Gestural Variations

Source: Wikipedia, the free encyclopedia.

Gestural Variations
variations
Published1998 (1998): Leipzig Hofmeister
Movementsnine
Scoring

Gestural Variations, Op. 43, is a trio composition by Graham Waterhouse in 1997 originally for oboe, bassoon and piano. Later versions are scored for clarinet, cello and piano (1999) and flute, cello and piano (2009).

Movements

The composition of about 14 minutes presents a theme with six character variations, framed by an introduction and a postlude. Each variation expresses a movement or gesture similar to a mime artist or a dancer.

  • Introduction
  • Theme
  • Var. 1 (abrupt, jerky)
  • Var. 2 (slow, graceful)
  • Var. 3 (fleeting, breathless)
  • Var. 4 (pensive, hesitating)
  • Var. 5 (threatening, menacing)
  • Var. 6 (exuberant, ebullient)
  • Postlude

History

Gestural Variations, op. 43, was commissioned by bassoonist Henry Skolnick and written for the annual conference 1997 of the International Double Reed Society (IDRS). It was first performed in 1997 by John Dee, Henry Skolnick and José Lopez at the Northwestern University, Evanston, Illinois.[1] G. Salter remarked in the "Double Reed News": "The composer's purposeful use of ambiguous, shifting harmonies and overlapping unisons sets these contrasts in miniature apart from much that is being written today, conveying the uncertainties of our times." This first version follows the scoring of Poulenc's Trio for oboe, bassoon and piano.

A second version, op. 43a, was written in 1999 for

Hofmeister, Leipzig
, in 1998 and 1999 respectively.

Gestural Variations in a third version, op. 43b, for oboe, cello and piano was awarded a prize at the competition of Via Nova in Weimar and premiered there on 31 March 2000.[5]

The UK premiere of the clarinet version was played on 5 November 2002 in a Composer Portrait Concert with Graham Waterhouse in the St. Cyprian's Church in London.[6]

The original version opened the Welcome Recital 6 of the British Double Reed Society at the IDRS conference 2009 in Birmingham, played by Richard Simpson, Julie Price and Janet Simpson.[7]

A fourth version, op. 43c, for flute, cello and piano was premiered at the Gasteig Munich on 20 December 2009, played by Jens Josef, Waterhouse, and Rudi Spring.[8] This version was played there again on 11 April 2010, this time with Christopher White as the pianist.[9]

References

  1. ^ "Thursday Morning" (PDF). IDRS, Northwestern University. 1997. p. 5. Archived from the original (PDF) on 2 September 2012. Retrieved 12 April 2010.
  2. ^ "Trios für Klarinette – Violoncello – Klavier" (in German). triospektren.at. Retrieved 12 April 2010.
  3. ^ "Portrait Graham Waterhouse / Graham Waterhouse, Markus Schön, Michael Wendeberg, Agnès Marc". Cybele Records. Retrieved 11 September 2012.
  4. ^ Culot, Hubert (2004). "Graham Waterhouse". musicweb-international.com. Retrieved 12 April 2010.
  5. ^ "Uraufführungen" (PDF) (in German). Via Nova. 11 November 2008. p. 1. Archived from the original (PDF) on 19 July 2011. Retrieved 14 August 2009.
  6. ^ "Graham Waterhouse / Uraufführungen am 26. Oktober in München und am 5. November in London" (in German). Robert Lienau. 2002. Retrieved 12 April 2010.
  7. ^ "IDRS 2009". IDRS. 2009. Archived from the original on 10 January 2010. Retrieved 12 April 2010.
  8. ^ "Konzertante Musik für Flöte – Violoncello – Klavier, gespielt von drei Komponisten" (in German). Gasteig. 20 December 2010. Archived from the original on 7 October 2011. Retrieved 20 December 2010.
  9. ^ "Komponisten-Matinee: Graham Waterhouse" (in German). Gasteig. 11 April 2011. Archived from the original on 10 September 2011. Retrieved 13 April 2010.

External links