His Name Is Legs (Ladies and Gentlemen)

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"His Name Is Legs (Ladies and Gentlemen)"
Song by George Harrison
from the album Extra Texture (Read All About It)
Released22 September 1975
GenreFunk rock
Length5:46
LabelApple
Songwriter(s)George Harrison
Producer(s)George Harrison

"His Name Is Legs (Ladies and Gentlemen)" is a song by English rock musician

Life of Brian (1979) that he produced under the aegis of his company HandMade Films
.

Harrison recorded "His Name Is Legs" at his Friar Park home studio during sessions for his 1974 album Dark Horse. The song remained unfinished until he returned to it the following year while working in Los Angeles on Extra Texture. Aside from Harrison and Smith, the musicians on the recording include Tom Scott, Billy Preston, Willie Weeks and Andy Newmark, all of whom were part of Harrison's 1974 tour band. The song's arrangement reflects Harrison's adoption of the funk genre.

As with the album's humorous artwork, the inclusion of "His Name Is Legs" on Extra Texture marked a rare example of light-heartedness among a collection of mostly downbeat songs. Several commentators view the track as an indulgence by Harrison. These detractors cite the in-joke nature of the composition, together with the largely unintelligible vocals on the recording. Harrison acknowledged that the song's appeal might be limited to "maybe two people".[1]

Background

The Bonzos' Vivian Stanshall and drummer "Legs" Larry Smith in 1969

Although often noted for the serious, religious nature of his song lyrics,

Delaney & Bonnie and Friends,[9] at John Lennon's "Peace for Christmas" charity concert,[10] held at London's Lyceum Ballroom in December 1969.[11] In I, Me, Mine, Harrison suggests an alternative scenario to the Beatles' 1970 break-up: "What should have happened is that the Bonzos and the Beatles ... turned into one great Rutle band with all the Pythons and had a laugh."[4][12]

By 1973, Sellers

court jester figure for Harrison,[23] who wrote the song "His Name Is Legs (Ladies and Gentlemen)" as a tribute to Smith.[24][25] In his autobiography, Harrison terms the composition "a piece of personal indulgence, like some other of my songs about things nobody else knows or cares about, except maybe two people".[1]

Composition

He's a wonderfully eccentric person ... He dresses crazily and says very funny things ... He'd say "Hello sausage" and things like: "everything's dinky doo". I thought "hello! this guy's funny".[1]

– George Harrison, on Legs Larry Smith, 1979

Harrison wrote "His Name Is Legs" around Christmastime in 1973,[26] on a piano at Friar Park.[18] Author Ian Inglis describes it as a song "peppered with oblique references and in-jokes about [Smith's] idiosyncratic mannerisms and behavior".[8] Harrison's lyrics incorporate some of Smith's favourite sayings, the first verse beginning:[27]

Everything is dinky doo
Everything that you do
You the King of Lah di da
Pretty very out far ...

Examples of Smith's penchant for zany wordplay include the lines "Never over-sits he under-stands" and "Get lined up come Sikh come Czar" – the latter being partly a misappropriation of the French phrase "comme ci comme ça".[8] In the second verse, the line "People think he's loopy loo when they look at his shoes" refers to the comedian's unusual dress sense, which included "toy cows grazing on his shoes", according to Harrison biographer Alan Clayson, while "rocking sausage roll" was Smith's phrase for rock 'n' roll.[18]

The song title appears in the two bridge sections, the first of which states:[28]

Everyone from Oxford town
Way down to the Rio Grande
Knows his harbour quays, his skintight hands
Are without seggs, his name is Legs.

