How to Train Your Dragon: The Hidden World (soundtrack)

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How to Train Your Dragon: The Hidden World (Original Motion Picture Soundtrack)
Back Lot Music
ProducerJohn Powell
John Powell chronology
Solo: A Star Wars Story
(2018) 		How to Train Your Dragon: The Hidden World
(2019) 		The Call of the Wild
(2020)
Singles from How to Train Your Dragon: The Hidden World (Original Motion Picture Soundtrack)
  1. "Together From Afar"
    Released: January 31, 2019

How to Train Your Dragon: The Hidden World (Original Motion Picture Soundtrack) is the

Back Lot Music
, and was met with a positive response from music critics.

Development

"Music does half of the storytelling and in the case of John Powell, a storyteller in his own right, he is a partner from the beginning. He finds themes that I might not even be consciously aware of and brings them to the surface."

— Dean DeBlois, on the music of The Hidden World[5]

Unlike the first two films in the franchise, the score for Hidden World has a "dark theme" for the main antagonist, dragon-hunter Grimmel, a "fate" riff, which signalled changes in the lives of key characters, lighthearted romantic music for Toothless and the potential mate, as well as "mystical, ethereal sounds for that “hidden world” of the dragons themselves". Powell felt that for the film, he had to come to the studio at five-o-clock in the morning and write the score at closed doors, as "he had to go to these slightly indulgent, dark, sad places to find things that might be potent for other people".[5][6]

He also brought his earlier themes, and also reproduced them to create newer versions and integrate it in the film, as "if he had kept using material that everybody knew all the way through the movie, you wouldn’t have felt it as significantly as you do at the end".

music of How to Train Your Dragon 2).[5][8] He also recorded the original song "Together From Afar".[5][9]

Jónsi was in town, so John set him up with a laptop and a microphone and had him focus on the Hidden World. When we first enter that space it’s all very mysterious and forbidding. Jónsi spent the day working with layers of his own voice. John then incorporated that into the tease and then finally the full-blown, majestic Hidden World theme. When I heard it, I remember thinking, ‘Wow.’

— DeBlois on the composition of the title theme[5]

Powell added that, one of the challenging sequence was when Toothless woos the mysterious Light Fury on a beach, where he came with a "delicate melody with a dance-like rhythm" which he expanded into a seven-minute cue using the classical form of passacaglia. He called it as "one of several special moments that are music-driven, without dialogue".[5]

Recording

The score was recorded at the Abbey Road Studios in London in October 2018. Unlike his previous films, John used a full orchestra for this film, which consisted of 98 musicians, eight ethnic-music soloists and a 60-member vocal choir. Grammy-winning choral composer-arranger Eric Whitacre, whom Powell worked on Kung Fu Panda (2008), conducted the choir in various texts and translated them into Gaelic and Latin. The film's director Dean DeBlois and Cressida Cowell, the author of the children's book series whose writings and illustrations inspired the films, and also worked on the film adaptations as an executive producer, supervised the recording sessions. The one hour and thirty three-minute long music was recorded within nine days.[5][3]

Track listing

No.TitleLength
1."Raiders Return to Busy, Busy Berk"5:27
2."Dinner Talk – Grimmel's Introduction"3:53
3."Legend Has It – Cliffside Playtime"4:21
4."Toothless: Smitten"3:16
5."Worst Pep Talk Ever"2:40
6."Night Fury Killer"3:36
7."Exodus!"4:38
8."Third Date"6:49
9."New New Tail"1:28
10."Furies in Love"3:03
11."Killer Dragons"5:05
12."With Love Comes a Great Waterfall"2:08
13."The Hidden World"5:16
14."Armada Battle"8:40
15."As Long as He's Safe"6:29
16."Once There Were Dragons"5:45
17."Together from Afar" (Jónsi)3:17
Total length:75:51

Reception

Critical response

Zanobard Reviews gave 9/10 to the score and wrote "John Powell’s score to How To Train Your Dragon: The Hidden World is just marvelous. He introduces a number of amazing new themes as well as bringing back all your favourites from the previous movies, and intertwines them expertly with his frankly ridiculously over-the-top action scoring (but that’s why we love it). The album not only serves as a very solid third entry to the musical franchise but also as an epic and absolutely brilliant conclusion to his masterful trilogy. The first film’s score still just edges this one, but it’s got the second movie beaten, that’s for sure. It’s a superb soundtrack, and one that was most definitely worth the wait."[10]

Critic Jonathan Broxton wrote "John Powell has created what might be his defining film music legacy. Of course he’s still young, and so he still has plenty of time to write something that will top it; also, for the sake of argument, some people may say that his music for the Bourne films is just as influential. The entire How to Train Your Dragon series is a bonafide masterpiece, a gloriously bold and colorful fantasy of Viking life, heroes and dragons, honor and friendship and grand adventure. Everything points to How to Train Your Dragon: The Hidden World being the last film in this series and, if so, Powell has ended on a high. It won’t get an Oscar nomination, because sequels like this never do, but this will still be riding high as one of the scores of the year."[11]

