Henri Larrivée
Henri Larrivée (9 January 1737 – 7 August 1802) was a French opera singer. He was born in
The 19th-century writer Émile Campardon described Larrivée thus: "The artist, who had everything – a good figure, a wide range, a flexible voice, and acting that was both natural and intelligent – deserved the applause he received over a career spanning more than thirty years. Almost every new work in which he appeared was a success."[1] Fétis claimed that Larrivée had a tendency to turn nasal on high notes and quoted a joke from a member of the audience: "There's a nose with a good voice!"[6]
Larrivée was married to the soprano Marie-Jeanne Lemière (1733—1786), later known as Madame Larrivée.[4]
Roles created
Larrivée was the first singer to perform the following parts:[7]
- Apollon in Les surprises de l'Amour (by Rameau, 1757)
- The king in Énée et Lavinie (by Dauvergne, 1758)
- Orcan in Les Paladins (by Rameau, 1760)
- The Druid in Le prince de Noisy (by Rebel and Francœur, 1760)
- Jealousy in Polixène (by Dauvergne, 1763)
- Saint-Phar in Aline, reine de Golconde (by Monsigny, 1766)
- Vulcain in Sylvie (by Lagarde, 1766)
- Dorilas in Théonis ou le toucher (Act 2 of Les fragments nouveaux, by Berton and Trial, 1767)
- The chief of the savages in Amphion (Act 3 of Les fragments nouveaux, by La Borde, 1767)
- Ricimer in Ernelinde, princesse de Norvège (by Philidor, 1767)
- Zerbin in La vénitienne (by Dauvergne, 1768)
- Alcide in Omphale (by Cardonne, 1769)
- Thémistée in Ismène et Isménias (by La Borde, 1770)
- Germain in La cinquantaine (by La Borde, 1771)
- Mars in Le prix de la valeur (by Dauvergne, 1771)
- Guillaume in Adèle de Ponthieu (by La Borde and Berton, 1772)
- Théophile (second entrée)/An old man (third entrée) in L'union de l'amour et des arts (by Floquet, 1773)
- Sabinus in Sabinus (by Gossec, 1773)
- Céphale in Céphale et Procris (by Grétry, 1773)
- Agamemnon in Gluck, 1774)
- Alcindor in Azolan (by Floquet, 1774)
- Philémon in Philémon et Baucis (by Gossec, 1775)
- Hercule in Alceste (by Gluck, 1776)
- Eutyme in Eutyme et Lyris (by Desormery, 1776)
- Ubalde in Armide (by Gluck, 1777)
- Roland in Roland (by Piccinni, 1778)
- Oreste in Iphigénie en Tauride (by Gluck, 1779)
- Célœnus in Atys (by Piccinni, 1780)
- Oreste in Andromaque (by Grétry, 1780)
- Phinée in Persée (by Philidor, 1780)
- Julien in Le seigneur bienfaisant (by Floquet, 1780)
- Oreste in Iphigénie en Tauride (by Piccinni, 1781)
- The Count of Ponthieu in Adèle de Ponthieu (by Piccinni, 1781)
- Egée in Thésée (by Gossec, 1782)
- Oreste in Électre (by Lemoyne, 1782)
- Chrysante in L'embarras des richesses (by Gretry, 1782)
- Porus in Alexandre aux Indes (by Lefroid de Méreaux, 1783)
- Iarbe in Didon (by Piccinni, 1783)
- Florestan in La caravane du Caire (by Grétry, 1784)
- Danaüs in Les Danaïdes (by Salieri, 1784)
- Teucer in Dardanus (by Sacchini, 1784
- Ulysse in Pénélope (by Piccinni, 1785)
Larrivée was also due to play the role of Arcalaüs in
References
Sources
- Benoît Dratwicki "The first performances of Amadis de Gaule" in the book accompanying the recording of J. C. Bach's
- Julian Rushton, article on Larrivée in The Grove Book of Opera Singers (Oxford University Press, 2008)
- François-Joseph Fétis, Biographie universelle des musiciens et bibliographie générale de la musique (1863 edition)
- Spire Pitou The Paris Opera: 1715–1815: Rococo and Romantic: An Encyclopedia of Operas, Ballets, Composers and Performers (Greenwood, 1985)