Musically, the composition is in the funk rock style,[24] while the device of introducing Smith to listeners recalls the show tune aspect of Harrison's collaboration with Mal Evans, "You and Me (Babe)",[29] which closed former Beatle Ringo Starr's 1973 album Ringo.[30] In the lyrics to "His Name Is Legs", Harrison biographer Simon Leng recognises the same "nonsense word games" favoured by Monty Python.[31] Leng comments that the latter's composition "The Lumberjack Song" particularly resonated with Harrison during this period, as he sought to challenge the public's perception of him as a Beatle, in the same way that Michael Palin's character in the Python song challenged the stereotypes associated with an "all-action" lumberjack.[31][nb 2]

Recording

1974 basic track

In the main hall there was a Steinway grand piano, and he burst in, sat down, gave me a nod, and started playing this song … I was greatly touched by the whole thing.[19]

– Legs Larry Smith, 2014

Harrison taped "His Name Is Legs (Ladies and Gentlemen)" during sessions for his 1974 album

FPSHOT, in August–September that year,[37] with Phil McDonald as recording engineer.[38] Harrison played piano and electric guitar on the recording;[39] the other musicians were Billy Preston (electric piano), Tom Scott (saxophones), Willie Weeks (bass) and Andy Newmark (drums).[40] These four musicians then joined Harrison for tour rehearsals in Los Angeles,[41] where he rushed to complete Dark Horse before undertaking a much-anticipated North American tour with Ravi Shankar.[42][43] With Peter Sellers among his entourage,[44] Harrison alternatively adopted comedy and his Hindu-aligned spiritual goals as a defence against expectations related to his Beatle past during the tour.[45][nb 3]

When discussing "His Name Is Legs" with BBC Radio 1 DJ Paul Gambaccini in September 1975,[51] Harrison said that after recording the basic track, he invited Smith to sing the first two lines of each of the bridges. Smith did these vocal parts in two takes, and improvised dialogue through the rest of the song each time.[26] In Clayson's description, Smith sang the bridge sections in English "officer-and-gentleman tones" and adopted an American accent for the monologues.[18]

1975 overdubs

Even if you see [the words] written down, you still won't understand them. It's the craziest song – both lyrically and musically.[26]

– Harrison discussing "His Name Is Legs" with Paul Gambaccini, Rockweek, September 1975

Harrison returned to the track in April 1975 when recording his album

The Pirate Song"[63] for a sketch in Rutland Weekend Television,[64] Idle's TV show with Neil Innes, Smith's former bandmate.[65][nb 4]

Overdubs on the 1974 basic track for "His Name Is Legs" included tack piano, played by Canadian musician David Foster,[33] and a new horn arrangement, played by Scott and Chuck Findley,[65][68] another member of Harrison's tour band the previous year.[69] Scott and Findley recorded their contributions at A&M Studios over 2–3 June,[65][68] with each musician overdubbing two horn parts.[70]

The released recording begins with an introductory bass riff from Weeks, which is then joined by Foster's tack piano.[33] Commentators note the lack of clarity in the mix,[25][71] which author Elliot Huntley attributes to the "three-pronged piano attack" and the low level of Harrison and Smith's vocals.[72] At times during the sections featuring Smith's improvised dialogue, Harrison let both recorded takes run simultaneously, and he admitted to Gambaccini that he chose to mix the track in this way "so people have to strain with headphones to hear what it is".[26][51]

Release and reception

Inner sleeve for the Extra Texture LP; copyright Apple Records

"His Name Is Legs" was released on 22 September 1975

Village Voice critic Robert Christgau,[78] while the face labels credited production to "Ohnothimagen" (Oh, not him again)[79] and showed the Apple Records logo reduced to an apple core.[66][80][nb 5] With the "Ohnothimagen" moniker, which also appeared below the LP's inner-sleeve photo and in advertising for the album,[33] Harrison acknowledged his recent unpopularity with music critics.[79][82] While this gesture was intended as self-deprecation on Harrison's part,[36] Smith has cited it as an example of Harrison's lack of confidence at the time and his need for "a cuddle now and then".[83] Smith was listed in the performer credits as appearing "courtesy of the Oxfordshire County Council".[25][84]