Filmtracks.com wrote "Powell does not introduce new themes for these concepts explicitly, but he does offer a wide enough breadth of fresh identities to accompany their general purposes. The dragons' themes have been condensed into several motifs to represent the two leads of their kind, the Berk theme is displaced by a new one for another island, the flying and friendship themes are supplanted by new heroic alternatives, and other major new locations and characters are afforded appropriate ideas of their own. The inclusion of a theme and submotif for fate ties all of them together by the end."[12] James Southall of Movie Wave wrote "With the first score having come in the first year of the 2010s and the final one in the last, this trilogy of music frames a decade of film music in which it has played a very notable part. While perhaps this third instalment doesn’t quite have a track to rival “Test Drive” or “Flying with Mother” (“Armada Battle” and “Once There Were Dragons” do come close) it is still for the most part of the highest quality and shows off again what a fine composer John Powell is. The films obviously held special meaning for him and his family and his emotion shines through all through it."[13]

Accolades

Award Date of ceremony Category Recipient(s) Result Ref.
Hollywood Music in Media Awards November 20, 2019 Original Score – Animated Film John Powell Won [14]
[15]
Original Song – Animated Film John Powell and Jónsi for "Together From Afar" Nominated
International Film Music Critics Association Awards
 February 20, 2020 Best Original Score for an Animated Film John Powell Nominated [16]
[17]
Society of Composers & Lyricists Awards
 January 7, 2020 Outstanding Original Score for a Studio Film John Powell Nominated [18]
World Soundtrack Awards October 18, 2019 Best Original Score of the Year John Powell Nominated [19]
[20]
Public Choice Award John Powell Won

Piano solos

On May 15, 2020, Powell released an album titled Piano Solos from How to Train Your Dragon: The Hidden World, through his own record label.

Hal Leonard Publishing Company.[23]

Track listing

No.TitleLength
1."Legend Has It – Cliffside Playtime"4:36
2."Toothless: Smitten"3:09
3."Exodus!"4:42
4."Third Date"1:23
5."New New Tail"1:27
6."Furies in Love"3:24
7."With Love Comes Loss"1:10
8."The Hidden World"2:07
9."Once There Were Dragons"6:03
Total length:28:05

Personnel

Credits adapted from CD liner notes.[24]

  • Music By – John Powell
  • Additional music and arrangements – Anthony Willis, Batu Sener, Paul Mounsey
  • Programming – Satnam Ramgotra
  • Recording – Erik Swanson, Nick Wollage
  • Engineer – Lewis Jones
  • Mixing – Shawn Murphy, John Traunwieser
  • Mastering – Patricia Sullivan
  • Music editor – Jack Dolman, David Channing
  • Music preparation – Gregory Jamrok, Mark Graham
  • Gaelic advisor – Julie Fowlis
Instruments
  • Bagpipes – Red Hot Chilli Pipers
  • Bassoon – Gavin McNaughton, Rachel Simms, Daniel Jemison
  • Bodhrán – Kieran Leonard
  • Clarinet – Anthony Pike, David Fuest, Nick Rodwell
  • Flute – Anna Noakes, Helen Keen, Karen Jones
  • French Horn – Corinne Bailey, David Pyatt, Laurence Davies, Mike Thmpson, Nick Hougham, Phil Woods, Phillip Eastop, Richard Berry, Simon Rayner, Richard Watkins
  • Harp – Helen Tunstall, Skaila Kanga, Maeve Gilchrist
  • Oboe – Jane Marshall, Janey Miller, John Anderson
  • Percussion – Chris Baron, Dave Elliott, Gary Kettel, Glyn Matthews, Paul Clarvis, Frank Ricotti
  • Piano, Celesta – Dave Hartley
  • Solo vocal – Dee Lewis Clay, Jónsi
  • Timpani – Jeremy Cornes, Bill Lockhart
  • Trombone – Amos Miller, Ed Tarrant, Lyndon Meredith, Andy Wood
  • Trumpet – Andy Crowley, Dan Newell, Kate Moore, Simon Munday, Philip Cobb
  • Tuba – Owen Slade
  • Uilleann pipes – Callum Stewart
  • Violin – Alison Harling, Alison Kelly, Bea Lovejoy, Boguslaw Kostecki, Cathy Thompson, Charlie Brown, Chris Tombling, Christina Emmanuel, Dai Emanuel, Daniel Bhattacharya, Dave Woodcock, Debbie Widdup, Elizabeth Cooney, Everton Nelson, Fiona Brett, Ian Humphries, Jackie Shave, Jackie Hartley, Jeremy Isaac, Jim McLeod, Jo Archard, John Mills, Laura Melhuish, Maciej Rakowski, Mark Berrow, Natalia Bonner, Patrick Kiernan, Philippa Ibbotson, Rita Manning, Sarah Sexton, Tom Pigott-Smith, Warren Zielinski, Perry Montague-Mason
  • Woodwind – Jan Hendrickse
Choir
  • Choir – Eric Whitacre Singers
  • Choir recording – Pete Cobbin
  • Choir conductor – Eric Whitacre
Orchestra
  • Orchestration – Andrew Kinney, Geoff Lawson, Jon Kull, Randy Kerber, Rick Giovinazzo, Tommy Laurence
  • Supervising orchestration – John Ashton Thomas
  • Orchestra leader – Emlyn Singleton
  • Orchestra conductor – Gavin Greenaway
  • Orchestra contractor – Susie Gillis

