Henry Langdon Childe
Henry Langdon Childe (1781–1874) was an English showman, known as a developer of the magic lantern and dissolving views, a precursor of the dissolve in cinematic technique. While the priority question on the technical innovations Childe used is still debated, he established the use of double and triple lanterns for special theatrical effects, to the extent that the equipment involved became generally available through suppliers to other professionals.[1] By the 1840s the "dissolving view", rooted in Gothic horror, had become a staple of illustrated talks with restrained animations.[2]
Early life
Childe was born in Poole, Dorset the youngest of three children. He and his wife Elizabeth had one daughter Maria. She is recorded in the 1851 census as an artist in glass, living in Lambeth with her parents.[3]
Development of lantern technique
The magic lantern had not advanced much from the 17th century to the latter part of the 18th century. Childe used achromatic lenses and an improved oil-lamp; and moved to the limelight, then associated with Thomas Drummond.[8] The limelight has also been attributed to Robert Hare, and Goldsworthy Gurney. In Childe's hands, it increased the scale and brightness of the projected images at public performances.[9][10]
It was the combination of the double image and the improved lighting that made the lantern technique standard for a time;[11] credit for this advance in projection, underpinning "dissolving views" in practice, has been given to John Benjamin Dancer.[12] The innovations of Childe and the instrument-maker Edward Marmaduke Clarke (the "biscenascope") played a part in displacing the diorama as a fashionable entertainment; it was a type of double lantern, but in fact had a single light source, divided by a mirror system.[13][14]
Claims of priority were made on Childe's behalf, by 1885.[15] On this account, repeated in the Dictionary of National Biography account of 1887, Childe innovated with his method of "dissolving views": one picture appeared to fade away, while another as gradually took its place, an effect created by two lanterns with shutters. He worked from 1807, and completed his method in 1818; a brother of the artist Elias Childe, he had learned while still a young man to paint on glass, and prepared his own lantern slides.[8][16]
The date of the original introduction of dissolving views was the subject of an 1893 debate in The Optical and Magic Lantern Journal. At that point, the search for the earliest written reference to the technique was pushed back only to 1843, in the 25 March issue of the Magazine of Science. Later, a slightly earlier reference was found, to the 12 and 19 February issues during 1842 of
Early career with the lantern
It remains unclear what Childe himself invented, and when, but according to some sources his technique became established in British theatres in the 1820s and 1830s: the lantern was used as a heightened dramatic effect and supported "transformation scenes".[17][18] In 1827, a production of The Flying Dutchman opera by Edward Fitzball projected an image of the ship from backstage onto gauze. Childe has been credited with this moving image effect. Fitzball himself, however, took the credit at the time, for the use of a lantern on a track.[19][20]
In the phantasmagoria tradition, which continued to be popular with British audiences of the early 19th century, Childe showed
Mainstream performer
After the opening of the
Later life
Childe's lantern exhibitions in Manchester and most of the large provincial towns were successful.
Childe lived to age 93, dying in 1874.[8]
Notes
- ISBN 978-0-7914-3767-4.
- ISBN 978-1-4020-2209-8.
- ^ England and Wales census, 1851
- ^ David Brewster (1856). Letters on Natural Magic, Addressed to Sir Walter Scott. W. Tegg. p. 80.
- ISBN 978-1-4443-3496-8.
- ISBN 978-0-674-03439-6.
- doi:10.1093/ref:odnb/5293. (Subscription or UK public library membershiprequired.)
- ^ a b c d e Stephen, Leslie, ed. (1887). . Dictionary of National Biography. Vol. 10. London: Smith, Elder & Co.
- ISBN 978-1-4008-4911-6.
- ISBN 978-0-520-08533-6.
- ISBN 978-90-5356-313-7.
- doi:10.1093/ref:odnb/37339. (Subscription or UK public library membershiprequired.)
- ISBN 978-0-674-80731-0.
- ^ ISBN 8886155050.
- ^ Thomas Humphry Ward, ed., Men of the Reign; a biographical dictionary of eminent persons of British and colonial birth who have died during the reign of Queen Victoria (1885), p. 179; archive.org.
- doi:10.1093/ref:odnb/5292. (Subscription or UK public library membershiprequired.)
- ISBN 978-0-262-01851-7.
- ISBN 978-0-19-531391-8.
- ISBN 978-0-262-01851-7.
- doi:10.1093/ref:odnb/9539. (Subscription or UK public library membershiprequired.)
- ISBN 978-0-7864-8421-8.
- ^ Lovell Augustus Reeve; John Mounteney Jephson; Henry Christmas; Shirley Brooks, George Augustus Frederick Fitzclarence (1st Earl of Munster) (1830). The Literary Gazette: A Weekly Journal of Literature, Science, and the Fine Arts. H. Colburn. pp. 212–.
{{cite book}}
: CS1 maint: numeric names: authors list (link) - ^ ISBN 085989665X.
- ^ The Illustrated London News. Illustrated London News & Sketch Limited. 1863. p. 19.
- ^ "cinematheque.fr, The Pilgrim's Progress: the Cinémathèque française acquires a collection of 33 magic lantern plates". Archived from the original on 3 February 2014. Retrieved 28 January 2014.
- Attribution
This article incorporates text from a publication now in the public domain: Stephen, Leslie, ed. (1887). "Childe, Henry Langdon". Dictionary of National Biography. Vol. 10. London: Smith, Elder & Co.