Author Robert Rodriguez describes "His Name Is Legs" as a "comedy number" and "a self-indulgent in-joke" that appeared to show Harrison "doubling down on efforts to alienate his audience", after the bad press he had received over the winter of 1974–75.[85] On release, Dave Marsh of Rolling Stone said that the song "might be Harrison's way of countering charges of humorlessness" but that "since neither Smith nor Harrison is very funny, it does more to confirm the charges."[86] In the NME, Neil Spencer referred to the image of Harrison with "a chirpy smirk plastered across his dial" as "misleading", given the album's overall mood, and added: "'His Names Is Legs (Ladies and Gentlemen)' is the odd track out because it's (ulp) not serious. It seems like an attempt to recapture some of the innocent light-heartedness of Beatle days."[87][88] Ray Coleman of Melody Maker predicted that Extra Texture would "re-establish [Harrison] as a powerful artist with an ear for unusual but attractive tunes allied to some quirky lyrics", and he described the closing song as an "up-tempo splash of fun, and it jumps, too".[89]

In the 1978 edition of their book The Beatles: An Illustrated Record, Roy Carr and Tony Tyler said that Harrison had "desperately" employed "last-minute devices" to save Extra Texture, by featuring "'zany' ex-Bonzo Dog Band drummer 'Legs' Larry Smith on a track, and by instructing his graphic designers to 'get a little humour into the packaging'. They do; and 'Legs' duly sings; but it is all too little, too late."[75] Writing in 1981, NME critic Bob Woffinden identified the song and the album art, as well as the single "You", as evidence that Harrison was attempting to re-engage with his listeners. Woffinden welcomed this approach but, noting the lack of a lyric sheet with the album, he added: "['His Name Is Legs'] is not a success, since most of the vocals are lost in the raucous mix; Larry might have had pearls of wisdom to impart, but who could tell?"[25] More recently, Richard Ginell of AllMusic has described the song as a "baffling salute" to Smith,[90] while former Mojo editor Mat Snow dismisses it as "a throwaway among throwaways".[91]

Also writing for AllMusic, Lindsay Planer views "His Name Is Legs" as "somewhat silly but nonetheless thoroughly entertaining", a song that "[allows] Harrison the opportunity to close the disc on a lighter note and unleash his admittedly askew and undeniably rich sense of humor".[92] In his review for Rough Guides, Chris Ingham calls the track a "manically intricate tribute" and considers it to be a redeeming feature of Extra Texture, along with "Tired of Midnight Blue".[93] Writing for Goldmine magazine in January 2002, Dave Thompson described it as "whacked" and "a six-minute semi-jam" that should not be "overlook[ed]".[94]

Legacy

Snow, Huntley and Inglis each discuss "His Name Is Legs" as a precedent for Harrison's well-received work with Idle.

Life of Brian (1979),[103][104] in which he also appeared.[105] HandMade became Britain's most successful independent film company[106] and went on to make other films involving one or more members of Monty Python,[107] including Time Bandits (1981), The Missionary (1982), A Private Function (1984) and Nuns on the Run (1990).[108][109][nb 6]

Leng recognises an increasing Python-based comedy influence in Harrison's songwriting and musical arrangements, beginning with his 1979 track "

Joe Brown.[115][116] Smith appeared in the HandMade comedy Bullshot (1983)[114] and also designed the cover for Harrison's 1982 album Gone Troppo.[23]

Personnel

Notes

  1. The Producers, which they watched "every night" at Friar Park.[19]
  2. Arthur 'Two Sheds' Jackson".[32] During that sketch, an arts show interviewer repeatedly ignores Jackson's work as a composer of modern symphonies, concentrating instead on the trivial questions of how he acquired his nickname and whether he owns two garden sheds.[32]
  3. Gandhi's exhortation to "create and preserve the image of your choice".[49] For his part, Harrison chose to promote the image of a devoted servant of the Hindu god Krishna.[50]
  4. ^ Harrison was keen to help establish Monty Python in the United States[66] and, according to Michael Palin, he "envisaged a Harrison–Pythons road show with us doing really extraordinary things throughout the show, such as swinging out over the audience on wires".[67]
  5. ^ The customised Apple logo presaged the company's closing, Extra Texture being the final studio album released on the label.[25][81]
  6. ^ Harrison also joined the Pythons on stage in New York in April 1976, as part of the chorus in "The Lumberjack Song",[110][111] and later produced their show at the Hollywood Bowl.[112]

