George Herzog (ethnomusicologist)
George Herzog | |
---|---|
Born | |
Died | November 4, 1983 Indianapolis, Indiana, U.S. | (aged 81)
Education | |
Employer | Indiana University Bloomington |
Known for | Study of Native American language, music and anthropology. |
Academic background | |
Thesis | A comparison of Pueblo and Pima musical styles (1938) |
George Herzog (* December 11, 1901 – November 4, 1983) was an American
Life
Georg Herzog studied at the
Herzog was a professor of Anthropology at Indiana University Bloomington from 1948 to 1958 where he formally established the Archives of Traditional Music which he had begun collecting in 1936 while he was at Columbia University. His establishing of a formal sound recording archive, in the model of the Berliner Phonogramm-Archiv, shaped the nascent field of ethnomusicology by centering the preservation of sound recordings as a crucial methodological approach in the discipline. This legacy was carried forward by his student Bruno Nettl who continued the work of bring together ethnology and cultural anthropology with historical and systematic musicology.[2] Herzog was a North American pioneer in the field of ethnomusicology and posed such radical research questions as: "do animals have music?" (1941).[3]
Herzog was a member of the Board of Advisers of the
After a serious illness in 1950, he had to give up work in 1958, retired in 1962, and lived for the next twenty years in a sanatorium.Writings (selection)
- Folk tunes from Mississippi. repr. New York : Da Capo Press, 1977
- with Harold Courlander: The cow-tail switch, and other West African stories. New York: H. Holt and Co. 1947
- Drum Signaling in a West African Tribe. in: Word 1, S. 217–238, 1945
- with Frank G. Speck: The Tutelo spirit adoption ceremony: reclothing the living in the name of the dead. Harrisburg : Pennsylvania Historical Commission, 1942
- with Charles G. Blooah: Jabo Proverbs from Liberia: Maxims in the Life of a Native Tribe. London, Oxford University Press 1936
- Research in primitive and folk music in the United States, a survey. Washington, D.C., American council of learned societies 1936
- Die Musik der Karolinen-Inseln : (from the Phonogramm-Archiv, Berlin). Hamburg: Friederichsen, de Gruyter, 1936. (= Ergebnisse der Südsee-Expedition 1908–1910, II B, Bd. 9, 2. Halbband, Eilers, Westkarolinen.)
- A comparison of Pueblo and Pima musical styles. New York City 1935
Further reading
- Israel J. Katz: Herzog, George. In: Stanley Sadie (ed.): The New Grove Dictionary of Music and Musicians. Macmillan, London 1980. v. 8, pp. 527f
- Israel J. Katz: Letters from George Herzog. In: Musica Judaica, 20, 2013–14, pp. 199–248
- Bruno Nettl: Herzog, George. In: Friedrich Blume (ed.): Die Musik in Geschichte und Gegenwart. Bärenreiter, 2002, vol. 8, pp. 1451–1453
- Bruno Nettl: George Herzog as Scholar and Teacher: The Syncratic American Approach to Ethno-musicology. In: Joahim Braun, Uri Sharvit: Studies in Socio-Musical Sciences. Bar-Ilan University Press, Ramat Gan 1998, pp. 17–28
- Daniel Reed: The Innovator and the Primitives: George Herzog in Historical Perspective. In: Folklore Forum, 24/1-2, 1993, pp. 69–92
- Daniel Reed: George Herzog: A contemporary Look at his Work and Ideas. I–II. In: ReSound, 13/3-4, July–October 1994, pp. 1–6 and 14/1-2, January–April 1994, pp. 1–8
References
- ^ Jabo language
- ISBN 978-0-739-16826-4.
- ^ Bulletin of the American Musicological Society, Aug. 1941, S. 3f. Note from Rachel Mundy among others: Nature's Music: Birds, Beasts, and Evolutionary Listening in the Twentieth Century. (Dissertation, abstract)
- ^ Society for Ethnomusicology, website