile of George Glass in Exhibitor, 1952