References

  1. ^ a b c d George Harrison, p. 304.
  2. ^ Allison, pp. 36–37.
  3. ^ Clayson, p. 271.
  4. ^ a b George Harrison, pp. 64–65.
  5. ^ Doggett, pp. 43–45, 59–61.
  6. ^ MacDonald, p. 300.
  7. ^ Huntley, p. 127.
  8. ^ a b c d Inglis, p. 54.
  9. ^ Clayson, pp. 282, 350.
  10. ^ Leng, p. 67.
  11. ^ Miles, p. 362.
  12. ^ MacFarlane, pp. 106, 111.
  13. ^ Clayson, pp. 333–34.
  14. ^ Olivia Harrison, pp. 322, 362.
  15. ^ Carol Clerk, "George Harrison 1943–2001", Uncut, February 2002, p. 56; available at Rock's Backpages (subscription required).
  16. ^ Doggett, pp. 208–09.
  17. ^ Boyd, p. 175.
  18. ^ a b c d Clayson, p. 350.
  19. ^ a b Mat Snow, "George Harrison: Quiet Storm", Mojo, November 2014, p. 73.
  20. ^ Boyd, pp. 144, 163.
  21. ^ Clayson, pp. 300–01.
  22. ^ Greene, pp. 165–66.
  23. ^ a b Allison, p. 144.
  24. ^ a b Leng, p. 186.
  25. ^ a b c d e Woffinden, p. 86.
  26. ^
    YouTube
    (retrieved 13 September 2013).
  27. ^ George Harrison, pp. 303, 304.
  28. ^ George Harrison, p. 307.
  29. ^ Inglis, pp. 54, 56.
  30. ^ Rodriguez, p. 35.
  31. ^ a b Leng, pp. 185–86.
  32. ^ a b Leng, p. 133.
  33. ^ a b c d Spizer, p. 275.
  34. ^ MacFarlane, p. 100.
  35. ^ Michael Gross, "George Harrison: How Dark Horse Whipped Up a Winning Tour", CIrcus Raves, March 1975; available at Rock's Backpages (subscription required).
  36. ^ a b Kevin Hewlett, liner-note essay, Extra Texture (Read All About It) CD booklet (Apple Records, 2014; produced by George Harrison), p. 9.
  37. ^ Leng, p. 147.
  38. ^ Madinger & Easter, pp. 442, 453.
  39. ^ Leng, p. 185.
  40. ^ Castleman & Podrazik, p. 376.
  41. ^ Olivia Harrison, pp. 298–99.
  42. ^ The Editors of Rolling Stone, pp. 44, 126.
  43. ^ Lavezzoli, pp. 195–96.
  44. ^ Clayson, p. 340.
  45. ^ Ben Fong-Torres, "George Harrison: Harrison in the Haight", San Francisco Chronicle, 2 December 2001; available at Rock's Backpages (subscription required).
  46. ^ Inglis, p. 48.
  47. ^ Allison, p. 36.
  48. ^ The Editors of Rolling Stone, p. 129.
  49. ^ Schaffner, p. 178.
  50. ^ Greene, p. 215.
  51. ^ a b Badman, pp. 164, 165.
  52. ^ Madinger & Easter, pp. 451, 453.
  53. ^ Tillery, p. 116.
  54. ^ Greene, pp. 213–15.
  55. ^ Leng, pp. 178, 179.
  56. ^ Tillery, pp. 115–16.
  57. ^ Rodriguez, pp. 280, 384, 424.
  58. ^ George Harrison, p. 65.
  59. ^ Woffinden, p. 104.
  60. ^ George Harrison: Living in the Material World DVD, Village Roadshow, 2011 (directed by Martin Scorsese; produced by Olivia Harrison, Nigel Sinclair & Martin Scorsese), Disc 2; event occurs between 59:20 and 59:29.
  61. ^ McCall, p. 44.
  62. ^ The Editors of Rolling Stone, p. 194.
