Henry Siddons
Henry Siddons (4 October 1774 – 12 April 1815) was an English actor and theatrical manager, now remembered as a writer on gesture.
Life
Siddons was the eldest child of
On 21 September 1805 Siddons made his first appearance at
On starting his managerial career, Siddons aimed at producing plays with greater efficiency in all directions than before, at the Edinburgh Theatre; he was encouraged and supported by Scott. Siddons had an eye for talent, bringing on Daniel Terry and William Oxberry.[3][4] Joanna Baillie's The Family Legend was produced by Siddons on 29 January 1810. On 15 January 1811 Siddons produced the Lady of the Lake; an adaptation in which he himself played Fitzjames. But he was fighting an uphill battle, and lost much money.
In Edinburgh, Siddons lived first at 3 Maitland Street
Siddons died in Edinburgh on 12 April 1815.[1] His sister, Cecilia Siddons, later married George Combe, a prominent Edinburgh lawyer, and the founder of the Edinburgh Phrenological Society. He was buried in Greyfriars Kirkyard in the centre of the city.[9] A large monument was erected to him in the south-west corner, just left of the entrance to the Covenanters Prison. His wife Harriet Siddons is buried with him. His son, William Siddons, died in Dublin but was reburied with his father.
His wife Harriet Siddons and children continued to live in Edinburgh after his death.[10] Harriet and her brother William Murray took over the running of the Theatre Royal.[11]
Works
Siddons adapted a work by Johann Jakob Engel, Ideen zu Einer Mimik from 1785; Engel was then director of the National Theatre in Berlin.[12] It appeared as Illustrations of Gesture and Action (1807). This book was consulted by Charles Darwin during the preparation of his The Expression of the Emotions in Man and Animals, published in 1872. The introduction explains the need to replace the references specific to German drama, rather than simply translate. The actual effect is more an uneasy grafting of techniques from the German neo-classical school of acting, onto a British stock.[12] The 1822 edition also draws on the Essay on Gesture of Michael William Sharp.[13]
He also wrote some plays; of one, The Friend of the Family, Scott wrote, "Siddons's play was truly flat, but not unprofitable". Other pieces by him were Time's a Tell-tale, and Tale of Terror, or a Castle without a Spectre (produced at Covent Garden on 12 May 1803).[1]
References
- ^ a b c d Lee, Sidney, ed. (1897). . Dictionary of National Biography. Vol. 52. London: Smith, Elder & Co.
- ^ "History - Playbills of the Theatre Royal Edinburgh - National Library of Scotland".
- ^ Dictionary of National Biography. London: Smith, Elder & Co. 1885–1900. .
- doi:10.1093/ref:odnb/21045. (Subscription or UK public library membershiprequired.)
- ^ Edinburgh Post Office Directory 1810
- ^ Edinburgh Post Office Directory 1814
- ^ Robertson, Alec (1949), History of the Dundee Theatre, Precision Press, p. 17
- ^ Bannerman, G., Baxter, K., Cook, D. & Jarron, M. (2019), Creatures of Fancy: Mary Shelley in Dundee, Abertay Historical Society, Dundee, p. 54
- ^ "Greyfriars". Monuments and monumental inscriptions in Scotland. Vol. 1. The Grampian Society. 1871. p. 52.
- ^ Grants Old and New Edinburgh vol V
- ^ "History - Playbills of the Theatre Royal Edinburgh - National Library of Scotland".
- ^ ISBN 978-0-312-05738-1.
- ^ Engel, Johann Jacob; Siddons, Henry (1822). Practical Illustrations of Rhetorical Gesture and Action. Sherwood, Neely and Jones.
Attribution This article incorporates text from a publication now in the public domain: Lee, Sidney, ed. (1897). "Siddons, Henry". Dictionary of National Biography. Vol. 52. London: Smith, Elder & Co.