References

  1. ^ Alexander, Bryan (June 7, 2018). "Toothless is in love! New trailer, photos from How to Train Your Dragon 3". USA Today. Archived from the original on June 7, 2018. Retrieved June 7, 2018.
  2. ^ Burton, Byron (February 22, 2019). "'How to Train Your Dragon' Composer Says Goodbye to the Trilogy". The Hollywood Reporter. Retrieved December 22, 2022.
  3. ^ a b Patches, Matt (February 26, 2019). "How the How to Train Your Dragon trilogy wound up with the most thrilling score since Star Wars". Polygon. Retrieved December 22, 2022.
  4. ^ "Together from Afar (How to Train Your Dragon: The Hidden World)". YouTube. Archived from the original on February 29, 2020. Retrieved February 3, 2019.
  5. ^ a b c d e f g h Burlingame, Jon (February 28, 2019). "'How to Train Your Dragon: The Hidden World' Soars With Fiery Score". Variety. Retrieved December 22, 2022.
  6. ^ Barnes, Chloe (March 26, 2022). "DreamWorks' 10 Best Movie Scores, That We Can't Get Out Of Our Head". Collider. Retrieved December 22, 2022.
  7. ^ Carey, Matthew (November 2, 2019). "DreamWorks Animation's 'How To Train Your Dragon: The Hidden World' & 'Abominable' Stress Importance Of Getting Composers Aboard Early – The Contenders L.A." Deadline. Retrieved December 22, 2022.
  8. Genius. Archived
    from the original on February 23, 2019. Retrieved March 1, 2019.
  9. ^ Ames, Jeff (February 23, 2019). "Composer John Powell Bids Farewell to How to Train Your Dragon". Comingsoon.net. Retrieved December 22, 2022.
  10. ^ Zanobard (February 3, 2019). "How To Train Your Dragon: The Hidden World – Soundtrack Review". Zanobard Reviews. Retrieved December 22, 2022.
  11. ^ "HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD – John Powell". MOVIE MUSIC UK. March 28, 2019. Retrieved December 22, 2022.
  12. ^ "Filmtracks: How to Train Your Dragon: The Hidden World (John Powell)". www.filmtracks.com. Retrieved December 22, 2022.
  13. ^ "How to Train Your Dragon: The Hidden World soundtrack review | John Powell | movie-wave.net". February 17, 2019. Retrieved December 22, 2022.
  14. ^ Harris, LaTesha (November 5, 2019). "Joker, Lion King, Us Lead 2019 Hollywood Music in Media Awards Nominees". Variety. Archived from the original on November 5, 2019. Retrieved March 5, 2022.
  15. ^ Grein, Paul (November 21, 2019). "'Stand Up' From Harriet Wins Top Song at Hollywood Music in Media Awards". Billboard. Archived from the original on November 18, 2021. Retrieved March 5, 2022.
  16. ^ Anderson, Erik (February 6, 2020). "Hildur Guðnadóttir leads International Film Music Critics Association (IMFCA) nominations". AwardsWatch. Archived from the original on April 11, 2022. Retrieved April 11, 2022.
  17. ^ "IFMCA Award Winners 2019". International Film Music Critics Association. February 20, 2020. Archived from the original on April 11, 2022. Retrieved April 11, 2022.
  18. ^ Newman, Melinda (January 8, 2020). "Joker Composer Hildur Gudnadóttir Scores Big at Inaugural Society of Composers & Lyricists Awards". Billboard. Archived from the original on April 6, 2022. Retrieved April 6, 2022.
  19. ^ Bell, BreAnna (August 12, 2019). "Lady Gaga, Post Malone Among 2019 World Soundtrack Awards Nominees". Variety. Archived from the original on March 5, 2022. Retrieved March 5, 2022.
  20. ^ Hipes, Patrick (October 18, 2019). "Nicholas Britell, 'Chernobyl' Composer, Shallow Among World Soundtrack Award Winners". Deadline Hollywood. Archived from the original on March 5, 2022. Retrieved March 5, 2022.
  21. ^ Piano Solos from How to Train Your Dragon: The Hidden World by John Powell, May 15, 2020, retrieved December 22, 2022
  22. ^ "Piano Solos from 'How to Train Your Dragon: The Hidden World' by Batu Sener - 5 Cat Studios". 5catstudios.com. Retrieved December 22, 2022.
  23. ^ HalLeonard.com. "How to Train Your Dragon: The Hidden World - Music from the Motion Picture Soundtrack - Piano Solo Songbook". Hal Leonard Online. Retrieved December 22, 2022.
  24. ^ John Powell - How To Train Your Dragon: The Hidden World, February 2019, retrieved December 22, 2022
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