  63. ^ George Harrison, p. 314.
  64. ^ MacFarlane, p. 107.
  65. ^ a b c Madinger & Easter, p. 453.
  66. ^ a b Doggett, p. 238.
  67. ^ The Pythons, p. 266.
  68. ^ a b MacFarlane, p. 101.
  69. ^ Leng, p. 167.
  70. YouTube
    (retrieved 13 September 2013).
  71. ^ Rodriguez, p. 184.
  72. ^ Huntley, pp. 127–28.
  73. ^ Castleman & Podrazik, p. 369.
  74. ^ Spizer, p. 273.
  75. ^ a b Carr & Tyler, p. 117.
  76. ^ Madinger & Easter, p. 451.
  77. ^ Rodriguez, pp. 184, 385.
  78. ^ Robert Christgau, "George Harrison > Consumer Guide Reviews", Robert Christgau (retrieved 11 September 2013).
  79. ^ a b Huntley, p. 128.
  80. ^ Spizer, pp. 275, 276.
  81. ^ Rodriguez, pp. 248–49.
  82. ^ Leng, pp. 185, 189.
  83. ^ David Cavanagh, "George Harrison: The Dark Horse", Uncut, August 2008, p. 48.
  84. ^ Album credits, Extra Texture (Read All About It) LP (Apple Records, 1975; produced by George Harrison).
  85. ^ Rodriguez, pp. 184–85, 280.
  86. ^ Dave Marsh, "George Harrison Extra Texture" Archived 20 September 2017 at the Wayback Machine, Rolling Stone, 20 November 1975, p. 75 (retrieved 11 September 2013).
  87. ^ Neil Spencer, "George Harrison: Extra Texture (Apple)", NME, 20 September 1975, p. 23.
  88. ^ Chris Hunt (ed.), NME Originals: Beatles – The Solo Years 1970–1980, IPC Ignite! (London, 2005), p. 103.
  89. ^ Ray Coleman, "Extra Texture: Back to the Sixties!", Melody Maker, 6 September 1975, p. 30.
  90. ^ Richard S. Ginell, "George Harrison Extra Texture", AllMusic (retrieved 6 July 2014).
  91. ^ a b c Snow, p. 52.
  92. ^ Lindsay Planer, "George Harrison 'His Name Is Legs (Ladies and Gentlemen)'", AllMusic (retrieved 25 September 2017).
  93. ^ Ingham, p. 135.
  94. ^ Dave Thompson, "The Music of George Harrison: An album-by-album guide", Goldmine, 25 January 2002, p. 17.
  95. ^ Huntley, pp. 129–30.
  96. ^ Castleman & Podrazik, p. 372.
  97. ^ Harry, pp. 234, 257.
  98. ^ Badman, p. 176.
  99. ^ McCall, p. 47.
  100. ^ McCall, p. 62.
  101. ^ Rodriguez, pp. 307–08.
  102. ^ Mat Snow, "George Harrison 1943–2001", Rock's Backpages, 1 November 2001 (subscription required).
  103. ^ Inglis, p. 72.
  104. ^ Doggett, p. 262.
  105. ^ McCall, p. 63.
  106. ^ Rodriguez, p. 366.
  107. ^ Woffinden, pp. 104, 106.
  108. ^ The Editors of Rolling Stone, pp. 204, 206.
  109. ^ McCall, pp. 81, 103, 147.
  110. ^ Badman, p. 181.
  111. ^ McCall, p. 49.
  112. ^ Harry, p. 234.
  113. ^ Leng, pp. 204, 226, 232–33.
  114. ^ a b Clayson, p. 374.
  115. ^ Leng, pp. 229, 239.
  116. ^ Mark Ellen, "A Big Hand for The Quiet One", Q, January 1988, p. 56.

Sources

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